Victorian Noir: Cornell Woolrich's Waltz into Darkness.Published in:Journal of American Culture, 2023, v. 46, n. 4, p. 295, doi. 10.1111/jacc.13499By:Snyder, Robert LancePublication type:Article
`This Dark Thing, This Other Self': Character and Self-Distantiation in Cornell Woolrich's I Married a Dead Man (1948).Published in:1998By:Payne, KennethPublication type:Literary Criticism
The Woolrichian Window and the Democratization of the Detective in 'Rear Window'.Published in:2013By:Woodhouse, AnnaPublication type:Literary Criticism
Two takes on gender in Argentine film noir.Published in:Studies in Hispanic Cinemas, 2008, v. 4, n. 2, p. 121, doi. 10.1386/shci.4.2.121_1By:Thompson, Currie K.Publication type:Article
THE VIEW FROM THE REAR WINDOW: THE FICTION OF CORNELL WOOLRICH.Published in:2009By:Lee, A. RobertPublication type:Literary Criticism
INTRODUCTION: PATHWAYS, BEARINGS.Published in:Costerus (New Series), 2009, v. 178, p. 11By:Lee, A. RobertPublication type:Article