"EVERYTHING YOU EVER DREAMED": POST-9/11 TRAUMA AND FANTASY IN ALI SMITH'S THE ACCIDENTAL.Published in:2012By:Horton, EmilyPublication type:Essay
BRITISH BLACK BOX: A RETURN TO RACE AND SCIENCE IN ZADIE SMITH'S WHITE TEETH.Published in:2012By:McMann, MindiPublication type:Essay
JOHN BURNSIDE'S ECOLOGIES OF SOLACE; REGIONAL ENVIRONMENTALISM AND THE CONSOLATIONS OF DESCRIPTION.Published in:2012By:James, DavidPublication type:Essay
DIRTY MEDIA: TOM MCCARTHY AND THE AFTERLIFE OF MODERNISM.Published in:2012By:Nieland, JustusPublication type:Essay
THE CRITIQUE OF TRAUMA AND THE AFTERLIFE OF THE NOVEL IN TOM MCCARTHY'S REMAINDER.Published in:2012By:Vermeulen, PieterPublication type:Essay
THE PATHOLOGY OF FLEXIBILITY IN MONICA ALI'S IN THE KITCHEN.Published in:2012By:Brouillette, SarahPublication type:Essay
BRICK LANE BLOCKADES: THE BIOCULTURALISM OF MIGRANT DOMESTICITY.Published in:2012By:Chakravorty, MrinaliniPublication type:Essay
RETHINKING THE ARCADIAN REVENGE: METACHRONOUS TIMES IN THE FICTION OF SAM TAYLOR.Published in:2012By:Edwards, CarolinePublication type:Essay
THE ANXIETIES OF AUTHENTICITY IN POST-2000 BRITISH FICTION.Published in:2012By:Lea, DanielPublication type:Essay
NEW BRITISH FICTION.Published in:Modern Fiction Studies, 2012, v. 58, n. 3, p. 429, doi. 10.1353/mfs.2012.0057By:O'Donnell, PatrickPublication type:Article