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INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 151, doi. 10.24193/subbmusica.2023.spiss2.09
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VOCAL IMPROVISATION – A COGNITIVE AND A PSYCHOLOGICAL PROCESS.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 207, doi. 10.24193/subbmusica.2023.spiss2.13
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EXPLORING CHINESE CULTURAL IDENTITY IN THE LIANG ZHU VIOLIN CONCERTO: AN INTERCULTURAL PERSPECTIVE ON THE ADAPTATION OF TRADITIONAL ELEMENTS IN WESTERN CLASSICAL MUSIC LANGUAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 343, doi. 10.24193/subbmusica.2023.spiss2.22
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Composition Techniques Specific to the Arabic Musical Language in Kareem Roustom's Violin Concerto No. 1.
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- Bulletin of the Transilvania University of Brasov, Series IX: Sciences of Human Kinetics, 2023, v. 16, p. 275, doi. 10.31926/but.pa.2023.16.65.3.26
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Composition Techniques Specific to the Arabic Musical Language in Kareem Roustom's Violin Concerto No. 1.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 275, doi. 10.31926/but.pa.2023.16.65.3.26
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Vocal phrasing and interplay in jazz improvisation - a comparison between principles of improvising on Swing and Bossa Nova.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, n. 2, p. 149, doi. 10.31926/but.pa.2023.16.65.2.16
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SIGNIFICANT PERSONALITIES AS TURNING POINTS IN THE LIFE AND MUSIC OF JOHANNES BRAHMS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 57, doi. 10.24193/subbmusica.2022.1.05
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VOCAL DEPERSONALIZATION IN SCAT SINGING.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 195, doi. 10.24193/subbmusica.2022.1.13
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Tracing the social-psychological causality relationships in Stravinski and Shostakovich through the violin chamber music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 85, doi. 10.31926/but.pa.2021.14.63.3.9
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Rhetorical Analysis Benchmarks in the First Part of Shostakovich's Quartet no. 8.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 207, doi. 10.31926/but.pa.2022.15.64.3.22
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THE ROLE OF THE HUNGARIAN ROMAN CATHOLIC CHURCH COMMUNITY SONG IN THE TRANSFORMATION PROCESS OF THE ARMENIAN LITURGICAL REPERTOIRE IN TRANSYLVANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 255, doi. 10.24193/subbmusica.2021.2.18
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THE "WILD BEAUTY" OF BRAHMS'S RHAPSODIES, OP. 79. STRUCTURAL ANALYSIS AND COMPARATIVE ANALYSIS OF PERFORMANCES.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 309, doi. 10.24193/subbmusica.2021.2.22
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- Article
Tracing the social-psychological causality relationships in Stravinski and Shostakovich through the violin chamber music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2021, v. 14, p. 85, doi. 10.31926/but.pa.2021.14.63.3.9
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The sound color palette of the double bass: history and modernity.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2021, v. 14, n. 2, p. 65, doi. 10.31926/but.pa.2021.14.63.2.7
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Projecting the traditional competitive paradigm into the virtual environment. The Online Competition, pros and cons.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2021, v. 12, n. 2, p. 53, doi. 10.47809/ictmf.2021.02.05
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THE EVOLUTION AND MULTICULTURALITY OF THE OPERETTA GENRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 2, p. 119, doi. 10.24193/subbmusica.2020.2.09
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Evaluation of the stylistic path of authors of concertos composed for double bass and orchestra in XVIII-XX centuries.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 113, doi. 10.31926/but.pa.2020.13.62.3.12
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The appropriation of the necessary technique in singing performance.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 321, doi. 10.31926/but.pa.2020.13.62.2.35
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Armenian Church music: genres, modes, and notation Issues.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 35, doi. 10.31926/but.pa.2020.13.62.2.4
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Expression particulars of Brahms's music language, mirrored in hs Compositions for Piano.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 259, doi. 10.31926/but.pa.2019.12.61.51
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Fundamental structures of classical music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 45, doi. 10.31926/but.pa.2019.12.61.16
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STYLISTIC COORDINATES OF BEETHOVEN'S STYLISTIC COORDINATES OF BEETHOVEN'S LANGUAGE.
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- REVART: Specialized Review of Theory & Critique of Arts, 2019, n. 33, p. 7
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THE UNIFYING POWER OF MUSIC IN MARSILIO FICINO'S VISIO.
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- Studia Universitatis Babes-Bolyai, Musica, 2018, v. 63, n. 2, p. 37, doi. 10.24193/subbmusica.2018.2.04
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Tehnologia audio - O punte între muzică şi emoţie.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2018, v. 9, n. 2, p. 25
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Direcții ale cercetării neurologice în terapia prin muzică activă și receptivă.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2018, v. 9, n. 1, p. 35
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Beethoven's dynamics seen in terms of his Piano and Violin Sonatas.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 128
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Musical psychology - an integral experience.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, n. 2, p. 113
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Memory and learning: experiment on Sonata KV 331, in A Major by W. A. Mozart.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, n. 1, p. 13
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AN ANALYTICAL APPROACH ON THE RELATIONSHIP BETWEEN MUSIC AND LANGUAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2016, v. 61, n. 2, p. 125
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Choosing the right music - an important step in music therapy.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, p. 105
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Historic landmarks in Beethoven's Sonata for Piano and Violin.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, p. 169
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Music therapy and the PERMA model.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, p. 317
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A universal prototype of health.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, n. 2, p. 23
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MUSIC - MEANING AND STRUCTURE.
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- REVART: Specialized Review of Theory & Critique of Arts, 2016, n. 27, p. 33
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SPECT - AN OPEN WINDOW INTO THE BRAIN.
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- REVART: Specialized Review of Theory & Critique of Arts, 2016, n. 27, p. 39
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UNDERSTANDING INDIAN TRADITIONS IN MUSIC THERAPY.
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- Studia Universitatis Babes-Bolyai, Musica, 2015, v. 60, n. 2, p. 109
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The pianoforte -- three centuries of life.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. 1, p. 45
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EXPRESSIVITY AS FACTOR OF EXCELLENCE IN MUSICAL PERFORMANCE.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2014, v. 7, n. 2, p. 43
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VIABILITY OF DIDACTIC PRINCIPLES IN CONTEMPORARY PIANO EDUCATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2014, v. 59, n. 1, p. 127
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THE HEALING FORCES OF MUSIC THERAPY.
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- REVART: Specialized Review of Theory & Critique of Arts, 2014, n. 17, p. 56
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The Healing Forces of Music Therapy.
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- REVART: Specialized Review of Theory & Critique of Arts, 2013, n. 16, p. 72
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IN VIEW OF A MODERN APPROACH TO THE CONCEPT OF PIANO TECHNIQUE.
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- REVART: Specialized Review of Theory & Critique of Arts, 2012, n. 2, p. 5
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TRADITION AND MODERNITY IN W.A.MOZART'S PIANISTIC ART.
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- REVART: Specialized Review of Theory & Critique of Arts, 2012, n. 1, p. 70
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COMPARATIVE STUDY BETWEEN MUSIC AND LANGUAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 5
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MODERN APPROACHES IN MELOTHERAPY: CARL ORFF.
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- REVART: Specialized Review of Theory & Critique of Arts, 2011, n. 1, p. 35
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MEDICAL PROBLEMS SPECIFIC TO MUSICIANS.
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- REVART: Specialized Review of Theory & Critique of Arts, 2010, n. 2, p. 81
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APPRECIATIONS UPON MODERN PIANISTIC PEDAGOGY -- FIRST HALF OF THE 20<sup>TH</sup> CENTURY.
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- REVART: Specialized Review of Theory & Critique of Arts, 2010, n. 1, p. 119
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