Found: 12
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George Frideric Handel Collected DocumentsDonald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks.
- Published in:
- Music & Letters, 2021, v. 102, n. 4, p. 820, doi. 10.1093/ml/gcab098
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- Publication type:
- Article
The Rival Sirens: Performance and Identity on Handel’s Operatic Stage. By Suzanne Aspden.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
In dolce amore: Arias and Cantatas.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
Martha Feldman: Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
“Ich bin eine Engländerin, zur Freyheit geboren”: Blonde and the Enlightened Female in Mozart's Die Entführung aus dem Serail.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 4, p. 552, doi. 10.1093/oq/kbq050
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- Publication type:
- Article
"In Wit Superior, as in Fighting"Kitty Clive and the Conquest of a Rival Queen.
- Published in:
- Huntington Library Quarterly, 2011, v. 74, n. 1, p. 23, doi. 10.1525/hlq.2011.74.1.23
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- Publication type:
- Article
George Frideric Handel: Collected Documents, Volume III, 1734‐1742.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
One God, so many Farinellis: Mythologising the Star Castrato.
- Published in:
- Journal for Eighteenth-Century Studies, 2005, v. 28, n. 3, p. 437, doi. 10.1111/j.1754-0208.2005.tb00311.x
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- Publication type:
- Article
The London stage from Purcell to Pepusch.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
Opera librettos and British politics.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
London stage music in transition.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
Women's song in Georgian England.
- Published in:
- 2009
- By:
- Publication type:
- Book Review