About the cover.
- Published in:
- 2021
- Publication type:
- Cover Art
Works matching DE "18TH century painting"
Results: 65
1
2
‘THOROUGHLY CHINESE’: REVEALING THE PLANTS OF THE HONG MERCHANTS' GARDENS THROUGH JOHN BRADBY BLAKE'S PAINTINGS.
- Published in:
- Curtis's Botanical Magazine, 2017, v. 34, n. 4, p. 475, doi. 10.1111/curt.12214
- By:
- Publication type:
- Article
3
JOHN BRADBY BLAKE AND JAMES KERR: HYBRID BOTANICAL ART, CANTON AND BENGAL, c. 1770.
- Published in:
- Curtis's Botanical Magazine, 2017, v. 34, n. 4, p. 427, doi. 10.1111/curt.12212
- By:
- Publication type:
- Article
4
THE BRITISH EAST INDIA COMPANY, JOHN BRADBY BLAKE AND THEIR INTERESTS IN SPICES, COTTON AND TEA.
- Published in:
- Curtis's Botanical Magazine, 2017, v. 34, n. 4, p. 379, doi. 10.1111/curt.12210
- By:
- Publication type:
- Article
5
CHINESE VISITORS TO 18TH CENTURY BRITAIN AND THEIR CONTRIBUTION TO ITS CULTURAL AND INTELLECTUAL LIFE.
- Published in:
- Curtis's Botanical Magazine, 2017, v. 34, n. 4, p. 498, doi. 10.1111/curt.12201
- By:
- Publication type:
- Article
6
THE LIFE AND WORK OF JOHN BRADBY BLAKE.
- Published in:
- Curtis's Botanical Magazine, 2017, v. 34, n. 4, p. 231, doi. 10.1111/curt.12200
- By:
- Publication type:
- Article
7
The Prince of Wales [Detail].
- Published in:
- 2014
- Publication type:
- Art Reproduction
8
Tuhituhi: William Hodges, Cook's painter in the South Pacific.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
9
Painting and Publishing as Creative Industries: The Fabric of Creativity in the Dutch Republic, 1580-1800.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
10
Emiria Sunassa's Citational Paintings: 'Like a Boil on a Virgin's Lips'.
- Published in:
- Oxford Art Journal, 2023, v. 46, n. 3, p. 407, doi. 10.1093/oxartj/kcad028
- By:
- Publication type:
- Article
11
Joshua Reynolds and Deafness: Listening, Hearing, and Not Hearing in Eighteenth-Century Portraiture.
- Published in:
- Oxford Art Journal, 2023, v. 46, n. 3, p. 357, doi. 10.1093/oxartj/kcad026
- By:
- Publication type:
- Article
12
Unnatural Appetites: Sodomitical Panic in Hogarth's The Gate of Calais, or, O the Roast Beef of Old England (1748).
- Published in:
- Oxford Art Journal, 2012, v. 35, n. 1, p. 19, doi. 10.1093/oxartj/kcs002
- By:
- Publication type:
- Article
13
HIDE-AND-SEEK: FROM GUERNICA TO DELPHI.
- Published in:
- Center: Architecture & Design in America, 2014, n. 19, p. 48
- By:
- Publication type:
- Article
14
The Light of High Modern Discipline: Viewing the Birth, Life and Death of the Disciplinary Society in William Hogarth, Joseph Wright of Derby and Edward Hopper.
- Published in:
- Law & Humanities, 2014, v. 8, n. 1, p. 1, doi. 10.5235/17521483.8.1.1
- By:
- Publication type:
- Article
15
Detection of Forgeries of Dutch and Flemish Paintings of the XVII-XVIII Centuries by means of Spectroscopic Techniques.
- Published in:
- Journal of Applied Spectroscopy, 2014, v. 80, n. 6, p. 922, doi. 10.1007/s10812-014-9866-0
- By:
- Publication type:
- Article
16
Picture Collections of the Counts of Herberstein. The Collections of Johann Ernst I and Johann Ernst II in Graz and Hrastovec Castle.
- Published in:
- 2015
- By:
- Publication type:
- Abstract
17
CEILING PAINTING TECHNIQUES AROUND 1700: Questions of Economy, Durability and Function.
- Published in:
- Acta Historiae Artis Slovenica, 2011, v. 16, n. 1-2, p. 29
- By:
- Publication type:
- Article
18
Why So Sad? Watteau's Pierrots.
- Published in:
- Art Bulletin, 2016, v. 98, n. 3, p. 321, doi. 10.1080/00043079.2016.1143752
- By:
- Publication type:
- Article
19
Rococo Representations of Interspecies Sensuality and the Pursuit of Volupté.
- Published in:
- Art Bulletin, 2015, v. 97, n. 2, p. 192, doi. 10.1080/00043079.2015.979104
- By:
- Publication type:
- Article
20
Fragonard's Later Career: The Contes et Nouvelles and the Progress of Love Revisited.
- Published in:
- Art Bulletin, 2011, v. 93, n. 2, p. 150, doi. 10.1080/00043079.2011.10786002
- By:
- Publication type:
- Article
21
Ossian and Visual Art: Mislaid and Rediscovered.
- Published in:
- Journal for Eighteenth-Century Studies, 2016, v. 39, n. 2, p. 235, doi. 10.1111/1754-0208.12391
- By:
- Publication type:
- Article
22
Esquisses peintes de l'époque romantique. Delacroix, Cogniet, Scheffer...
- Published in:
- 2015
- By:
- Publication type:
- Book Review
23
The shock of the new: William Hogarth (1697-1764) and the influence of Isaac Newton (1642-1727) and his followers.
- Published in:
- British Art Journal, 2021, v. 22, n. 3, p. 8
- By:
- Publication type:
- Article
24
The Schönheitengalerie by Charles Jervas for the first Hanoverian court in London, c1717/22.
- Published in:
- British Art Journal, 2019, v. 20, n. 1, p. 38
- By:
- Publication type:
- Article
25
Industry and Idleness by William Hogarth (1697-1764) and the 'Doctrine of Opposites'.
- Published in:
- British Art Journal, 2019, v. 20, n. 3, p. 42
- By:
- Publication type:
- Article
26
Not 'Mrs Andrew Lindington' but Mrs Sarah Lindegren by Joseph Wright of Derby (1734-1797).
- Published in:
- British Art Journal, 2017, v. 17, n. 3, p. 47
- By:
- Publication type:
- Article
27
Lord Hervey's choice.
- Published in:
- British Art Journal, 2016, v. 17, n. 1, p. 8
- By:
- Publication type:
- Article
28
A Thesaurus of British History Painting 1760s-1830s The James-Hamlyn Gift to the Royal Academy.
- Published in:
- 2015
- Publication type:
- Book Review
29
American Paintings at Harvard. Volume 1: Paintings, Watercolors, and Pastels by Artists born before 1826.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
30
Bibliophile, Grangerizer, and patron of artists.
- Published in:
- British Art Journal, 2014, v. 15, n. 2, p. 103
- By:
- Publication type:
- Article
31
Good Monsieur Melancholy: Joseph Wright’s Portrait of Sir Brooke Boothby.
- Published in:
- British Art Journal, 2014, v. 15, n. 1, p. 110
- By:
- Publication type:
- Article
32
Mrs Martha Gumley - correcting an identification.
- Published in:
- British Art Journal, 2014, v. 15, n. 1, p. 95
- By:
- Publication type:
- Article
33
A portrait of John Rich (1692-1761).
- Published in:
- British Art Journal, 2012, v. 13, n. 1, p. 82
- By:
- Publication type:
- Article
34
Liotard at the Royal Academy, 1773 The enigmatic 'Dr Thomson'.
- Published in:
- British Art Journal, 2011, v. 12, n. 2, p. 34
- By:
- Publication type:
- Article
35
The Belton conversation piece.
- Published in:
- British Art Journal, 2011, v. 11, n. 3, p. 15
- By:
- Publication type:
- Article
36
ABSTRACTS.
- Published in:
- 2012
- Publication type:
- Abstract
37
NAME HUNTING, VISUAL CHARACTERISTICS, AND "NEW OLD MASTERS": TRACKING THE TASTE FOR PAINTINGS AT EIGHTEENTH-CENTURY AUCTIONS.
- Published in:
- Eighteenth-Century Studies, 2012, v. 46, n. 1, p. 57, doi. 10.1353/ecs.2012.0081
- By:
- Publication type:
- Article
38
MASTERING THE CONNOISSEUR'S EYE: PAINTINGS, CRITICISM AND THE CANON IN DUTCH AND FLEMISH TRAVEL CULTURE, 1600-1750.
- Published in:
- Eighteenth-Century Studies, 2012, v. 46, n. 1, p. 29, doi. 10.1353/ecs.2012.0078
- By:
- Publication type:
- Article
39
Nathaniel Hone's 1775 Exhibition: The First Single-Artist Retrospective.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
40
‘An Argument in Paint’: Reynolds and Garrick between Tragedy and Comedy.
- Published in:
- Visual Culture in Britain, 2012, v. 13, n. 3, p. 283, doi. 10.1080/14714787.2012.716989
- By:
- Publication type:
- Article
41
A TECHNICAL COMPARISON OF TWO VERSIONS OF THE PORTRAIT OF SARAH SIDDONS AS THE TRAGIC MUSE BY JOSHUA REYNOLDS.
- Published in:
- Studies in Conservation, 2000, v. 45, n. S2, p. 19, doi. 10.1179/sic.2000.45.s2.019
- By:
- Publication type:
- Article
42
EASTLAKE REVISITED: SOME MILESTONES ON THE ROAD TO RUIN.
- Published in:
- Studies in Conservation, 1990, v. 35, n. S1, p. 73, doi. 10.1179/sic.1990.35.s1.017
- By:
- Publication type:
- Article
43
Enlightenment and Baroque Ceiling Paintings in Sacred Spaces: The Example of Austria.
- Published in:
- Journal of the Institute of Art History, 2015, v. 39, p. 75
- By:
- Publication type:
- Article
44
A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson.
- Published in:
- Art History, 2016, v. 39, n. 2, p. 340, doi. 10.1111/1467-8365.12241
- By:
- Publication type:
- Article
45
Ladies-in-Waiting in Waiting: Picturing Adolescence in Dmitry Levitsky's Smolny Portraits, 1772-76.
- Published in:
- 2014
- By:
- Publication type:
- Essay
46
Multispectral Imaging and p-XRF for the Non-Invasive Characterization of the Anonymous Devotional Painting 'Maria Santissima delle Grazie' from Mirabella Imbáccari (Sicily, Italy).
- Published in:
- Heritage (2571-9408), 2021, v. 4, n. 3, p. 2320, doi. 10.3390/heritage4030131
- By:
- Publication type:
- Article
47
The Cultural Heritage of Architectural Linear Perspective: The Mural Paintings in Nantang Church.
- Published in:
- Heritage (2571-9408), 2021, v. 4, n. 3, p. 1773, doi. 10.3390/heritage4030099
- By:
- Publication type:
- Article
48
Fact and Feeling.
- Published in:
- Brooklyn Rail, 2019, p. 1
- By:
- Publication type:
- Article
49
Images, Knowledge and Empire: Depicting Cassowaries in the Qing Court.
- Published in:
- 2013
- By:
- Publication type:
- Essay
50
PAINTING IN THE PHILOSOPHICAL BROTHEL.
- Published in:
- XVIII: New Perspectives on the Eighteenth Century, 2004, v. 1, n. 1, p. 10
- By:
- Publication type:
- Article