Works matching DE "ENGLISH painting"
Results: 35
Not just Any Wintry Afternoon in England : the curious contribution of C.R.W. Nevinson to ‘football art’.
- Published in:
- 2011
- By:
- Publication type:
- Biography
The Anatomy of Patronage.
- Published in:
- 1989
- By:
- Publication type:
- Book Review
'To rise from generation': the sublime body in William Blake's illuminated books.
- Published in:
- Word & Image, 1997, v. 13, n. 4, p. 340, doi. 10.1080/02666286.1997.10434296
- By:
- Publication type:
- Article
Picture Framing II: The Frames of Wright of Derby.
- Published in:
- Museum Management & Curatorship, 1990, v. 9, n. 2, p. 221, doi. 10.1016/0964-7775(90)90065-F
- By:
- Publication type:
- Article
"The Book of Nature is Open to All Men": Geology, Mining, and History in Joseph Wright's Derbyshire Landscapes.
- Published in:
- Huntington Library Quarterly, 2005, v. 68, n. 4, p. 583, doi. 10.1525/hlq.2005.68.4.583
- By:
- Publication type:
- Article
Illustrating 'savagery': Sir John Lubbock and Ernest Griset.
- Published in:
- Antiquity, 2009, v. 83, n. 320, p. 488, doi. 10.1017/S0003598X00098598
- By:
- Publication type:
- Article
Pigments of English Medieval Wall Painting.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
Common Land in English Painting 1700 - 1850.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
How to Portray a Trade? Identity and Interpretation in Johan Zoffany's An Optician with His Attendant.
- Published in:
- Eighteenth Century Fiction, 2011, v. 23, n. 2, p. 409, doi. 10.3138/ecf.23.2.409
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- Publication type:
- Article
COUNTRYFOLK IN THOMSON'S SEASONS: THE DARK SIDE OF THE LANDSCAPE, OR EMBLEMS OF NATURAL INTEGRATION?
- Published in:
- Darbai ir Dienos, 2015, n. 63, p. 83, doi. 10.7220/2335-8769.63.5
- By:
- Publication type:
- Article
The Conversation Piece (Book Review).
- Published in:
- 1981
- By:
- Publication type:
- Book Review
The cover.
- Published in:
- JAMA: Journal of the American Medical Association, 1997, v. 277, n. 16, p. 1264, doi. 10.1001/jama.1997.03540400008002
- By:
- Publication type:
- Article
'Murillo-like Rags or Clean Pinafores': Artistic and Social Preferences in the Representation of the Dress of the Rural Poor.
- Published in:
- Textile History, 2002, v. 33, n. 1, p. 48, doi. 10.1179/tex.2002.33.1.48
- By:
- Publication type:
- Article
Early Stuart Chester as a centre for regional portraiture.
- Published in:
- Urban History, 2014, v. 41, n. 1, p. 3, doi. 10.1017/S096392681300031X
- By:
- Publication type:
- Article
Sir Hardolph Wasteneys, 2nd Bt. (1612-1673) with his tutor, thought to be his cousin Nathaniel Wasteneys, in Sherwood forest.
- Published in:
- 2011
- Publication type:
- Art Reproduction
Thomas Gainsborough RA: Pastoral pleasure and the Showbox.
- Published in:
- British Art Journal, 2007, v. 8, n. 3, p. 60
- By:
- Publication type:
- Article
Dante Gabriel Rossetti's discovery of Alexa Wilding.
- Published in:
- British Art Journal, 2006, v. 7, n. 2, p. 87
- By:
- Publication type:
- Article
'The glory of a Nation.'.
- Published in:
- British Art Journal, 2003, v. 4, n. 1, p. 52
- By:
- Publication type:
- Article
Walter Sickert and urban realism.
- Published in:
- British Art Journal, 2002, v. 3, n. 2, p. 58
- By:
- Publication type:
- Article
Beasts, Benedictines and the Ormesby Master.
- Published in:
- British Art Journal, 1999, v. 1, n. 1, p. 5
- By:
- Publication type:
- Article
Common Land in English Painting 1700-1850.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
A Rake's Progress and the fall of Rome.
- Published in:
- Word & Image, 2010, v. 26, n. 4, p. 400, doi. 10.1080/02666281003603203
- By:
- Publication type:
- Article
John Smythson, Master Cook to Queen Elizabeth I.
- Published in:
- Journal of the British Archaeological Association, 2013, v. 166, n. 1, p. 189, doi. 10.1179/0068128813Z.00000000022
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- Publication type:
- Article
'Sudden gleams of (f)light': 'Intuition as Method'?
- Published in:
- Art History, 2011, v. 34, n. 2, p. 370, doi. 10.1111/j.1467-8365.2011.00824.x
- By:
- Publication type:
- Article
HISTORY ILLUMINATED: WILLIAM HOLMAN HUNT'S LONDON BRIDGE.
- Published in:
- Art History, 2006, v. 29, n. 5, p. 827, doi. 10.1111/j.1467-8365.2006.00525.x
- By:
- Publication type:
- Article
AN ENGLISH ARCADIA REVISITED AND REASSESSED: HOLMAN HUNT'S THE HIRELING SHEPHERD AND THE RITUAL TRADITION.
- Published in:
- Art History, 1987, v. 10, n. 4, p. 475, doi. 10.1111/j.1467-8365.1987.tb00270.x
- By:
- Publication type:
- Article
THE FIRST STEPS OF HOGARTH'S HARLOT'S PROGRESS.
- Published in:
- Art History, 1987, v. 10, n. 1, p. 23, doi. 10.1111/j.1467-8365.1987.tb00240.x
- By:
- Publication type:
- Article
The problem of longitude: A philosopher giving a lecture on the orrery (1766) by Joseph Wright of Derby (1734-1797).
- Published in:
- British Art Journal, 2020, v. 21, n. 1, p. 48
- By:
- Publication type:
- Article
John Constable (1776-1837), Archdeacon Fisher, and the 'Garter Painting'.
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 71
- By:
- Publication type:
- Article
The photographic eye of Edward Atkinson Hornel (1864-1933) and the influence of Japanese photography.
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 64
- By:
- Publication type:
- Article
The Chiswick studio of William Hogarth (1697-1764).
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 60
- By:
- Publication type:
- Article
A portrait of Thomas Gainsborough (1727-1788) at Santa Barbara Museum of Art.
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 54
- By:
- Publication type:
- Article
Milton as Turner's muse in the conjuring of new worlds: An explanation for Moses's presence in The Morning after the Deluge.
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 50
- By:
- Publication type:
- Article
'Admiration and horror' in the Southern Ocean: The 'Icebergs' of William Hodges (1744-1797).
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 42
- By:
- Publication type:
- Article
Portraits of artists: James Clarke Hook (1819-1907) and the Macdonald Collection.
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 34
- By:
- Publication type:
- Article