"Taking Care of Her Green Stone Wall": The Experience of Space in Once Were Warriors.Published in:Quarterly Review of Film & Video, 2007, v. 24, n. 5, p. 463, doi. 10.1080/10509200500536363By:Columpar, CorinnPublication type:Article
A few black keys and Maori tattoos: Re-reading Jane Campion's The Piano in postnegritude time.Published in:Quarterly Review of Film & Video, 2000, v. 17, n. 2, p. 107, doi. 10.1080/10509200009361484By:Reid, Mark A.Publication type:Article
Maoritanga in Whale Rider and Once Were Warriors: a problematic rebirth through female leaders.Published in:Studies in Australasian Cinema, 2007, v. 1, n. 1, p. 15, doi. 10.1386/sac.1.1.15_1By:De Souza, PascalePublication type:Article
Shared Place and Maimed Bodies Flesh of the Past, Soul of the Future (or Vice-Versa) in Once Were Warriors.Published in:2009By:Kwast-Greff, ChantalPublication type:Essay
PERSISTENT PRIMITIVISMS: POPULAR AND ACADEMIC DISCOURSES ABOUT PACIFIC & MĀORI CINEMA AND TELEVISION.Published in:2013By:PEARSON, SARINAPublication type:Essay
Action in Motion: Toa Fraser's The Dead Lands.Published in:2015By:WARD, SARAHPublication type:Film/TV Criticism and Review
Restoring history.Published in:Film History, 1994, v. 6, n. 1, p. 116By:Dennis, JonathanPublication type:Article