The Noir Western: Genre Theory and the Problem of the Anomalous Hybrid.Published in:Quarterly Review of Film & Video, 2014, v. 31, n. 4, p. 336, doi. 10.1080/10509208.2012.660452By:Monticone, PaulPublication type:Article
Singing Sci-Fi Cowboys: Gene Autry And Genre Amalgamation In The Phantom Empire (1935).Published in:2013By:Davis, BlairPublication type:Film/TV Criticism and Review
The Noir Western: Darkness on the Range, 1943-1962.Published in:2016By:Cutshaw, Debra B.Publication type:Book Review
THE SAGEBRUSH TRAIL: Western Movies and Twentieth-Century America.Published in:2015By:HOFFMAN, ABRAHAMPublication type:Book Review
Pious Heroes of the Fordian Western.Published in:2015By:Cubillos, Bernardita M.;Brenes, Carmen SofíaPublication type:Film/TV Criticism and Review
THREE BAD MEN: John Ford, John Wayne, Ward Bond.Published in:2013By:HOFFMAN, ABRAHAMPublication type:Book Review
Cold War Rivalry and the Perception of the American West.Published in:2014By:Daum, Andreas W.Publication type:Book Review
Homesteading Remembered: A Sesquicentennial Perspective.Published in:Agricultural History, 2013, v. 87, n. 1, p. 1, doi. 10.3098/ah.2013.87.1.1By:CANNON, BRIAN Q.Publication type:Article
COWBOYS DIE HARD: REAL MEN AND BUSINESSMEN IN THE REAGAN-ERA BLOCKBUSTER.Published in:2011By:Cohen, PaulPublication type:Film/TV Criticism and Review