PRACTICE-BASED RESEARCH IN MUSIC: INTERNATIONAL PERSPECTIVES, SOUTH AFRICAN CHALLENGES.Published in:SAMUS: South African Music Studies, 2012, v. 32, p. 77By:Stolp, MareliPublication type:Article
REPORT: LOOKING BACK, LOOKING AHEAD: THE STATE OF OUR DISCIPLINE.Published in:SAMUS: South African Music Studies, 2012, v. 32, p. 113By:Ballantine, ChristopherPublication type:Article
AIDS, politics, and music in South Africa.Published in:2012By:Matibe, YemuraiPublication type:Book Review
EXILES/INXILES: DIFFERING AXES OF SOUTH AFRICAN JAZZ DURING LATE APARTHEID.Published in:2012By:Washington, SalimPublication type:Essay
BODYSUITS AND BIODOMES: THE CONSTRUCTION OF THE SONOCHRONOTOPIA ON JOHANNESBURG'S SOUTH KOREAN ETHNOSCAPE.Published in:SAMUS: South African Music Studies, 2012, v. 32, p. 59By:Schutte, JayPublication type:Article
VUVUZELAS, POP STARS AND BACK-UP DANCERS: THE POLITICS OF RHYTHM AND NOISE AT THE 2010 SOCCER WORLD CUP IN SOUTH AFRICA.Published in:SAMUS: South African Music Studies, 2012, v. 32, p. 37By:Hammond, NicolPublication type:Article
STYLISTIC TRAITS IN SOUTH AFRICAN JAZZ BARNEY RACHABANE: A CASE STUDY.Published in:2012By:Davidson, KevinPublication type:Case Study
DOMINANT CULTURE, AFRIKANER NATIONALISM AND CROMWELL EVERSON'S KLUTAIMNESTRA.Published in:SAMUS: South African Music Studies, 2012, v. 32, p. 1By:Brukman, JeffreyPublication type:Article