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MASCULINITY AND "CINE DE CRUZADA:" THE CRUSADE AGAINST SELF-INDULGENCE IN EARLY FRANCOIST SPAIN.
- Published in:
- 2014
- By:
- Publication type:
- Film/Television Criticism
Traumatic Memory and Heroism in the Transnational Spaghetti Western.
- Published in:
- Romance Notes, 2021, v. 61, n. 1, p. 1, doi. 10.1353/rmc.2021.0002
- By:
- Publication type:
- Article
VORACIOUS VAMPIRES AND OTHER MONSTERS: MASCULINITY AND THE TERROR GENRE IN SPANISH CINEMA OF THE TRANSICIÓN.
- Published in:
- Romance Notes, 2015, v. 55, n. 1, p. 125, doi. 10.1353/rmc.2015.0010
- By:
- Publication type:
- Article
THE FALSE-BOTTOMED SUITCASE: HISTORICAL MEMORY AND TEXTUAL MASOCHISM IN CARMEN MARTÍN GAITE'S EL CUARTO DE ATRÁS.
- Published in:
- 2007
- By:
- Publication type:
- Literary Criticism
Between Two Loves: Manolo Escobar, Masculinity, and a Spanish Transition.
- Published in:
- Confluencia, 2015, v. 30, n. 2, p. 113, doi. 10.1353/cnf.2015.0003
- By:
- Publication type:
- Article
Book Reviews.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 1, p. 103, doi. 10.1386/slac.15.1.103_5
- By:
- Publication type:
- Article