"Prima la musica, poi le parole?" Operatic Challenges to Word–Music Relations.
- Published in:
- 2010
- By:
- Publication type:
- Essay
Works matching DE "LIBRETTO"
Results: 102
1
2
Notes for Notes.
- Published in:
- Notes, 2018, v. 75, n. 2, p. 269, doi. 10.1353/not.2018.0098
- Publication type:
- Article
3
Notes and News.
- Published in:
- Modern Language Journal (Wiley-Blackwell), 1951, v. 35, n. 8, p. 622, doi. 10.1111/j.1540-4781.1951.tb06091.x
- By:
- Publication type:
- Article
4
George Zaharescu, portrait of a master of the Romanian school lyrical theatER directing.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, n. 1, p. 63
- By:
- Publication type:
- Article
5
The musical libretto and the "accompaniment" functions subsumed to it. The Hourglass opera The last days, the last hours ... by Anatol Vieru.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. S2, p. 95
- By:
- Publication type:
- Article
6
Words and music, land and sea: On writing a first libretto.
- Published in:
- Agenda, 2013, v. 47, n. 3/4, p. 193
- By:
- Publication type:
- Article
7
STYLISTIC ASPECTS REFLECTED IN MODAL LITURGY BY DAN VOICULESCU.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 1, p. 107, doi. 10.24193/subbmusica.2019.1.08
- By:
- Publication type:
- Article
8
JANKO, THE FOLK OPERA LISZT NEVER WROTE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2014, v. 59, n. 1, p. 159
- By:
- Publication type:
- Article
9
LE MASQUE COMIQUE DE L'OPÉRA DANS L’ITALIE DU XVIII<sup>e</sup> SIÈCLE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2013, v. 58, n. 1, p. 123
- By:
- Publication type:
- Article
10
A dead baby and a scar, but [...] no genitalia in sight. Is Bieito's Jenůfa really a Bieito?
- Published in:
- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 141, doi. 10.1386/smt.4.2.141_1
- By:
- Publication type:
- Article
11
RETOUR SUR LA GENÈSE DU LIVRET DE L'ANNONCE FAITE À MARIE POUR PHILIPPE LEROUX.
- Published in:
- Bulletin de la Société Paul Claudel, 2023, v. 2, n. 240, p. 33
- By:
- Publication type:
- Article
12
Nosferatu's Nocturne.
- Published in:
- 2003
- By:
- Publication type:
- Book Review
13
The Siren Alps: Text-setting and Gender.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 2, p. 201, doi. 10.1080/07494467.2010.534930
- By:
- Publication type:
- Article
14
Emily Brontë's Musical Appropriations: From Literary Inspiration to Performative Adaptation.
- Published in:
- Via Panorâmica: A Journal of Anglo-American Studies / Revista de Estudos Anglo-Americanos, 2012, n. 1, p. 21
- By:
- Publication type:
- Article
15
KEREM OPERASINDA TASAVVUF ETKİSİ.
- Published in:
- Journal of International Social Research, 2012, v. 5, n. 21, p. 117
- By:
- Publication type:
- Article
16
Der Soldat in den Winterquartieren: Zu einem Leipziger Singspiel aus dem Siebenjährigen Krieg.
- Published in:
- Aufklärung, 2022, v. 34, p. 191
- By:
- Publication type:
- Article
17
Bernhard Anselm Webers Singspiel Die Wette Beispiel eines französisch-deutschen Kulturtransfers.
- Published in:
- Aufklärung, 2022, v. 34, p. 143
- By:
- Publication type:
- Article
18
Der Abdruck der Musik im Text: Überlegungen zum Status von Melodramen-Libretti des 18. Jahrhunderts am Beispiel von Medea (Gotter/Benda).
- Published in:
- Aufklärung, 2022, v. 34, p. 33
- By:
- Publication type:
- Article
19
The melodrama Heroica in adversis constantia Thomae Mori as an example of Olomouc Jesuit sodality theater production in the context of Holy Week.
- Published in:
- Moreana, 2024, v. 61, n. 2, p. 192, doi. 10.3366/more.2024.0167
- By:
- Publication type:
- Article
20
Literary Sources for Puccini’s Le Villi: Translating Alphonse Karr’s “Les Willis”.
- Published in:
- Opera Journal, 2024, v. 57, n. 1, p. 1
- By:
- Publication type:
- Article
21
Keeping the Bard's Scottish Queen: Proving Verdi's Intentions in the Cultural Transference, Genesis of Libretto and Discourse of the Premiere of Macbeth.
- Published in:
- Opera Journal, 2016, v. 49, n. 3, p. 3
- By:
- Publication type:
- Article
22
Euryanthe.
- Published in:
- Opera Journal, 2005, v. 38, n. 4, p. 55
- By:
- Publication type:
- Article
23
Splitting Hair: Reviving the American Tribal Love-Rock Musical in the 1970s.
- Published in:
- New England Theatre Journal, 2018, v. 29, p. 31
- By:
- Publication type:
- Article
24
Literatur als Libretto. Das deutsche Opernbuch seit 1945.
- Published in:
- 1982
- By:
- Publication type:
- Book Review
25
Stefan Zweig's Sole Librettistic Attempt, Die schweigsame Frau: A Modernistic Opera Buffa.
- Published in:
- 1981
- By:
- Publication type:
- Literary Criticism
26
Ingeborg Bachmann's "Homburg" Libretto: Kleist between Humanism and Existentialism.
- Published in:
- 1979
- By:
- Publication type:
- Literary Criticism
27
Echoes of Ariadne in the Musical Reception of Ariosto and Tasso.
- Published in:
- Renaissance Quarterly, 2020, v. 73, n. 2, p. 527, doi. 10.1017/rqx.2020.4
- By:
- Publication type:
- Article
28
Militat omnis amans: Ovidian elegy in L'incoronazione di Poppea.
- Published in:
- International Journal of the Classical Tradition, 1998, v. 4, n. 3, p. 381, doi. 10.1007/BF02686424
- By:
- Publication type:
- Article
29
Gilbert's PATIENCE.
- Published in:
- 1987
- By:
- Publication type:
- Literary Criticism
30
STRUMENTI DELLA RICERCA STORICA. GLI 'ALTRI' LIBRETTI: 'IL BARBIERE DI SIVIGLIA' A ROMA DOPO IL 1816.
- Published in:
- Rivista Italiana di Musicologia, 2006, v. 41, n. 2, p. 261
- By:
- Publication type:
- Article
31
Ulrike Almut Sandig’s Universe.
- Published in:
- Oxford German Studies, 2018, v. 47, n. 3, p. 256, doi. 10.1080/00787191.2018.1503452
- By:
- Publication type:
- Article
32
Towards a Mechanics of Voice for Plomer and Britten’s ‘Gloriana’.
- Published in:
- 2011
- By:
- Publication type:
- Essay
33
Some Notes on the First Edition of Monteverdi’s ‘Orfeo’ (1609).
- Published in:
- 2010
- By:
- Publication type:
- Essay
34
THE COMPOSER AS DRAMATIST: HANDEL'S CONTRIBUTION TO THE LIBRETTO OF 'RODELINDA.'.
- Published in:
- Music & Letters, 2007, v. 88, n. 1, p. 49, doi. 10.1093/ml/gcl111
- By:
- Publication type:
- Article
35
Benedetto Marcello. Le cantate profane: i testi poetici (Book).
- Published in:
- 2004
- By:
- Publication type:
- Book Review
36
HANDEL'S 'IL TRIONFO DEL TEMPO E DEL DISINGANNO': A PETRARCHAN VISION IN BAROQUE STYLE.
- Published in:
- Music & Letters, 2003, v. 84, n. 3, p. 403, doi. 10.1093/ml/84.3.403
- By:
- Publication type:
- Article
37
FROM BEAUMARCHAIS TO DA PONTE: A NEW VIEW OF THE SEXUAL POLITICS OF 'FIGARO.'.
- Published in:
- Music & Letters, 2001, v. 82, n. 2, p. 214, doi. 10.1093/ml/82.2.214
- By:
- Publication type:
- Article
38
HANNS EISLER'S 'FAUSTUS' LIBRETTO AND THE PROBLEM OF EAST GERMAN NATIONAL IDENTITY.
- Published in:
- Music & Letters, 2000, v. 81, n. 4, p. 585, doi. 10.1093/ml/81.4.585
- By:
- Publication type:
- Article
39
GIOACHINO ROSSINI - IL BARBIERE DI SIVIGLIA (ROSINA). STORIES, PERSONS, ARTISTIC COMMUNICATION.
- Published in:
- International Journal of Communication Research, 2018, v. 8, n. 1, p. 46
- By:
- Publication type:
- Article
40
THE CHARACTER MIMI FROM THE OPERA "LA BOHÈME"BY GIACOMO PUCCINI. THE RELATIONSHIP BETWEEN THE LIBRETTO, STORY AND CHARACTER, AS A MEANS OF COMMUNICATION.
- Published in:
- International Journal of Communication Research, 2018, v. 8, n. 1, p. 38
- By:
- Publication type:
- Article
41
MUSIC AS WORD: FILM MUSIC - SUPERLIBRETTO?
- Published in:
- Muzikologija, 2013, v. 13, n. 15, p. 127, doi. 10.2298/MUZ1315127C
- Publication type:
- Article
42
Okuni sóši - medzižánrový doklad o prechode od nó ku kabuki.
- Published in:
- Theatralia, 2013, v. 16, n. 1, p. 102
- By:
- Publication type:
- Article
43
Libretto as a Source of Baroque Scenography in the Czech Lands Ad honorem Jiří Hilmera.
- Published in:
- Theatralia, 2011, v. 14, n. 1, p. 82
- By:
- Publication type:
- Article
44
RECEPCIJA OPERNOG STVARALAŠTVA ANTUNA DOBRONIĆA U HRVATSKOM NARODNOM KAZALIŠTU U ZAGREBU.
- Published in:
- Croatian Musicological Review / Arti Musices, 2005, v. 36, n. 2, p. 265
- By:
- Publication type:
- Article
45
Epic in motion: La Didone by Salvatore Viganò and Virgil's Aeneid.
- Published in:
- Classical Receptions Journal, 2017, v. 9, n. 3, p. 400, doi. 10.1093/crj/clw021
- By:
- Publication type:
- Article
46
Music's Obedient Daughter.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
47
“Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation.
- Published in:
- 2016
- By:
- Publication type:
- Case Study
48
CAROLINE, OR CHANGE.
- Published in:
- 2004
- By:
- Publication type:
- Arts/Entertainment Review
49
Singability and Naturalness in Opera Translation.
- Published in:
- I.U. Journal of Translation Studies / İstanbul Üniversitesi Çeviribilim Dergisi, 2022, n. 17, p. 1, doi. 10.26650/iujts.2022.1182388
- By:
- Publication type:
- Article
50
SHOFAR.
- Published in:
- Cross Currents, 2006, v. 56, n. 3, p. 424
- By:
- Publication type:
- Article