A Statement on Sound Studies.
- Published in:
- 2008
- By:
- Publication type:
- Opinion
Works matching Motion picture sound effects
Results: 121
1
2
Introduction: The Future of Sound Studies.
- Published in:
- Music, Sound & the Moving Image, 2008, v. 2, n. 2, p. 109, doi. 10.3828/msmi.2.2.2
- By:
- Publication type:
- Article
3
Introduction.
- Published in:
- Music, Sound & the Moving Image, 2018, v. 12, n. 2, p. 87, doi. 10.3828/msmi.2018.6
- By:
- Publication type:
- Article
4
Projecting an Aria Singing the Cinema.
- Published in:
- Music, Sound & the Moving Image, 2008, v. 2, n. 2, p. 121, doi. 10.3828/msmi.2.2.4
- By:
- Publication type:
- Article
5
John Wayne's Teeth: Speech, Sound and Representation in Smoke Signals and Imagining Indians.
- Published in:
- 2005
- By:
- Publication type:
- Arts/Entertainment Review
6
The Wilhelm Scream.
- Published in:
- Gulf Coast: A Journal of Literature & Fine Arts, 2009, v. 22, n. 1, p. 205
- By:
- Publication type:
- Article
7
Alejandro Amenabar, Composer.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2010, v. 87, n. 2, p. 195, doi. 10.1080/14753821003693776
- By:
- Publication type:
- Article
8
From Screenwriting for Sound to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 145, doi. 10.3366/sound.2018.0127
- By:
- Publication type:
- Article
9
New Understandings in Hearing.
- Published in:
- New Soundtrack, 2017, v. 7, n. 1, p. 1, doi. 10.3366/sound.2017.0093
- By:
- Publication type:
- Article
10
'Listening Back': Exploring the Sonic Interactions at the Heart of Historical Sound Effects Performance.
- Published in:
- New Soundtrack, 2017, v. 7, n. 1, p. 15, doi. 10.3366/sound.2017.0094
- By:
- Publication type:
- Article
11
Feeling and Filmmaking: The Design and Affect of Film Sound.
- Published in:
- New Soundtrack, 2017, v. 7, n. 1, p. 31, doi. 10.3366/sound.2017.0095
- By:
- Publication type:
- Article
12
Sound, Space, Gravity: A Kaleidoscopic Hearing (part I).
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 1, doi. 10.3366/sound.2016.0079
- By:
- Publication type:
- Article
13
Ventriloquial Acts: Critical Reflections on the Art of Foley.
- Published in:
- New Soundtrack, 2015, v. 5, n. 2, p. 103, doi. 10.3366/sound.2015.0073
- By:
- Publication type:
- Article
14
The sound of Agnès Varda.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 29, doi. 10.3366/sound.2014.0050
- By:
- Publication type:
- Article
15
Steven Spielberg's Jurassic Park: Sounding dinosaurs.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 73, doi. 10.3366/sound.2014.0053
- By:
- Publication type:
- Article
16
The sounds of space: Social space and social listening (Part II).
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 15, doi. 10.3366/sound.2014.0049
- By:
- Publication type:
- Article
17
Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunities.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 107, doi. 10.3366/sound.2013.0041
- By:
- Publication type:
- Article
18
What do we hear? The pluralism of sound design in Hollywood sound production.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 137, doi. 10.3366/sound.2013.0043
- By:
- Publication type:
- Article
19
'The Soundtrack': The School of Sound Summer Workshop at the ifs internationale filmschule köln.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 81, doi. 10.3366/sound.2013.0037
- By:
- Publication type:
- Article
20
'Every drop of my blood sings our song. There can you hear it?': Haptic sound and embodied memory in the films of Apichatpong Weerasethakul.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 61, doi. 10.3366/sound.2013.0036
- By:
- Publication type:
- Article
21
Non-diegetic sound effects.
- Published in:
- New Soundtrack, 2012, v. 2, n. 2, p. 169, doi. 10.3366/sound.2012.0037
- By:
- Publication type:
- Article
22
The sound design of cinematic voices.
- Published in:
- New Soundtrack, 2012, v. 2, n. 2, p. 127, doi. 10.3366/sound.2012.0034
- By:
- Publication type:
- Article
23
Screenwriting for Sound.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 103, doi. 10.3366/sound.2011.0013
- By:
- Publication type:
- Article
24
Imagining sound in the Solax films of Alice Guy Blaché: Canned Harmony (1912) and Burstop Holmes' Murder Case (1913).
- Published in:
- Film History, 2006, v. 18, n. 2, p. 185, doi. 10.1353/fih.2006.0014
- By:
- Publication type:
- Article
25
Aural gratification with Kalem films: a case history of music, lectures and sound effects, 1907-1917.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 417, doi. 10.2979/FIL.2000.12.3.417
- By:
- Publication type:
- Article
26
An International Survey of Sound Effects in Early Cinema.
- Published in:
- Film History, 1999, v. 11, n. 4, p. 485
- By:
- Publication type:
- Article
27
Domitor Witnesses the First Complete Public Presentation of the 'Dickson Experimental Sound Film' in the 20th Century.
- Published in:
- Film History, 1999, v. 11, n. 4, p. 400
- By:
- Publication type:
- Article
28
Introduction.
- Published in:
- Film History, 1999, v. 11, n. 4, p. 395
- By:
- Publication type:
- Article
29
The challenge of sound restoration from 1927 to digital.
- Published in:
- Film History, 1995, v. 7, n. 3, p. 264
- By:
- Publication type:
- Article
30
The space between the object and the label.
- Published in:
- Film History, 1993, v. 5, n. 3, p. 275
- By:
- Publication type:
- Article
31
SPACES OF INTERTEXTUALITY AND AESTHETIC OF SLOW IN THE FILMS BY ŠARŪNAS BARTAS THREE DAYS, CORRIDOR.
- Published in:
- Acta Academiae Artium Vilnensis, 2010, n. 56, p. 11
- By:
- Publication type:
- Article
32
The Coming of Sound.
- Published in:
- 2006
- By:
- Publication type:
- Book Review
33
The Aural Point of View in the Early Films of Rolf de Heer.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 1, p. 28, doi. 10.1080/10509200802463118
- By:
- Publication type:
- Article
34
How to Say Things with Songs: Al Jolson, Vitaphone Technology, and the Rhetoric of Warner Bros. in 1929.
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 1, p. 27, doi. 10.1080/10509200802241365
- By:
- Publication type:
- Article
35
The Indian People's Theater Association (IPTA) on film: (Con)testing memory and history in the Bengali theaterscapes of Ritwik Ghatak's Komal Gandhar (E Flat, 1961).
- Published in:
- South Asian Popular Culture, 2010, v. 8, n. 3, p. 261, doi. 10.1080/14746689.2010.501545
- By:
- Publication type:
- Article
36
Massaging the Ears: The Centrality of Sound in Raise the Red Lantern.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
37
Narration in the Cinema of Digital Sound.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2006, n. 58, p. 41, doi. 10.1353/vlt.2006.0030
- By:
- Publication type:
- Article
38
Introduction.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2003, n. 51, p. 1, doi. 10.1353/vlt.2003.0006
- Publication type:
- Article
39
Sounding Images in Silent Film: Visual Acoustics in Murnau's Sunrise.
- Published in:
- Cinema Journal, 2002, v. 41, n. 2, p. 109
- By:
- Publication type:
- Article
40
SOUND LIBRARY: A MOTION PICTURE EVENT.
- Published in:
- Leonardo Music Journal, 2006, v. 16, n. 1, p. 54, doi. 10.1162/lmj.2006.16.54
- By:
- Publication type:
- Article
41
Sounds Like a Movie.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
42
Footsteps with character: the art and craft of Foley.
- Published in:
- 2014
- By:
- Publication type:
- Essay
43
The sound of sunlight.
- Published in:
- Screen, 2010, v. 51, n. 2, p. 118, doi. 10.1093/screen/hjq005
- By:
- Publication type:
- Article
44
René Clair, Marcel Pagnol and the social dimension of speech.
- Published in:
- Screen, 1994, v. 35, n. 2, p. 157, doi. 10.1093/screen/35.2.157
- By:
- Publication type:
- Article
45
SOUND CINEMA.
- Published in:
- Screen, 1984, v. 25, n. 1, p. 74, doi. 10.1093/screen/25.1.74
- By:
- Publication type:
- Article
46
SOVIET CINEMA: MAKING SENSE OF SOUND.
- Published in:
- Screen, 1982, v. 23, n. 2, p. 34, doi. 10.1093/screen/23.2.34
- By:
- Publication type:
- Article
47
Writing the History of the American Film Industry: Warner Bros and Sound.
- Published in:
- Screen, 1976, v. 17, n. 1, p. 40, doi. 10.1093/screen/17.1.40
- By:
- Publication type:
- Article
48
Appetites and Anxieties: Food, Film, and the Politics of Representation.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
49
Sound and space in La hora de los hornos/The Hour of the Furnaces.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2014, v. 11, n. 1, p. 25, doi. 10.1386/slac.11.1.25_1
- By:
- Publication type:
- Article
50
CONSTRUCTING REALITY: SOUND DESIGN IN REALISTIC CINEMA.
- Published in:
- Porte Akademik: Journal of Music & Dance Studies / Porte Akademik Müzik ve Dans Araştırmaları Dergisi, 2015, v. 11, p. 46
- By:
- Publication type:
- Article