JUANSHENG AS THE FAILED MADMAN IN "DEAD QUIET AND EMPTINESS:" DEATH DRIVE AND THE GENDERED MELANCHOLIC SUBJECT IN LU XUN'S "REGRET FOR THE PAST".Published in:2010By:Daisy Yan DuPublication type:Literary Criticism
THE RESISTANCE OF NON-RESISTANCE: ON THE (IM)POSSIBLE FRAGILITY OF ETHICS IN LI YANG'S BLIND SHAFT.Published in:2010By:McConaghy, MarkPublication type:Essay
THE EMPIRE OF HYGIENE -- HYGIENIC DISCOURSE IN MODERN JAPAN.Published in:East Asian Forum, 2010, v. 13, n. 1, p. 52By:Wang JingPublication type:Article
HIROSHIMA MON AMOUR: BETWEEN EVERYTHING AND NOTHING, THE TRACE….Published in:East Asian Forum, 2010, v. 13, n. 1, p. 36By:Gauthier, DarcyPublication type:Article
THE METAMORPHOSIS OF FEMALE DESIRE: CONTEMPORARY JAPANESE IMAGININGS OF "THE LITTLE MERMAID".Published in:2010By:Fraser, LucyPublication type:Literary Criticism
BETWEEN NARRATOPHILIA AND APHASIA: SILENT DESIRE AND THE DIALOGIC NARRATION OF SELF IN ISHIKAWA JUN'S "THE LEGEND OF GOLD".Published in:2010By:Bridges IV, William H.Publication type:Literary Criticism