Works matching Nadia Boulanger
1
- International Review of the Aesthetics & Sociology of Music, 2014, v. 45, n. 1, p. 63
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2
- Menotyra, 2014, v. 21, n. 3, p. 257
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3
- Bulletin of the Transilvania University of Brasov, Series IX: Sciences of Human Kinetics, 2023, v. 16, p. 187, doi. 10.31926/but.pa.2023.16.65.3.19
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4
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 187, doi. 10.31926/but.pa.2023.16.65.3.19
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5
- Fontes Artis Musicae, 2007, v. 54, n. 1, p. 100
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6
- Musical Quarterly, 1999, v. 83, n. 4, p. 236, doi. 10.1093/mq/83.4.536
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7
- Musical Quarterly, 2011, v. 94, n. 1/2, p. 234, doi. 10.1093/musqtl/gdq024
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9
- 2007
- Arts/Entertainment Review
10
- Music & Letters, 2023, v. 104, n. 2, p. 229, doi. 10.1093/ml/gcac081
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11
- American Music Research Center Journal, 2013, v. 22, p. 59
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12
- Journal of Band Research, 2015, v. 51, n. 1, p. 1
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13
- Journal of Band Research, 2015, v. 50, n. 2, p. 33
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14
- American Scholar, 1977, v. 46, n. 4, p. 496
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15
- Notes, 2025, v. 81, n. 3, p. 546
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17
- Opera Quarterly, 2000, v. 16, n. 3, p. 397, doi. 10.1093/oq/16.3.397
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18
- ARSC Journal, 2015, v. 46, n. 1, p. 87
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21
- American Music Research Center Journal, 2019, v. 28, p. 75
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22
- Women & Music, 2021, v. 25, p. 132, doi. 10.1353/wam.2021.0011
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23
- Fontes Artis Musicae, 2007, v. 54, n. 1, p. 55
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24
- Plurentes, 2023, v. 12, n. 14, p. 1, doi. 10.24215/18536212e068
- Martínez, Gabriela;
- Gasparini, Diana
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25
- Musicology Today, 2017, v. 30, n. 2, p. 101
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26
- Music Theory Online, 2020, v. 26, n. 2, p. 128, doi. 10.30535/mto.26.2.11
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27
- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2013, v. 33, n. 2, p. 71, doi. 10.7202/1032696ar
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28
- Biblioteca: Revista de Bibliologie şi Știinţa Informării, 2022, v. 33, n. 2, p. 68
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29
- Biblioteca: Revista de Bibliologie şi Știinţa Informării, 2022, v. 33, n. 2, p. 33
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31
- Women & Music, 2015, v. 19, p. 169
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32
- Revista Bibliotecii Nationale a României, 2017, n. 23, p. 95
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33
- Notes, 2013, v. 69, n. 4, p. 722
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34
- Music Reference Services Quarterly, 2024, v. 27, n. 3/4, p. 165, doi. 10.1080/10588167.2024.2338690
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35
- Philosophy of Music Education Review, 2011, v. 19, n. 1, p. 1, doi. 10.2979/philmusieducrevi.19.1.1
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36
- Philosophy of Music Education Review, 2011, v. 19, n. 1, p. 5, doi. 10.2979/philmusieducrevi.19.1.5
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37
- Journal of the Society for American Music, 2013, v. 7, n. 4, p. 363, doi. 10.1017/S1752196313000357
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39
- Kodály Envoy, 2011, v. 37, n. 2, p. 12
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40
- Women & Music, 2010, v. 14, p. 22
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41
- Fontes Artis Musicae, 2019, v. 66, n. 2, p. 122, doi. 10.1353/fam.2019.0014
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43
- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 1, p. 9, doi. 10.24193/subbmusica.2020.1.01
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44
- Music Reference Services Quarterly, 2020, v. 23, n. 3/4, p. 153, doi. 10.1080/10588167.2020.1816039
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48
- Musicologist, 2020, v. 4, n. 1, p. 101, doi. 10.33906/musicologist.703903
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50
- Hungarian Cultural Studies, 2024, v. 17, p. 16, doi. 10.5195/ahea.2024.572
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