In (sub)ordinate Speech: Mimicry as Bourdieuian Heterodoxy in Walcott's Pantomime.Published in:Ariel: A Review of International English Literature, 2007, v. 38, n. 4, p. 1By:Ahern, Megan K.Publication type:Article
The Drum Decade: Stories from the 1950s/Still Beating Drum: Critical Perspectives on Lewis Nkosi.Published in:2007By:Graham, ShanePublication type:Book Review
Regenerative Fictions: Postcolonialism, Psychoanalysis and the Nation as Family.Published in:2007By:Faith, WendyPublication type:Book Review
Andalusian Poetics: Rushdie's The Moor's Last Sigh and the Limits of Hybridity.Published in:2007By:Laouyene, AtefPublication type:Book Review
Rushdie and the Romantics: Intertextual Politics in Haroun and the Sea of Stories.Published in:2007By:Roberts, DanielPublication type:Book Review
"Taking on the Tone of a Bombay Talkie": The Function of Bombay Cinema in Salman Rushdie's Midnight's Children.Published in:2007By:Chordiya, Deepa P.Publication type:Literary Criticism
A New Home in the World: Scottish Devolution, Nomadic Writing, and Supranational Citizenship in Julie Bertagna's Exodus and Zenith.Published in:2007By:McCulloch, FionaPublication type:Literary Criticism
"Not his sort of story": Evelyn Waugh and Pauline Melville in Guyana.Published in:2007By:Ness, RobertPublication type:Literary Criticism
"Turbaned faces going by: James Joyce and Irish Orientalism.Published in:Ariel: A Review of International English Literature, 2007, v. 38, n. 4, p. 25By:Bongiovanni, Lynne A.Publication type:Article