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Primitivism in Early 20th Century French Music: Darius Milhaud's La création du monde.
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- Bulletin of the Transilvania University of Brasov, Series IX: Sciences of Human Kinetics, 2023, v. 16, p. 233, doi. 10.31926/but.pa.2023.16.65.3.22
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Primitivism in Early 20th Century French Music: Darius Milhaud's La création du monde.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 233, doi. 10.31926/but.pa.2023.16.65.3.22
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The Musical Depiction of Chaos and Creation in Jean-Féry Rebel's Les Éléments.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 59, doi. 10.31926/but.pa.2022.15.64.2.7
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Reason and Time in the French Baroque: François Couperin's Leçons de ténèbres pour le mercredi saint (1714).
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 111, doi. 10.31926/but.pa.2022.15.64.3.12
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Indian perspectives in the works of Albert Roussel and Maurice Delage.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2021, v. 14, n. 2, p. 75, doi. 10.31926/but.pa.2021.14.63.2.8
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Art-Nouveau and the portrait of the Fin de Siècle woman in Jules Massenet's Cléopâtre.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 155, doi. 10.31926/but.pa.2020.13.62.3.17
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The Evolution of French Musical Orientalism in the Works of Francisco Salvador-Daniel.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 151, doi. 10.31926/but.pa.2019.12.61.39
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Expressing Reality through Spectacle and Dream in Baroque Art.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 45, doi. 10.31926/but.pa.2019.12.61.5
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An Image of the Exotic in the Works of Ernest Reyer: from Le Sélam to Salammbô.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, p. 145
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Félicien David: the revealer of musical exoticism in the Romantic Era.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 135
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THE EVOLUTION OF THE FRENCH CHANSON DURING THE RENAISSANCE: FROM THE PARISIAN CHANSON TO THE PLÉIADE CHANSONS, AND THE AIR DU COUR.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 83, doi. 10.24193/subbmusica.2024.spiss1.05
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AT THE CROSSROADS BETWEEN OPERA AND ORATORIO: BIBLICAL THEMES AND 19TH CENTURY FRENCH OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 21, doi. 10.24193/subbmusica.2023.2.02
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THE EXOTICISM OF OLIVIER MESSIAEN.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 39, doi. 10.24193/subbmusica.2023.spiss2.03
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INDIAN RHYTHMIC GESTURE AND TINTA IN FRENCH OPERAS OF THE SECOND HALF OF THE 19TH CENTURY AND EARLY 20 TH CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 33, doi. 10.24193/subbmusica.2022.spiss2.03
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COMPOSITIONAL PARTICULARITIES AND ASIAN INFLUENCES IN THE MUSICAL CONCEPTION AND WORKS OF JOHN CAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 139, doi. 10.24193/subbmusica.2022.1.09
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INDIAN CULTURE AND MUSIC AS A SOURCE OF INSPIRATION FOR FRENCH OPERA COMPOSERS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 99, doi. 10.24193/subbmusica.2021.2.08
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INFLUENCES OF CLASSICAL INDIAN MUSIC IN ALBERT ROUSSEL’S EVOCATIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 1, p. 125, doi. 10.24193/subbmusica.2021.1.09
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THE SOUND OF INDIA IN MAURICE DELAGE'S QUATRE POÈMES HINDOUS.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 277, doi. 10.24193/subbmusica.2020.2.18
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THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 2, p. 189, doi. 10.24193/subbmusica.2019.2.10
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CHARACTERISTICS OF THE 19<sup>TH</sup> CENTURY FRENCH OPERA REFLECTED IN THE WORKS OF SAINT-SAËNS AND BIZET.
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- Studia Universitatis Babes-Bolyai, Musica, 2018, v. 63, n. 2, p. 133, doi. 10.24193/subbmusica.2018.2.11
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CHRISTOPH WILLIBALD VON GLUCK AND THE DAWN OF THE REFORM OF OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 2, p. 61, doi. 10.24193/subbmusica.2017.2.04
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