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Digitally reconstructing Van Gogh's <italic>Field with Irises near Arles</italic> part 3: Determining the original colors.
- Published in:
- Color Research & Application, 2018, v. 43, n. 3, p. 311, doi. 10.1002/col.22197
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- Article
ISSUE INFORMATION.
- Published in:
- Color Research & Application, 2018, v. 43, n. 2, p. i, doi. 10.1002/col.22205
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- Article
Digitally reconstructing Van Gogh's <italic>Field with Irises near Arles.</italic> Part 2: Pigment concentration maps.
- Published in:
- Color Research & Application, 2018, v. 43, n. 2, p. 158, doi. 10.1002/col.22164
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- Article
The examination of Van Gogh's chrome yellow pigments in 'Field with Irises near Arles' using quantitative SEM–WDX.
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- Heritage Science, 2019, v. 7, n. 1, p. N.PAG, doi. 10.1186/s40494-019-0341-3
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- Article
Congregation leaving the Reformed Church in Nuenen by Vincent van Gogh: a combined multi-instrumental approach to analyse the painting's stratigraphy in support of varnish removal.
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- Heritage Science, 2022, v. 10, n. 1, p. 1, doi. 10.1186/s40494-022-00789-0
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- Article
Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints.
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- Heritage Science, 2018, v. 6, n. 1, p. 1, doi. 10.1186/s40494-018-0181-6
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- Article
Zinc white marker paint in Mondrian's neoplastic paintings.
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- Heritage Science, 2024, v. 12, n. 1, p. 1, doi. 10.1186/s40494-023-01127-8
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- Article