Gideon Lewensohn's ViolAlive: The Composer as Stage Director -- Recontextualization of the Concerto as a Gestural Genre.Published in:Min-Ad: Israel Studies in Musicology Online, 2011, v. 9, p. 43By:ZAMIR, SARAPublication type:Article
A Crazy Desire for Unity--Tsippi Fleischer's Fifth Symphony "Israeli-Jewish Collage".Published in:Min-Ad: Israel Studies in Musicology Online, 2011, v. 9, p. 60By:HAGE, KEES VANPublication type:Article
Hirshberg's Ben-Haim: Three Decades Later.Published in:2011By:SETER, RONITPublication type:Book Review
Paul Ben-Haim: His Life and Works (Min-Ad 9).Published in:2011By:HIRSHBERG, JEHOASHPublication type:Book Review
Wouldn't You Just *Die* Without Mahler.Published in:2011By:LEESON, DANIEL N.Publication type:Book Review
Musical Supplication in the Golden Age of Ashkenazi Cantorial Art.Published in:Min-Ad: Israel Studies in Musicology Online, 2011, v. 9, p. 1By:KLEIN, AMITPublication type:Article
Drawn Up out of a Mute Wellspring: The Revival of Paul Ben-Haim's Early String Quintet (1919).Published in:Min-Ad: Israel Studies in Musicology Online, 2011, v. 9, p. 25By:GREENBERG, YOELPublication type:Article
Prolongation of Seventh Chords in Tonal Music.Published in:2011By:POMEROY, BOYDPublication type:Book Review
Letter from the Editor.Published in:Min-Ad: Israel Studies in Musicology Online, 2011, v. 9, p. 1By:Golomb, UriPublication type:Article