Choctaw Homescapes: LeAnne Howe's Gulf Coast.Published in:2013By:SQUINT, KIRSTIN L.Publication type:Literary Criticism
"Too Little to Count as Looking": Blackness and the Formation of the White Feminine in Eudora Welty's The Golden Apples.Published in:2013By:SCHROCK, LAURA J.Publication type:Literary Criticism
"We're Just What We Are, Little Manty": Racial Passing in Robert Penn Warrens Band of Angels.Published in:2013By:SALYER, MATTHEWPublication type:Literary Criticism
Ghosts of Southern Imperialism: Caribbean Space, Functions of Fiction, and Thomas Nelson Page's "No Haid Pawn".Published in:2013By:HAGOOD, TAYLORPublication type:Short Story Review
Delta Fragments: The Recollections of a Sharecropper's Son.Published in:2013By:Baxter Miller, R.Publication type:Book Review
Conversations with Natasha Trethewey.Published in:2013By:Millichap, JosephPublication type:Book Review
Selected Film Essays and Interviews.Published in:2013By:Gleeson-White, SarahPublication type:Book Review
"You Have Even Been to Lady School": Pierre Bourdieu, Lee Smith, and New Gender Theory for Southern Literature.Published in:2013By:SLOAN PATTERSON, LAURAPublication type:Literary Criticism
"It May Be That There Is No Place for Any of Us": Homosexuality, Communism, and the Politics of Nostalgia in Capote's The Grass Harp.Published in:2013By:FAHY, THOMASPublication type:Literary Criticism
Reviewing the South: Lillian Smith, South Today; and the Origins of Literary Canons.Published in:Mississippi Quarterly, 2013, v. 66, n. 1, p. 29By:DOMINY, JORDAN J.Publication type:Article