The limits of modernity: Andrea Lee's Sarah Phillips.Published in:1994By:Hogue, W. LawrencePublication type:Literary Criticism
Is This Resistance? African-American Postmodernism in "Sarah Phillips."Published in:Callaloo, 2004, v. 27, n. 3, p. 808, doi. 10.1353/cal.2004.0128By:McCormick, AdriennePublication type:Article
DRAMATIZING THE AFRICAN AMERICAN EXPERIENCE OF TRAVEL IN THE JIM CROW SOUTH: THE NEGRO MOTORIST GREEN BOOK IN THE AFRICAN AMERICAN LITERARY IMAGINATION.Published in:2014By:Ra-Shon Hall, MichaelPublication type:Essay
TWO BLACK WOMEN IN RUSSIA: TACIT RACIAL IDENTITY AND THE ENTREPRENEURIAL SPIRIT.Published in:CLA Journal, 2009, v. 52, n. 4, p. 327By:ANDREWS, LARRYPublication type:Article
Black Anaesthetics: The New Yorker and Andrea Lee's Russian Journal.Published in:American Literary History, 2019, v. 31, n. 1, p. 47, doi. 10.1093/alh/ajy050By:Myers, ShaundraPublication type:Article
Black American Girls in Paris: Sex, Race, and Cosmopolitanism in Andrea Lee's Sarah Phillips and Shay Youngblood's Black Girl in Paris.Published in:2015By:WILLIAMS, JENNIFER D.Publication type:Literary Criticism