Works matching DE "SOUND recording piracy"
Results: 81
2005-2006 Completed Research Grant Project.
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- Law Library Journal, 2006, v. 98, n. 4, p. 847
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- Article
"Copyrights must amend".
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- Theory in Action, 2012, v. 5, n. 4, p. 47, doi. 10.3798/tia.1937-0237.12032
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- Article
Copying, copyright and originality: imitation, transformation and popular musicians.
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- European Journal of Cultural Studies, 2017, v. 20, n. 4, p. 363, doi. 10.1177/1367549417718206
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- Article
Motivations for Gratifications of Digital Music Piracy Among College Students.
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- Atlantic Journal of Communication, 2010, v. 18, n. 5, p. 241, doi. 10.1080/15456870.2010.521471
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- Article
Buy or burn?: Empirical tests of models of crime using data from a general population
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- Social Science Journal, 2008, v. 45, n. 1, p. 95, doi. 10.1016/j.soscij.2007.12.007
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- Article
Music CD Purchase Decisions.
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- Journal of Applied Social Psychology, 2006, v. 36, n. 12, p. 3043, doi. 10.1111/j.0021-9029.2006.00142.x
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- Article
SONG ON WIRE: A TECHNICAL ANALYSIS OF REDIGI AND THE PRE-OWNED DIGITAL MEDIA MARKETPLACE.
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- Journal of Intellectual Property & Entertainment Law, 2014, v. 4, n. 1, p. 1
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- Article
Ethical Issues in the Music Industry Response to Innovation and Piracy.
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- Journal of Business Ethics, 2005, v. 62, n. 2, p. 163, doi. 10.1007/s10551-005-0187-3
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The Antecedents of Music Piracy Attitudes and Intentions.
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- Journal of Business Ethics, 2005, v. 57, n. 2, p. 161, doi. 10.1007/s10551-004-5263-6
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The Effects of Attitudinal and Demographic Factors on Intention to Buy Pirated CDs: The Case of Chinese Consumers.
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- Journal of Business Ethics, 2003, v. 47, n. 3, p. 223, doi. 10.1023/A:1026269003472
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MUSICAL PLAGIARISM: A TRUE CHALLENGE FOR THE COPYRIGHT LAW.
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- DePaul Journal of Art, Technology & Intellectual Property Law, 2014, v. 25, n. 1, p. 1
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REPRODUCIBILITY.
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- Metro, 2001, n. 131/132, p. 204
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Technologies of Piracy? Exploring the Interplay Between Commercialism and Idealism in the Development of MP3 and DivX.
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- International Journal of Communication (19328036), 2013, v. 7, p. 2067
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- Article
The Network Studio Revisited: Becoming an Artist in the Age of "Piracy Cultures".
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- International Journal of Communication (19328036), 2012, v. 6, p. 773
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- Article
BESPOKE RECORDINGS: THE LIMITS OF INTELLECTUAL PROPERTY AND THE REVIVAL OF THE MUSIC INDUSTRY.
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- Journal of Law, Technology & Policy, 2014, n. 2, p. 325
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- Article
SAMPLING THE CIRCUITS: THE CASE FOR A NEW COMPREHENSIVE SCHEME FOR DETERMINING COPYRIGHT INFRINGEMENT AS A RESULT OF MUSIC SAMPLING.
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- Washington University Law Review, 2012, v. 89, n. 5, p. 1161
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- Article
SIDDIK AKBAYIR BİR İNTİHAL (Mİ YOKSA YAĞMA MI?) DAHA YAPMIŞTI.
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- Electronic Turkish Studies, 2006, v. 1, n. 1, p. 160
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Intention to Engage in Digital Piracy: A Conceptual Model and Empirical Test.
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- Journal of Service Research, 2009, v. 11, n. 3, p. 246, doi. 10.1177/1094670508328924
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THE DENIAL OF A GENERAL PERFORMANCE RIGHT IN SOUND RECORDINGS: A POLICY THAT FACILITATES OUR DEMOCRATIC CIVIL SOCIETY?
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- Harvard Journal of Law & Technology, 2007, v. 21, n. 1, p. 233
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The Social Form of Napster: Cultivating the Paradox of Consumer Emancipation.
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- Advances in Consumer Research, 2003, v. 30, n. 1, p. 94
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A SURVEY OF STATE COPYRIGHT LAW.
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- Southern Law Journal, 2014, v. 24, n. 2, p. 311
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A Behavioral Model of Digital Music Piracy.
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- Journal of Organizational Computing & Electronic Commerce, 2004, v. 14, n. 2, p. 89, doi. 10.1207/s15327744joce1402_01
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Copyright and Scholars' Rights.
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- Music, Sound & the Moving Image, 2007, v. 1, n. 1, p. 9, doi. 10.3828/msmi.1.1.3
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- Article
Maverick Recording Co. v. Whitney Harper : How the Fifth Circuit Virtually Eliminated Innocent Infringers Without Noticing.
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- Tulane Journal of Technology & Intellectual Property, 2010, v. 13, p. 295
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- Article
Lawful Personal Use.
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- Texas Law Review, 2007, v. 85, n. 7, p. 1871
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Smuggled Sound: Bootleg Recording and the Pursuit of Popular Memory.
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- Symbolic Interaction, 1997, v. 20, n. 4, p. 319, doi. 10.1525/si.1997.20.4.319
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Banning the Beatles: 'A Day in the Life' at the BBC and the creation of Radio 1.
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- Popular Music History, 2016, v. 11, n. 2, p. 107, doi. 10.1558/pomh.37826
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left of the dial.
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- EMedia Magazine, 2000, v. 13, n. 8, p. 40
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Record Labels vs. MP3.com.
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- EMedia Magazine, 2000, v. 13, n. 8, p. 10
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- Article
Bandidos de Cristo: Representations of the Power of Criminal Factions in Rio's Proibidão Funk.
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- Latin American Music Review / Revista de Música Latinoamericana, 2007, v. 28, n. 2, p. 220, doi. 10.1353/lat.2007.0035
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- Article
POSSIBILITIES OF DIGITAL PIRACY MANAGEMENT IN MUSIC RECORDS INDUSTRY.
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- Transformations in Business & Economics, 2015, v. 14, n. 1, p. 236
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- Article
Challenging Intellectual Property Law in the Internet: An Overview of the Legal Implications of the MP3 Technology.
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- Information & Communications Technology Law, 2001, v. 10, n. 3, p. 319, doi. 10.1080/13600830120081944
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- Article
Abstracts of Recent Dissertations Relevant to Psychomusicology.
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- 2015
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- Abstract
MUSIC DOWNLOADING: COMPETING AGAINST ONLINE PIRACY.
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- International Journal of Business & Public Administration, 2010, v. 7, n. 1, p. 14
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- Article
Brussels I Regulation and online copyright infringement: ‘intention to target’ approach rejected.
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- Journal of Intellectual Property Law & Practice, 2014, v. 9, n. 1, p. 18, doi. 10.1093/jiplp/jpt211
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Extended protection for recordings, performances and co-written songs.
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- Journal of Intellectual Property Law & Practice, 2013, v. 8, n. 12, p. 907, doi. 10.1093/jiplp/jpt204
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A triple strike against piracy as the music industry secures three more blocking injunctions.
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- Journal of Intellectual Property Law & Practice, 2013, v. 8, n. 8, p. 591, doi. 10.1093/jiplp/jpt097
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- Article
Predicting Accounting Students' Intentions to Engage in Software and Music Piracy.
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- Journal of Academic Ethics, 2015, v. 13, n. 4, p. 291, doi. 10.1007/s10805-015-9241-7
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Psychological predictors of engagement in music piracy.
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- Creative Industries Journal, 2017, v. 10, n. 3, p. 226, doi. 10.1080/17510694.2017.1373884
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COPYRIGHT INFRINGEMENT IN SOUND RECORDING: HOW COURTS AND LEGISLATURES CAN GET IN VOGUE IN A POST-CICCONE WORLD.
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- Journal of Law & Policy, 2017, v. 25, n. 2, p. 723
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- Article
BACKING DOWN: BLURRED LINES IN THE STANDARDS FOR ANALYSIS OF SUBSTANTIAL SIMILARITY IN COPYRIGHT INFRINGEMENT FOR MUSICAL WORKS.
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- Journal of Intellectual Property Law, 2016, v. 24, n. 1, p. 99
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Trends in Digital Music Archiving.
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- Information Society, 2008, v. 24, n. 4, p. 246, doi. 10.1080/01972240802191621
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Music in the Cloud and the Digital Sublime.
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- Popular Music & Society, 2014, v. 37, n. 4, p. 393, doi. 10.1080/03007766.2013.810853
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Shopping for Legs and Boots: Tori Amos's Original Bootlegs, Fandom, and Subcultural Capital.
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- 2010
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- Case Study
Rethinking the Digital Remix: Mash-ups and the Metaphysics of Sound Recording.
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- Popular Music & Society, 2008, v. 31, n. 4, p. 489, doi. 10.1080/03007760802053211
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- Article
Hackers, Users, and Suits: Napster and Representations of Identity.
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- Popular Music & Society, 2004, v. 27, n. 2, p. 161, doi. 10.1080/03007760410001685813
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- Article
Who are the Pirates? The Politics of Piracy, Poverty, and Greed in a Globalized Music Market.
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- Popular Music & Society, 2004, v. 27, n. 1, p. 101, doi. 10.1080/0300776042000166639
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- Article
More Than Just Free Content: Motivations of Peer-to-Peer File Sharers.
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- Journal of Communication Inquiry, 2009, v. 33, n. 3, p. 206, doi. 10.1177/0196859909333697
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- Article
Price, Scarcity, and Consumer Willingness to Purchase Pirated Media Products.
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- Journal of Public Policy & Marketing, 2009, v. 28, n. 1, p. 71, doi. 10.1509/jppm.28.1.71
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- Article
Consumer Search and Retailer Strategies in the Presence of Online Music Sharing.
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- Journal of Management Information Systems, 2006, v. 23, n. 1, p. 129, doi. 10.2753/MIS0742-1222230104
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- Article