Toward Chicana critical theories: Seeking equilibrium in the analysis of infinite complexities.Published in:1998By:Richards, JudithPublication type:Book Review
Revising voice: Women writers and the challenge to traditional narrative form.Published in:1998By:Drum, AlicePublication type:Book Review
The barbaric yawp: The word as the world in American literature.Published in:1998By:Leonard, GarryPublication type:Book Review
Yours truly, Mark Twain: The signature in the works.Published in:1998By:Briden, Earl F.Publication type:Book Review
Children's literature within and without the profession.Published in:1998By:Vallone, LynnePublication type:Editorial
Ghostly presences: Edith Wharton's Sanctuary and the issue of maternal sacrifice.Published in:1998By:Salas, Angela M.Publication type:Literary Criticism
`Listen to them being ghosts': Rosa's words of madness that Quentin can't hear.Published in:1998By:Entzminger, BetinaPublication type:Literary Criticism
`Writing it down so that it would by real': Narrative strategies in Dorothy Allison's Bastard...Published in:1998By:Irving, KatrinaPublication type:Editorial
`The world's rarest work': Modernism and masculinity in Fitzgerald's Tender is the Night.Published in:1998By:Nowlin, MichaelPublication type:Editorial
`I'm black an' I'm proud': Re-inventing Irishness in Roddy Doyle's The Commitments.Published in:1998By:Piroux, LorrainePublication type:Literary Criticism
De-composing the canon: Alter/native narratives from the borderlands.Published in:1998By:Brown, Stephen GilbertPublication type:Editorial
Addicted to race: Performativity, agency, and Cesaire's A Tempest.Published in:1998By:Scheie, TimothyPublication type:Editorial
The heart of darkness in Joan Didion's Salvador.Published in:1998By:Harred, JanePublication type:Editorial