The Colossus and the Sphinx: Two Cartographies of Africa in Nineteenth-Century Britain.
- Published in:
- Art Bulletin, 2023, v. 105, n. 3, p. 90, doi. 10.1080/00043079.2023.2176645
- By:
- Publication type:
- Article
Works matching DE "19TH century British painting"
Results: 19
1
2
William Hogarth (1697-1764), Hudibras and house decoration.
- Published in:
- 2016
- By:
- Publication type:
- Essay
3
'Three Days or more...'.
- Published in:
- British Art Journal, 2014, v. 15, n. 2, p. 47
- By:
- Publication type:
- Article
4
The first subject painting to emerge by the infamous Thomas Griffiths Wainewright (1794-1847)
- Published in:
- British Art Journal, 2014, v. 15, n. 1, p. 113
- By:
- Publication type:
- Article
5
The Death of Chatterton.
- Published in:
- 2014
- Publication type:
- Art Reproduction
6
The idea of emigration: Ford Madox Brown's The Last of England.
- Published in:
- British Art Journal, 2012, v. 13, n. 1, p. 7
- By:
- Publication type:
- Article
7
'The rising genius': Simeon Solomon's unexplored interpretation of Sandro Botticelli.
- Published in:
- British Art Journal, 2011, v. 12, n. 3, p. 60
- By:
- Publication type:
- Article
8
Suburban Identity in Paul Maitland's Paintings of Cheyne Walk.
- Published in:
- Journal of Victorian Culture, 2014, v. 19, n. 1, p. 43, doi. 10.1080/13555502.2014.889423
- By:
- Publication type:
- Article
9
Who was John Brandon Smith? A Victorian Mystery Resolved.
- Published in:
- 2013
- By:
- Publication type:
- Biography
10
Ford Madox Brown and History Painting.
- Published in:
- Visual Culture in Britain, 2014, v. 15, n. 3, p. 239, doi. 10.1080/14714787.2014.947558
- By:
- Publication type:
- Article
11
Composing Meanings: Space and Invention in Ford Madox Brown’s Paintings, 1843–59.
- Published in:
- Visual Culture in Britain, 2014, v. 15, n. 3, p. 334, doi. 10.1080/14714787.2014.945810
- By:
- Publication type:
- Article
12
Ford Madox Brown and the William Blake Brotherhood.
- Published in:
- Visual Culture in Britain, 2014, v. 15, n. 3, p. 277, doi. 10.1080/14714787.2014.945201
- By:
- Publication type:
- Article
13
The Ordering and Disordering of Work.
- Published in:
- Visual Culture in Britain, 2014, v. 15, n. 3, p. 258, doi. 10.1080/14714787.2014.945200
- By:
- Publication type:
- Article
14
Drawing Teeth: Reflections on Brown’s Mouths.
- Published in:
- Visual Culture in Britain, 2014, v. 15, n. 3, p. 299, doi. 10.1080/14714787.2014.944390
- By:
- Publication type:
- Article
15
William Etty: Art and Controversy , York Art Gallery (June 2011–January 2012) William Etty: Art and Controversy edited by Sarah Burnage, Mark Hallett and Laura Turner.
- Published in:
- Visual Culture in Britain, 2012, v. 13, n. 2, p. 272, doi. 10.1080/14714787.2012.676530
- By:
- Publication type:
- Article
16
Augustus Earle's Waterfall in Australia and the Logic of Fantasy.
- Published in:
- Art History, 2019, v. 42, n. 5, p. 914, doi. 10.1111/1467-8365.12463
- By:
- Publication type:
- Article
17
Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877-1911.
- Published in:
- Art History, 2017, v. 40, n. 1, p. 132, doi. 10.1111/1467-8365.12233
- By:
- Publication type:
- Article
18
Lady Caroline Bucknall-Estcourt: Identity as Performance in a Victorian Album.
- Published in:
- 2013
- By:
- Publication type:
- Essay
19
Thomas Baines's Contribution to 19<sup>th</sup> Century South African Cartography.
- Published in:
- Terrae Incognitae, 2019, v. 51, n. 1, p. 36, doi. 10.1080/00822884.2019.1574451
- By:
- Publication type:
- Article