Home Land or Homeland?: Taking Root in the Land of Aotearoa/New Zealand.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 59
- By:
- Publication type:
- Article
Works matching IS 08104123 AND DT 2009
Results: 36
1
2
Alvin Purple/The Piano.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
3
The Cape/The Mall.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
4
Bertolt Brecht.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
5
Directors/Directing: Conversations on Theatre.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
6
Two Plays: Falemalama and the Packer/The Daylight Atheist.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
7
Anatomy Live: Performing and the Operating Theatre.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
8
'Your Genre is Black': Indigenous Performing Arts and Policy.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
9
Unstable Ground: Performance and the Politics of Place.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
10
Takona: Body Painting in Rapa Nui Performing Arts.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 150
- By:
- Publication type:
- Article
11
Truth, Identity and a Sense of 'Pacificness.'.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 132
- By:
- Publication type:
- Article
12
'I Want You Boys to Cook a Pig': The Two No. 2s.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 117
- By:
- Publication type:
- Article
13
Monodramas for a Multiculture: Performing New Zealand Chinese Identities in Lynda Chanwai-Earle's Ka Shue/Letters Home.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 101
- By:
- Publication type:
- Article
14
Hatching: Hatch or the Plight of the Penguins and the Search for a Sense of Place in New Zealand Solo Performance.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 88
- By:
- Publication type:
- Article
15
Landscape, Body, Memory and Belonging in the Plays of Gary Henderson.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 75
- By:
- Publication type:
- Article
16
The Flames of Hope: The Representation of Prophecy in Two New Zealand Plays.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 44
- By:
- Publication type:
- Article
17
A Dramatic Hijacking: Arthur Millerising Haruru Mat at the Auckland Theatre Company.
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 30
- By:
- Publication type:
- Article
18
Politics of Place and Extended Family in Taki Rua Productions' 25th Year: Strange Resting Places and Te Karakia.
- Published in:
- 2009
- By:
- Publication type:
- Essay
19
Loop/I/-ness in the New Zealand Performance of Identity (or, Id Entity).
- Published in:
- Australasian Drama Studies, 2009, n. 55, p. 4
- By:
- Publication type:
- Article
20
Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
21
'Our Madge and Cyril': Ghosted Framings of the Public and Private Partnership of Madge Elliott and Cyril Ritchard.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 87
- By:
- Publication type:
- Article
22
Nick Enright: An Actor's Playwright.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
23
What a Man's Gotta Do? Masculinities and Performance.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
24
Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
25
Stage Presence.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
26
AusStage: e-Research in the Performing Arts.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 178
- By:
- Publication type:
- Article
27
Theatre in Australia's National Capital.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 159
- By:
- Publication type:
- Article
28
Not in Our Own Voices: Accent and Identity in Contemporary Australian Shakespeare Performance.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 142
- By:
- Publication type:
- Article
29
Radical Disengagement and Liquid Lives: Criminology by Arena Theatre Company.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 125
- By:
- Publication type:
- Article
30
Make It Relevant.
- Published in:
- 2009
- By:
- Publication type:
- Speech
31
Negotiating National Identity at the Circus: the FitzGerald Brothers' Circus in Melbourne, 1892.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 68
- By:
- Publication type:
- Article
32
Killing the Audience: Forced Entertainment's First Night.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 50
- By:
- Publication type:
- Article
33
Is a Fashion Show the Place for Social Commentary? Investigating the Spectabcle Dressed Up in Ideas in Hussein Chalayan's After Words.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 35
- By:
- Publication type:
- Article
34
A Sense of Otherness? The Balancing Act of Translation.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 19
- By:
- Publication type:
- Article
35
Place Settings: Real Estate or Imagined Estates in Chekhov and Kantor.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 6
- By:
- Publication type:
- Article
36
Editorial Note.
- Published in:
- Australasian Drama Studies, 2009, n. 54, p. 4
- Publication type:
- Article