Remote proximity: Making immersive dance under COVID-19 lockdown.Published in:Choreographic Practices, 2022, v. 13, n. 2, p. 165, doi. 10.1386/chor_00049_1By:Kwan, SanSanPublication type:Article
Hong Kong In- corporated.Published in:Performance Research, 2003, v. 8, n. 4, p. 11, doi. 10.1080/13528165.2003.10871961By:Kwan, SanSanPublication type:Article
Performing a Geography of Asian America: The Chop Suey Circuit.Published in:TDR: The Drama Review (MIT Press), 2011, v. 55, n. 1, p. 120, doi. 10.1162/DRAM_a_00052By:SanSan KwanPublication type:Article
Revolutionary Bodies: Chinese Dance and the Socialist Legacy.Published in:2021By:Kwan, SanSanPublication type:Book Review
Even as We Keep Trying: An Ethics of Interculturalism in Jérôme Bel's Pichet Klunchun and Myself.Published in:Theatre Survey, 2014, v. 55, n. 2, p. 185, doi. 10.1017/S0040557414000064By:Kwan, SanSanPublication type:Article