The End of the Affair: Rossellini and Antonioni after Neorealism.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "20TH century Italian films"
Results: 21
1
2
Reception of War Propaganda in Fascist Italy: Second World War Fiction Films and Critical Audiences.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 1, doi. 10.1080/01439685.2014.933644
- By:
- Publication type:
- Article
3
‘If You Have Seen it, You Cannot Forget!’: Film Consumption and Memories of Cinema-Going in 1950s Rome.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 53, doi. 10.1080/01439685.2014.903036
- By:
- Publication type:
- Article
4
Italian Post-Neorealist Cinema.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
5
Rome, Open for British Production: The lost world of ‘Britalian’ films, 1946-1954.
- Published in:
- Historical Journal of Film, Radio & Television, 2013, v. 33, n. 2, p. 234, doi. 10.1080/01439685.2013.798076
- By:
- Publication type:
- Article
6
The Metamorphosis of Maciste in Italian Silent Cinema.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
7
Moscow-Rome-Havana: A Film-Theory Road Map.
- Published in:
- 2012
- By:
- Publication type:
- Essay
8
The pedagogy of political film. Elio Petri’s Todo Modo.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
9
A Screenplay in the Form of a Comic Strip: Pier Paolo Pasolini’s Drawings for La terra vista dalla luna.
- Published in:
- Italian Studies, 2017, v. 72, n. 3, p. 292, doi. 10.1080/00751634.2017.1341678
- By:
- Publication type:
- Article
10
'Che credeva, che fossi Cenerentola!': Changes of Clothes, Guest Appearances, and Other Diva Performances in 1950s Cinema.
- Published in:
- Italian Studies, 2015, v. 70, n. 3, p. 377, doi. 10.1179/0075163415Z.000000000108
- By:
- Publication type:
- Article
11
New Wave Italian Style.
- Published in:
- 2012
- By:
- Publication type:
- Essay
12
La presa di Roma and Il piccolo garibaldino : the Risorgimento and national identity in early Italian cinema.
- Published in:
- 2013
- By:
- Publication type:
- Essay
13
Landscape and Memory in Post-Fascist Italian Film: Cinema Year Zero.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
14
From Arlecchino to Wertmuller: modern Italian archetypes in the commedia all’italiana.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
15
Disappearing acts: disability, gender, and the memory of Fascism in Italian film.
- Published in:
- Modern Italy, 2017, v. 22, n. 2, p. 155, doi. 10.1017/mit.2017.20
- By:
- Publication type:
- Article
16
Back for good: melodrama and the returning soldier in post-war Italian cinema.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
17
Cinema Italiano: The Complete Guide from Classics to Cult, Howard Hughes, (2011).
- Published in:
- 2012
- By:
- Publication type:
- Book Review
18
Io la conoscevo bene... Or did I? Antonio Pietrangeli, the Author, and the Actress.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
19
Cronaca, Narrativa, and the Unstable Foundations of the Institution of Neorealism.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
20
Cold War Cultures and Globalisation.
- Published in:
- 2012
- By:
- Publication type:
- Case Study
21
The Imperial Moment in Fascist Cinema.
- Published in:
- Journal of Modern European History, 2015, v. 13, n. 1, p. 59
- By:
- Publication type:
- Article