The Unpunished conqueror in the Opera "Rigoletto" by Giuseppe Verdi.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. 1, p. 87
- By:
- Publication type:
- Article
Works matching DE "OPERA characters"
Results: 81
1
2
Alexandru Lăpuşneanu -- as a musical character.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. 1, p. 65
- By:
- Publication type:
- Article
3
A Path into the Heart: Shakespeare's The Tempest translated into Opera.
- Published in:
- 2013
- By:
- Publication type:
- Essay
4
VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF THE MUSICAL WORLD.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2014, v. 59, n. 1, p. 51
- By:
- Publication type:
- Article
5
Actresses on Bengali Stage -- Nati Binodini and Moyna: the Present Re-imagines the Past.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2011, v. 3, n. 4, p. 514
- By:
- Publication type:
- Article
6
Speaking With and Without Words--An Interview with Nomhle Nkonyeni.
- Published in:
- 1999
- By:
- Publication type:
- Interview
7
STAGING A POSTDRAMATIC PERFORMANCE: SIMON STEPHENS'S NUCLEAR WAR.
- Published in:
- Journal of International Social Research, 2019, v. 12, n. 66, p. 124, doi. 10.17719/jisr.2019.3564
- By:
- Publication type:
- Article
8
Love and Redemption: The Unfulfilled Passion, the Dissatisfied Dream, and the Chivalric Duty in Richard Wagner's Tristan und Isolde.
- Published in:
- 2014
- By:
- Publication type:
- Literary Criticism
9
The Musical and Philosophical Relationship between Richard Strauss's Krämerspiegel, Op. 66 and Capriccio, Op. 85.
- Published in:
- 2014
- By:
- Publication type:
- Literary Criticism
10
soprano Leonie Rysanek.
- Published in:
- 2012
- By:
- Publication type:
- Interview
11
Soprano June Anderson.
- Published in:
- 2010
- By:
- Publication type:
- Interview
12
Feminine as Image: "Si, Mi chiamano Mimi".
- Published in:
- Opera Journal, 2010, v. 43, n. 1/2, p. 3
- By:
- Publication type:
- Article
13
"His Child...Must Not Be Born": Revising Erika in Samuel Barber's Vanessa.
- Published in:
- Opera Journal, 2005, v. 38, n. 4, p. 3
- By:
- Publication type:
- Article
14
Mnouchkine's Workshop at the Soleil.
- Published in:
- 1989
- By:
- Publication type:
- Arts/Entertainment Review
15
Resisting Motherhood in Thomas Kilroy’s Talbot’s Box.
- Published in:
- Studi Irlandesi, 2016, n. 6, p. 271, doi. 10.13128/SIJIS-2239-3978-18466
- By:
- Publication type:
- Article
16
Scruton's Wagner on God, Salvation, and Eros.
- Published in:
- British Journal of Aesthetics, 2010, v. 50, n. 2, p. 169, doi. 10.1093/aesthj/ayp069
- By:
- Publication type:
- Article
17
Rigoletto Alias Tito Gobbi.
- Published in:
- ARSC Journal, 2005, v. 36, n. 1, p. 29
- By:
- Publication type:
- Article
18
"When Ladies Meet: The Media Myth of the Two Queens in One Isle".
- Published in:
- Discoveries, 2007, v. 24, n. 1, p. 1
- Publication type:
- Article
19
An Examination of Selected Operas Based on Dramatic and Poetic Works of Shakespeare.
- Published in:
- Discoveries, 2001, v. 18, n. 2, p. 5
- By:
- Publication type:
- Article
20
Opera Singing and Fictional Truth.
- Published in:
- Journal of Aesthetics & Art Criticism, 2013, v. 71, n. 1, p. 81, doi. 10.1111/j.1540-6245.2012.01544.x
- By:
- Publication type:
- Article
21
GIOACHINO ROSSINI - IL BARBIERE DI SIVIGLIA (ROSINA). STORIES, PERSONS, ARTISTIC COMMUNICATION.
- Published in:
- International Journal of Communication Research, 2018, v. 8, n. 1, p. 46
- By:
- Publication type:
- Article
22
Performing Violence in Rotrou's Theater.
- Published in:
- Neophilologus, 2011, v. 95, n. 4, p. 543, doi. 10.1007/s11061-011-9243-7
- By:
- Publication type:
- Article
23
La pasión y el erotismo en la ópera: Una visión desde el psicoanálisis y la filosofía existencialista de Kierkegaard.
- Published in:
- 2012
- By:
- Publication type:
- Opinion
24
The Oshkosh Grand Opera House.
- Published in:
- Art Education, 1989, v. 42, n. 3, p. 25
- By:
- Publication type:
- Article
25
The First Non-Human Action Artist: Charlotte Moorman and Nam June Paik in Robot Opera.
- Published in:
- PAJ: A Journal of Performance & Art, 2018, v. 40, n. 1, p. 11, doi. 10.1162/PAJJ_a_00390
- By:
- Publication type:
- Article
26
Juan Moreira: la transformación de un gaucho cuchillero en personaje de ópera italiana.
- Published in:
- Temas de Historia Argentina y Americana, 2007, n. 10, p. 221
- By:
- Publication type:
- Article
27
Educating Siegfried (1984).
- Published in:
- Word & Music Studies, 2006, v. 8, p. 91
- Publication type:
- Article
28
"Per porle in lista.".
- Published in:
- Word & Music Studies, 2006, v. 8, p. 65
- Publication type:
- Article
29
Hamlet the Populist Politician.
- Published in:
- Shakespeare in Southern Africa, 2013, v. 25, p. 43, doi. 10.4314/sisa.v25i1.4
- By:
- Publication type:
- Article
30
Reply.
- Published in:
- Notes & Queries, 1987, v. ns-34, n. 4, p. 510
- By:
- Publication type:
- Article
31
Pickleherring Returns to the Kremlin: More New Sources on the Pre-History of the Russian Court Theatre.
- Published in:
- Scando-Slavica, 2015, v. 61, n. 1, p. 7, doi. 10.1080/00806765.2015.1042755
- By:
- Publication type:
- Article
32
De "La Nourrice républicaine" à "La Caverne": l'opéra sous la Révolution française.
- Published in:
- Studi Francesi, 2013, n. 169, p. 57, doi. 10.4000/studifrancesi.3281
- By:
- Publication type:
- Article
33
Los significados de lo demoníaco: abstracciones del mal en la narrativa de Roberto el Diablo.
- Published in:
- 2016
- By:
- Publication type:
- Literary Criticism
34
Partitura espectacular (Églogas profanas) de la primera producción dramática de teatro de Juan del Encina.
- Published in:
- Medievalia, 2016, n. 48, p. 83
- By:
- Publication type:
- Article
35
Ruzantine Influences on the Theater of Shakespeare: Launce e Launcelot Inspired by Ruzante's Peasant?
- Published in:
- 2014
- By:
- Publication type:
- Essay
36
(Re)telling the Times: The Tangled Memories of Confederate Spies Rose O'Neal Greenhow and Belle Boyd.
- Published in:
- Rhetoric Review, 2019, v. 38, n. 3, p. 297, doi. 10.1080/07350198.2019.1628526
- By:
- Publication type:
- Article
37
THE TEMPORAL DURABILITY OF SHAKESPEARE'S OTHELLO IN ITS MUSICAL REWRITINGS.
- Published in:
- University of Bucharest Review: A Journal of Literary & Cultural Studies, 2009, v. 11, n. 2, p. 107
- By:
- Publication type:
- Article
38
EUGÈNE SCRIBE "SCENEGGIATORE" DEL GRAND OPÉRA.
- Published in:
- 2007
- By:
- Publication type:
- Essay
39
The Round Table.
- Published in:
- Arthuriana, 2008, v. 18, n. 1, p. 88, doi. 10.1353/art.2008.0002
- By:
- Publication type:
- Article
40
Redefinición y positivación de la figura de Helena en la trilogía troyana de Eurípides.
- Published in:
- Nova Tellus, 2016, v. 34, n. 2, p. 89, doi. 10.19130/iifl.nt.2016.34.2.749
- By:
- Publication type:
- Article
41
Opera and/as Theatricality: Notes from Across the Aisle.
- Published in:
- Opera Quarterly, 2019, v. 35, n. 1/2, p. 143, doi. 10.1093/oq/kbz018
- By:
- Publication type:
- Article
42
Performance.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
43
Creating the Inner Life of a Character: Donizetti's Maria Stuarda.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 3/4, p. 192, doi. 10.1093/oq/kbt001
- By:
- Publication type:
- Article
44
Who Were the Drei Knaben?
- Published in:
- Opera Quarterly, 2012, v. 28, n. 1-2, p. 88, doi. 10.1093/oq/kbs041
- By:
- Publication type:
- Article
45
Papageno Redux: Repetition and the Rewriting of Character in Sequels to Die Zauberflöte.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 1-2, p. 72, doi. 10.1093/oq/kbs038
- By:
- Publication type:
- Article
46
Musiktheater—Toward a Definition (1960).
- Published in:
- Opera Quarterly, 2011, v. 27, n. 2/3, p. 299, doi. 10.1093/oq/kbr028
- By:
- Publication type:
- Article
47
“Ich bin eine Engländerin, zur Freyheit geboren”: Blonde and the Enlightened Female in Mozart's Die Entführung aus dem Serail.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 4, p. 552, doi. 10.1093/oq/kbq050
- By:
- Publication type:
- Article
48
A Study on Hysteria: Reinterpreting the Heroine of Debussy's Pelléas et Mélisande.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 4, p. 499, doi. 10.1093/oq/kbq045
- By:
- Publication type:
- Article
49
Beards on the Boards: A Scherzo.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 4, p. 588, doi. 10.1093/oq/kbq049
- By:
- Publication type:
- Article
50
The Power of the “Verfluchte Lohe”: (Post-)Wagnerian Redheads and the Coherence of the Gesamtkunstwerk in Das Rheingold, Fredigundis, and Irrelohe.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 4, p. 526, doi. 10.1093/oq/kbq046
- By:
- Publication type:
- Article