Esthétique de la trace dans No Country for Oíd Men (Ethan et Joel Coen, 2007).
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.15044
- By:
- Publication type:
- Article
Works matching Coen, Joel
Results: 113
1
2
The Dismal Tide: Shoring Up the Fragments in Joel and Ethan Coen's No Country for Old Men.
- Published in:
- IUP Journal of American Literature, 2009, p. 73
- By:
- Publication type:
- Article
3
Soft-Boiled Cinema: Joel and Ethan Coens' Neo-Classical Neo-Noirs.
- Published in:
- Literature Film Quarterly, 2009, v. 37, n. 3, p. 212
- By:
- Publication type:
- Article
4
"Light thickens; and the crow/Makes wing to the rooky wood": Birds and the blurring of boundaries between real and metaphorical nature in Joel Coen's Macbeth.
- Published in:
- Shakespeare in Southern Africa, 2022, v. 35, p. 19, doi. 10.4314/sisa.v35i1.3
- By:
- Publication type:
- Article
5
The Map is Not the Country: Cartography in Joel and Ethan Coen's No Country for Old Men.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
6
A SELECTED BIBLIOGRAPHY OF SECONDARY SOURCES ON THE FILMS OF JOEL AND ETHAN COEN.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 154
- By:
- Publication type:
- Article
7
Homeric Heroes in Ethan and Joel Coen's The Hudsucker Proxy (1994), The Big Lebowski (1998) and No Country for Old Men (2007).
- Published in:
- Journal of Religion & Film, 2013, v. 17, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.17.01.40
- By:
- Publication type:
- Article
8
That "Barton Fink Feeling" and the Fiery Furnace: The Book of Daniel and Joel and Ethan Coen's Barton Fink.
- Published in:
- Journal of Religion & Film, 2008, v. 12, n. 1, p. 36, doi. 10.32873/uno.dc.jrf.12.01.01
- By:
- Publication type:
- Article
9
"WHAT MAKES A MAN, MR. LEBOWSKI?": MASCULINITY UNDER (FRIENDLY) FIRE IN ETHAN AND JOEL COEN'S THE BIG LEBOWSKI.
- Published in:
- Atenea, 2008, v. 28, n. 1, p. 147
- By:
- Publication type:
- Article
10
Naturalism, Determinism and Fate in Joel Coen's The Tragedy of Macbeth.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
11
Review: Joel and Ethan Coen by R. Barton Palmer. Champaign, IL: University of Illinois Press, 2004.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
12
JOEL AND ETHAN COEN.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
13
The Tragedy of Macbeth dir. by Joel Coen (review).
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
14
Screen Shakespeares in a Time of Plague: Joel Coen's The Tragedy of Macbeth (2021).
- Published in:
- Adaptation, 2022, v. 15, n. 2, p. 309, doi. 10.1093/adaptation/apac003
- By:
- Publication type:
- Article
15
The Tragedy of Joel Coen's Maebeth: A new adaptation of tbe Scottish play sets aside supernatural terror for court intrigue.
- Published in:
- Modern Age, 2022, v. 64, n. 2, p. 48
- By:
- Publication type:
- Article
16
MY NOIR: Blood Simple.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
17
Coen Film Noir–Dark Passages A Cultural Commentary on the Human Condition in A Serious Man.
- Published in:
- Jung Journal: Culture & Psyche, 2013, v. 7, n. 3, p. 25, doi. 10.1080/19342039.2013.813818
- By:
- Publication type:
- Article
18
No Country for Old Men.
- Published in:
- Jung Journal: Culture & Psyche, 2013, v. 7, n. 2, p. 24, doi. 10.1080/19342039.2013.759075
- By:
- Publication type:
- Article
19
Prioritizing Narrative Structure in Large-Scale Film-Music Analysis: A Case Study of Dramatic Irony in Barton Fink.
- Published in:
- Music Theory Online, 2023, v. 29, n. 1, p. 45, doi. 10.30535/mto.29.1.1
- By:
- Publication type:
- Article
20
« Shots in mirrors » : Les jeux de miroir dans No Country For Oíd Men (Coen 2007).
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.15023
- By:
- Publication type:
- Article
21
Entre humour noir et réflexivité : écouter la voix de Moss dans No Country for Oíd Men.
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.15131
- By:
- Publication type:
- Article
22
« Ever step you take is forever » fin de l'héroísme et vacuité spirituelle dans No Country for Oíd Men.
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.15064
- By:
- Publication type:
- Article
23
Du dépouillement surgit le silence : une adaptation sous couvert de minimalisme audiovisuel.
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.15171
- By:
- Publication type:
- Article
24
"The man who wasn't there"--and was "out there": Chigurh as cinematic figure.
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.14988
- By:
- Publication type:
- Article
25
Introduction.
- Published in:
- LISA E-Journal / Revue LISA, 2023, v. 21, n. 55, p. 1, doi. 10.4000/lisa.14864
- By:
- Publication type:
- Article
26
The Wandering Character in the Coen Brothers' Films: When the Southern Gothic Meets the Western.
- Published in:
- LISA E-Journal / Revue LISA, 2018, v. 16, n. 1, p. 1, doi. 10.4000/lisa.9304
- By:
- Publication type:
- Article
27
EL SUEÑO EN LA PENÚLTIMA ESCENA EN LA PELÍCULA NO COUNTRY FOR OLD MEN DE LOS HERMANOS COEN Y UNA INTERPRETACIÓN DEL POEMA SAILING TO BYZANTIUM DE WILLIAM BUTLER YEATS .
- Published in:
- Index: Revista de Arte Contemporaneo, 2020, n. 10, p. 157, doi. 10.26807/cav.vi10.387
- By:
- Publication type:
- Article
28
MİTOLOJİNİN SİNEMADA MODERN YORUMU: "NERDESİN BE BİRADER?" ve "KUTSAL GEYİĞİN ÖLÜMÜ" FİLMLERİNDE ÇAĞDAŞ ODYSSEUS ve AGAMEMNON HİKÂYELERİ.
- Published in:
- Trakya University Journal of Social Science, 2019, v. 21, p. 323, doi. 10.26468/trakyasobed.453853
- By:
- Publication type:
- Article
29
Acting for Real: Performing Characters in Miller's Crossing and Fargo.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2008, v. 41, n. 2, p. 224, doi. 10.1111/j.1540-5931.2008.00500.x
- By:
- Publication type:
- Article
30
'Isn't It Ironic': The films of the Coen Brothers.
- Published in:
- Comedy Studies, 2011, v. 2, n. 1, p. 55, doi. 10.1386/cost.2.1.55_1
- By:
- Publication type:
- Article
31
Film Reviews.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
32
BRAVURA INDÔMITA: ENTRE A FÁBULA E A TRAMA.
- Published in:
- Anuário de Literatura, 2012, v. 17, n. 1, p. 92
- By:
- Publication type:
- Article
33
Exploring the Political Dimensions of Information Literacy through Popular Film.
- Published in:
- Portal: Libraries & the Academy, 2010, v. 10, n. 3, p. 265, doi. 10.1353/pla.0.0110
- By:
- Publication type:
- Article
34
Review of No Country for Old Men.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
35
"Why Do You Think I am Paying You if Not to Have My Way?" Genre Complications in the Free-Market Critiques of Fictional and Filmed Versions of True Grit.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2015, v. 48, n. 2, p. 355, doi. 10.1111/jpcu.12262
- By:
- Publication type:
- Article
36
'New Shit Has Come to Light': Information Seeking Behavior in The Big Lebowski.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
37
They were Threatening Castration, Man: Germans in The Big Lebowski.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2010, v. 43, n. 5, p. 1048, doi. 10.1111/j.1540-5931.2010.00786.x
- By:
- Publication type:
- Article
38
Zurück in die Zukunft via Ithaca, Mississippi: Technik und Funktion der Homer-Rezeption in O Brother, Where Art Thou?
- Published in:
- International Journal of the Classical Tradition, 2005, v. 11, n. 4, p. 571, doi. 10.1007/s12138-005-0019-y
- By:
- Publication type:
- Article
39
Reflections on Faith and Film in Hail, Caesar!
- Published in:
- Perspectives on Political Science, 2016, v. 45, n. 3, p. 163, doi. 10.1080/10457097.2016.1182349
- By:
- Publication type:
- Article
40
Barton Fink, Intertextuality, and the (Almost) Unbearable Richness of Viewing.
- Published in:
- Literature Film Quarterly, 2000, v. 28, n. 4, p. 303
- By:
- Publication type:
- Article
41
'This is a [...] Story;'' the Refusal of a Master Text in Noah Hawley's Fargo.
- Published in:
- Linguaculture, 2016, v. 2016, n. 1, p. 16, doi. 10.1515/lincu-2016-0003
- By:
- Publication type:
- Article
42
Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?
- Published in:
- Film & History (03603695), 2009, v. 39, n. 2, p. 49, doi. 10.1353/flm.0.0125
- By:
- Publication type:
- Article
43
O Brother, Where Art Thou?
- Published in:
- 2001
- By:
- Publication type:
- Film/TV Criticism and Review
44
A Serious Man.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
45
True Grit.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
46
LOSER.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
47
The Jewish Question.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
48
Badlands.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
49
How Many Lebowskis Are There? Genre, Spectatorial Authorship, and The Big Lebowski.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
50
Screenplays.
- Published in:
- 2006
- Publication type:
- Book Review