"Weil es ein Zierlich vnd lieblich ja Nobilitiert Instrument ist": Der Resonanzraum der Laute und die musikalische Repräsentation am Wolfenbütteler Herzogshof 1580–1625.Published in:2019By:Tilley, JanettePublication type:Book Review
Making lutes in Quattrocento Venice: Nicolò Sconvelt and his German colleagues.Published in:2015By:Blackburn, Bonnie J.Publication type:Essay
A DOWNLAND ALLUSION IN HERBERT'S `GRIEF'.Published in:Notes & Queries, 1984, v. 31, n. 2, p. 238, doi. 10.1093/nq/31-2-238bBy:Lindley, DavidPublication type:Article
News and events.Published in:Early Music, 2015, v. 43, n. 1, p. 191, doi. 10.1093/em/cau156Publication type:Article
John Dowland, celebrity lute teacher.Published in:Early Music, 2013, v. 41, n. 2, p. 205By:Gale, MichaelPublication type:Article
THE COVER.Published in:JAMA: Journal of the American Medical Association, 2011, v. 305, n. 1, p. 17By:Torpy, Janet M.Publication type:Article
Nicolaus Bruhns (1665-1697) A Shadowy Genius?Published in:Organists' Review, 2022, p. 23By:Sayer, JohnPublication type:Article