Works matching DE "COPYRIGHT of music"
Results: 322
COPYRIGHT CORNER: COPYRIGHT IN THE NEWS.
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- Kentucky Libraries, 2021, v. 85, n. 4, p. 3
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COPYRIGHT CORNER: MUSIC MODERNIZATION ACT.
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- Kentucky Libraries, 2019, v. 83, n. 1, p. 2
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Negotiating needletime: the Musicians’ Union, the BBC and the record companies, c. 1920–1990.
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- Social History, 2016, v. 41, n. 4, p. 353, doi. 10.1080/03071022.2016.1215098
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PROPIEDAD INTELECTUAL, INDUSTRIAL Y COMPETENCIA DESLEAL.
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- Actualidad Jurídica (1578-956X), 2012, n. 32, p. 228
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- Article
ALGUNAS REFLEXIONES A PROPÓSITO DE LA DIRECTIVA 2011/77/UE.
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- Actualidad Jurídica (1578-956X), 2012, n. 31, p. 90
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- Article
Perlindungan Hukum Terhadap Hak Cipta Penyanyi dalam Era Digital: Studi Kasus Penipuan Penjualan Lagu Palsu.
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- Jurnal Pendidikan Indonesia, 2024, v. 5, n. 12, p. 1599, doi. 10.59141/japendi.v5i12.6502
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The Feasibility of Harmonizing International Copyright for the Music Industry.
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- Indiana Journal of Global Legal Studies, 2024, v. 31, n. 1, p. 157
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Copyright protection for music: Russian-German ties in the second half of the XIXth- early XX centuries.
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- Astra Salvensis, 2018, p. 455
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ANALIZA PROIECTUL DE LEGE PRIVIND MODIFICAREA ŞI COMPLETAREA LEGII NR. 8/1996 PRIVIND DREPTUL DE AUTOR ŞI DREPTURILE CONEXE. PROPUNERI DE LEGE FERENDA.
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- Romanian Journal of Intellectual Property Law / Revista Română de Dreptul Proprietăţii Intelectuale, 2016, n. 4, p. 159
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Copyright basics for teacher librarians.
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- Access (10300155), 2010, v. 24, n. 4, p. 38
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Copyright: your questions answered.
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- Access (10300155), 2009, v. 23, n. 1, p. 17
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The Day the (Digital) Music Died: Bridgeport, Sampling Infringement, and a Proposed Middle Ground.
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- Brigham Young University Law Review, 2008, v. 2008, n. 3, p. 943
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Copying, copyright and originality: imitation, transformation and popular musicians.
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- European Journal of Cultural Studies, 2017, v. 20, n. 4, p. 363, doi. 10.1177/1367549417718206
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Fair Use and an Attribution-Oriented Approach to Music Sampling.
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- Yale Journal on Regulation, 2016, v. 33, n. 2, p. 655
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Policy and implementation: A case of music copyright laws in Kenya.
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- Muziki: Journal of Music Research in Africa, 2007, v. 4, n. 1, p. 27, doi. 10.1080/18125980701754587
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Digital Sampling v. Appropriation Art: Why Is One Stealing and the Other Fair Use? A Proposal for a Code of Best Practices in Fair Use for Digital Music Sampling.
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- Missouri Law Review, 2019, v. 84, n. 2, p. 371
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HOW PLAYLISTS BROKE THE INTERNET: AN ANALYSIS OF COPYRIGHT IN PLAYLIST OWNERSHIP.
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- Cardozo Law Review, 2019, v. 40, n. 3, p. 1411
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RETHINKING REDIGI: HOW A CHARACTERISTICS-BASED TEST ADVANCES THE "DIGITAL FIRST SALE" DOCTRINE DEBATE.
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- Cardozo Law Review, 2013, v. 35, n. 1, p. 391
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COPYRIGHTS, CAMPAIGNS, AND THE COLLECTIVE ADMINISTRATION OF PERFORMANCE RIGHTS: A CALL TO END BLANKET LICENSING OF POLITICAL EVENTS.
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- Cardozo Law Review, 2010, v. 32, n. 1, p. 305
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Canadian Cases in Public International Law in 2022.
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- Canadian Yearbook of International Law, 2023, v. 60, p. 387, doi. 10.1017/cyl.2023.14
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A RECONSIDERATION OF COPYRIGHT'S TERM.
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- Alabama Law Review, 2019, v. 71, n. 2, p. 353
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SUPER BOWL I, JAZZ RADIO, AND THE GLASS MENAGERIE: COPYRIGHT, PRESERVATION, AND PRIVATE COPIES.
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- Akron Law Review, 2018, v. 51, n. 4, p. 1025
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Addressing the Value Gap in the Age of Digital Music Streaming.
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- Vanderbilt Journal of Transnational Law, 2019, v. 52, n. 2, p. 511
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OUT OF TUNE: HOW PUBLIC PERFORMANCE RIGHTS ARE FAILING TO HIT THE RIGHT NOTES.
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- Berkeley Technology Law Journal, 2016, v. 31, p. 725, doi. 10.15779/Z38QG47
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MUSICAL ALBUMS AS "COMPILATIONS": A LIMITATION ON DAMAGES OR A TROJAN HORSE SET TO AMBUSH TERMINATION RIGHTS?
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- Berkeley Technology Law Journal, 2011, v. 26, n. 1, p. 375
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COPYRIGHT ENFORCEMENT.
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- Berkeley Technology Law Journal, 2009, v. 24, n. 1, p. 486
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DAVIS V. BLJGB: THE SECOND CIRCUIT'S REJECTION OF RETROACTIVE COPYRIGHT LICENSES.
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- Berkeley Technology Law Journal, 2009, v. 24, n. 1, p. 341
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LICENSING IN THE SHADOW OF COPYRIGHT.
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- Stanford Technology Law Review, 2014, v. 17, p. 397
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YOUTUBE VS. THE MUSIC INDUSTRY: ARE ONLINE SERVICE PROVIDERS DOING ENOUGH TO PREVENT PIRACY?
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- Southern Illinois University Law Journal, 2019, v. 43, n. 3, p. 647
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Blurry Lines: Is Revenue from Concerts Recoverable in Copyright-Infringement Cases?
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- Tennessee Bar Journal, 2015, v. 51, n. 8, p. 20
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Is Equitable Remuneration Equitable? Performers’ Rights in the UK.
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- Popular Music & Society, 2017, v. 40, n. 5, p. 573, doi. 10.1080/03007766.2017.1348660
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What Do Musicians Talk About When They Talk About Copyright?
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- Popular Music & Society, 2017, v. 40, n. 4, p. 422, doi. 10.1080/03007766.2015.1126099
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On the Removal of Download Access to Grateful Dead Soundboards from the Live Music Archive.
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- Popular Music & Society, 2013, v. 36, n. 2, p. 175, doi. 10.1080/03007766.2012.684998
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Opportunities of Resistance: Irish Traditional Music and the Irish Music Rights Organisation 1995–2000.
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- Popular Music & Society, 2012, v. 35, n. 5, p. 651, doi. 10.1080/03007766.2012.709665
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Copyright in the Balance: Notes on Some 21st-Century Developments.
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- Popular Music & Society, 2012, v. 35, n. 5, p. 617, doi. 10.1080/03007766.2012.709663
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Sound Law and the Scholar.
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- Popular Music & Society, 2012, v. 35, n. 5, p. 603, doi. 10.1080/03007766.2012.709662
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Editor's Note.
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- Popular Music & Society, 2012, v. 35, n. 5, p. 601, doi. 10.1080/03007766.2012.709660
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Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings.
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- Popular Music & Society, 2012, v. 35, n. 5, p. 629, doi. 10.1080/03007766.2012.709664
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Playing, paying and preying: cultural clash and paradox in the traditional music commonage.
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- Community Development Journal, 2014, v. 49, n. suppl_1, p. i53, doi. 10.1093/cdj/bsu018
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Pop Songs for the Tape Recorder, LPs for the Record Player? The Market Launch of Tape Recorders in West Germany and the Copyright Debate on Young Consumers' Practice of Tape-recording in the 1950s and 1960s.
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- Historical Social Research, 2008, v. 33, n. 3, p. 301
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Originality requirement and copyright regime of music: a comparative overview of Indian perspective.
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- Information & Communications Technology Law, 2013, v. 22, n. 2, p. 132, doi. 10.1080/13600834.2013.814238
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The Netherlands.
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- Fontes Artis Musicae, 2015, v. 62, n. 1, p. 37
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Copyright.
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- 2013
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- Publication type:
- Proceeding
United States.
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- Fontes Artis Musicae, 2011, v. 58, n. 4, p. 436
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Estonia.
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- Fontes Artis Musicae, 2011, v. 58, n. 4, p. 418
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Czech Republic.
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- Fontes Artis Musicae, 2011, v. 58, n. 4, p. 417
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Copyright Committee.
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- 2008
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- Publication type:
- Proceeding
Czech Republic.
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- Fontes Artis Musicae, 2008, v. 55, n. 1, p. 57
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CRITICAL EDITIONS: MUSICOLOGISTS AND COPYRIGHT.
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- Fontes Artis Musicae, 2005, v. 52, n. 3, p. 139
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SWITZERLAND: National report.
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- Fontes Artis Musicae, 2005, v. 52, n. 2, p. 113
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