Lost in Transition? The European Road Movie, or A Genre "adrift in the cosmos."
- Published in:
- Literature Film Quarterly, 2009, v. 37, n. 3, p. 165
- By:
- Publication type:
- Article
Works matching DE "ROAD films"
Results: 60
1
2
On the Road: Reclaiming "Korol Lir."
- Published in:
- Literature Film Quarterly, 2009, v. 37, n. 2, p. 97
- By:
- Publication type:
- Article
3
Towards an understanding of Australian genre cinema and entertainment: Beyond the limitations of 'Ozploitation' discourse.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2010, v. 24, n. 6, p. 843, doi. 10.1080/10304312.2010.510597
- By:
- Publication type:
- Article
4
The Global Road Movie: Alternative Journeys Around the World.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
5
The Latin American (Counter-)Road Movie and Ambivalent Modernity.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
6
The politics of a rock 'n' road docudrama—genre and intertextuality in Želimir Žilnik's Oldtimer (1989).
- Published in:
- Studies in Eastern European Cinema, 2022, v. 13, n. 3, p. 293, doi. 10.1080/2040350X.2021.1994240
- By:
- Publication type:
- Article
7
The road movies of the New Romanian Cinema.
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 1, p. 23, doi. 10.1386/seec.3.1.23_1
- By:
- Publication type:
- Article
8
Borderless possibilities, hesitant voyagers: Mapping identity in three post-1989 Czech road movies.
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 1, p. 7, doi. 10.1386/seec.3.1.7_1
- By:
- Publication type:
- Article
9
OS CAMINHOS DE WIM WENDERS.
- Published in:
- Sessões do Imaginário, 2008, v. 13, n. 20, p. 1
- By:
- Publication type:
- Article
10
Fata Morgana: Mirage in the Desert - a sequence of images (2005).
- Published in:
- Journal of African Media Studies, 2009, v. 1, n. 1, p. 91, doi. 10.1386/jams.1.1.91/1
- By:
- Publication type:
- Article
11
On the Road with Cactus.
- Published in:
- 2008
- By:
- Publication type:
- Interview
12
Going Walkabout: Lucky Miles.
- Published in:
- 2007
- By:
- Publication type:
- Film/TV Criticism and Review
13
ON THE ROAD WITH SCREEN CULTURE.
- Published in:
- Metro, 2002, n. 134, p. 166
- By:
- Publication type:
- Article
14
BITUMEN, DIRT TRACK AND LOST HIGHWAYS.
- Published in:
- Metro, 2000, n. 124/125, p. 144
- By:
- Publication type:
- Article
15
Mobility and Modernity in María Novaro's Sin dejar huella.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 2, p. 86, doi. 10.1353/frm.0.0022
- By:
- Publication type:
- Article
16
The Archi-Road Movie.
- Published in:
- Senses & Society, 2013, v. 8, n. 1, p. 50, doi. 10.2752/174589313X13500466750921
- By:
- Publication type:
- Article
17
The art of seeing in je veux voir.
- Published in:
- Contemporary French & Francophone Studies, 2014, v. 18, n. 5, p. 523, doi. 10.1080/17409292.2014.976375
- By:
- Publication type:
- Article
18
Highways, byways and dead ends: towards a non-Eurocentric cosmopolitanism through yugonostalgia and Slovenian cinema.
- Published in:
- New Review of Film & Television Studies, 2010, v. 8, n. 2, p. 218, doi. 10.1080/17400301003700418
- By:
- Publication type:
- Article
19
French-Language Road Cinema: Borders, Diasporas, Migration and 'New Europe'.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
20
Roadblocks and Roads Not Taken: Fords on Water (1983), Coast to Coast (1987) and the British Bi-racial Buddy-Road Movie.
- Published in:
- Journal of British Cinema & Television, 2014, v. 11, n. 4, p. 440, doi. 10.3366/jbctv.2014.0228
- By:
- Publication type:
- Article
21
"The Man of the Hour": Hawthorn(e), Nebraska and Haunting.
- Published in:
- Arts (2076-0752), 2019, v. 8, n. 2, p. 53, doi. 10.3390/arts8020053
- By:
- Publication type:
- Article
22
Bodies in Transition: Somatechnics and the Experimental Art of Liselotte Wajstedt's Sámi Nieida Jojk (Sámi Daughter Yoik, 2007).
- Published in:
- Somatechnics, 2018, v. 8, n. 1, p. 48, doi. 10.3366/soma.2018.0236
- By:
- Publication type:
- Article
23
Crossing a Man-Altered Landscape: Driving and the Vehicle in the Road Movies of Jim Jarmusch.
- Published in:
- Film Matters, 2014, v. 5, n. 1, p. 19, doi. 10.1386/fm.5.1.19_1
- By:
- Publication type:
- Article
24
Something sacred to our culture: René Arcilla's liberal education.
- Published in:
- Journal of Philosophy of Education, 2021, v. 55, n. 4, p. 764, doi. 10.1111/1467-9752.12617
- Publication type:
- Article
25
'Somewhere without language': Reflections on a road movie education.
- Published in:
- Journal of Philosophy of Education, 2021, v. 55, n. 4, p. 740, doi. 10.1111/1467-9752.12604
- Publication type:
- Article
26
Response to commentators on Wim Wenders's Road Movie Philosophy: Education Without Learning.
- Published in:
- Journal of Philosophy of Education, 2021, v. 55, n. 4, p. 776, doi. 10.1111/1467-9752.12602
- Publication type:
- Article
27
Liberal education, beautiful knowledge and René V. Arcilla's Wim Wenders's Road Movie Philosophy.
- Published in:
- Journal of Philosophy of Education, 2021, v. 55, n. 4, p. 747, doi. 10.1111/1467-9752.12596
- Publication type:
- Article
28
Die Mediziner-Kunstkolumne.
- Published in:
- Praxis (16618157), 2013, v. 102, n. 18, p. 1147, doi. 10.1024/1661-8157/a001435
- By:
- Publication type:
- Article
29
Personal images, collective journeys: Media and memory in I Travel Because I Have to, I Come Back Because I Love You.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
30
Highway and Home: Mapping Feminist-Transgender Coalition in Boys Don't Cry.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
31
PREDICTIVE LANDSCAPES.
- Published in:
- Imaginations Journal, 2018, v. 9, n. 1, p. 41, doi. 10.17742/IMAGE.p70s.9.1.4
- By:
- Publication type:
- Article
32
PREFACE.
- Published in:
- Imaginations Journal, 2018, v. 9, n. 1, p. 17, doi. 10.17742/IMAGE.p70s.9.1.2
- By:
- Publication type:
- Article
33
Dreaming of home: migrant spaces in Felicia's Journey.
- Published in:
- Irish Studies Review, 2011, v. 19, n. 1, p. 87, doi. 10.1080/09670882.2011.541652
- By:
- Publication type:
- Article
34
La road movie y la counter-road movie en América Latina. Una modernidad ambivalente.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
35
(Re)Discovering ‘America' - (Re)Descubriendo ‘América'.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
36
Writing Kerouac’s bookmovie: cinematic influence and imagery in the modern road novel.
- Published in:
- New Writing: The International Journal for the Practice & Theory of Creative Writing, 2017, v. 14, n. 2, p. 167, doi. 10.1080/14790726.2016.1277764
- By:
- Publication type:
- Article
37
Ivan Sen and the art of the road.
- Published in:
- Screen, 2006, v. 47, n. 4, p. 425, doi. 10.1093/screen/hjl033
- By:
- Publication type:
- Article
38
New voyages to Italy: postmodern travellers and the Italian road film.
- Published in:
- Screen, 2003, v. 44, n. 1, p. 71, doi. 10.1093/screen/44.1.71
- By:
- Publication type:
- Article
39
Taking Doris Dörrie Seriously: Literature, Film, Gender.
- Published in:
- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 347
- By:
- Publication type:
- Article
40
Von Roadmovies und Synoden.
- Published in:
- Heiliger Dienst, 2022, v. 76, n. 2, p. 132
- By:
- Publication type:
- Article
41
“We’re Off on Holiday” and Other Tropes.
- Published in:
- Journal of Communication Inquiry, 2017, v. 41, n. 3, p. 288, doi. 10.1177/0196859917709247
- By:
- Publication type:
- Article
42
Cultural roundabouts. Spanish film and novel on the road.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
43
The Road Home: Rebellion, the Market and Masculinity in the Han Han Phenomenon.
- Published in:
- China Perspectives, 2020, n. 3, p. 29, doi. 10.4000/chinaperspectives.10372
- By:
- Publication type:
- Article
44
Post-Wall German Road Movies: Renegotiations of National Identity?
- Published in:
- German Monitor, 2010, n. 72, p. 235
- By:
- Publication type:
- Article
45
MIDDLE CLASS REBELLION IN TWO RIVER PLATE MOVIES: UNA SOMBRA YA PRONTO SERÁS Y EL ÚLTIMO TREN.
- Published in:
- Chasqui (01458973), 2010, v. 39, n. 1, p. 3
- By:
- Publication type:
- Article
46
The French Road Movie: Space, Mobility, Identity.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
47
From the Question of Soul to a Carnival of Souls: The Truncated Road Film, Gothic Automobiles, and Dangerous Women Drivers.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
48
Le chronotope de la « route moderne »: Octave Mirbeau et les road movies.
- Published in:
- Études Françaises, 2017, v. 53, n. 3, p. 169, doi. 10.7202/1042290ar
- By:
- Publication type:
- Article
49
Autobiography, Corporeality, Seriality: Nanni Moretti's Dear Diary as a Narrative Archipelago.
- Published in:
- Journal of Film & Video, 2009, v. 61, n. 4, p. 17, doi. 10.1353/jfv.0.0047
- By:
- Publication type:
- Article
50
Revising the Postmodern American Road Movie: David Lynch's The Straight Story.
- Published in:
- Journal of Film & Video, 2002, v. 54, n. 4, p. 31
- By:
- Publication type:
- Article