Hearing the measures.Published in:Style, 1997, v. 31, n. 1, p. 148By:Wright, George T.Publication type:Article
Roy Harris and writing without speech.Published in:1997By:Pier, JohnPublication type:Literary Criticism
Speaking out: Dialogue and the literary unconscious.Published in:Style, 1997, v. 31, n. 1, p. 118By:Wexler, JoycePublication type:Article
Beyond The Brain of Katherine Mansfield: The radical potentials and recuperations of...Published in:1997By:Schofield, DennisPublication type:Literary Criticism
By whose authority? Point of view in the first chapter of Harold Frederic's The Damnation of...Published in:1997By:Eggers, PaulPublication type:Literary Criticism
`Terrible simplicity': Emerson's metaleptic style.Published in:1997By:Wilson, EricPublication type:Literary Criticism
Douglas Hodge reading Keats's Elgin Marbles sonnet.Published in:1997By:Tsur, ReuvenPublication type:Poetry Review
`Strange things I have in head, that will to hand': Echoes of sound and sense in Macbeth.Published in:1997By:Pellikka, PaulPublication type:Literary Criticism
Ways of personifying.Published in:Style, 1997, v. 31, n. 1, p. 1By:Edgecombe, Rodney StenningPublication type:Article