`Leavin' a mark on the wor(l)d': Marksmen and marked men in Middle Passage.Published in:1995By:Goudie, S.X.Publication type:Literary Criticism
The African American historian: David Bradley's The Chaneysville Incident.Published in:1995By:Wilson, MatthewPublication type:Literary Criticism
Race and domesticity in The Color Purple.Published in:1995By:Selzer, LindaPublication type:Literary Criticism
Traces of Derrida in Toni Morrison's Jazz.Published in:1995By:Page, PhilipPublication type:Literary Criticism
`The only voice is your own': Gloria Naylor's revision of The Tempest.Published in:1995By:Storhoff, GaryPublication type:Literary Criticism
Authority, multivocality, and the new world order in Gloria Naylor's Bailey's Cafe.Published in:1995By:Montgomery, Maxine LavonPublication type:Literary Criticism
Should their eyes have been watching God?: Hurston's use of religious experience and gothic horror.Published in:1995By:Curren, Erik D.Publication type:Literary Criticism
Repositioning: Center and margin in Julie Dash's Daughters of the Dust.Published in:1995By:Brouwer, Joel R.Publication type:Literary Criticism