Works matching Balanchine, George, 1904-1983
1
- Arts (2076-0752), 2023, v. 12, n. 2, p. 81, doi. 10.3390/arts12020081
- Nikiforova, Larisa;
- Vasileva, Anastasiia;
- de Miasnikov, Mayumi Sakamoto
- Article
2
- Arts (2076-0752), 2020, v. 9, n. 4, p. 119, doi. 10.3390/arts9040119
- Article
3
- Cardozo Journal of Law & Gender, 2012, v. 18, n. 3, p. 685
- Article
4
- American Scholar, 2023, v. 92, n. 2, p. 10
- Article
5
- American Scholar, 2018, v. 87, n. 1, p. 111
- Article
6
- American Scholar, 2008, v. 77, n. 1, p. 74
- Article
8
- Yale Review, 2009, v. 97, n. 1, p. 135, doi. 10.1111/j.1467-9736.2009.00482.x
- Article
9
- Yale Review, 2003, v. 91, n. 3, p. 28, doi. 10.1111/0044-0124.00724
- Article
10
- Southern Humanities Review, 1993, v. 27, n. 3, p. 219
- Article
11
- Gay & Lesbian Review Worldwide, 2023, v. 30, n. 3, p. 4
- Article
12
- Gay & Lesbian Review Worldwide, 2017, v. 24, n. 3, p. 10
- Article
14
- Music Theory Online, 2018, v. 24, n. 1, p. 58, doi. 10.30535/mto.24.1.5
- Article
15
- Dance Research, 2024, v. 42, n. 1, p. 18, doi. 10.3366/drs.2024.0416
- Article
16
- Dance Research, 2023, v. 41, n. 2, p. 298, doi. 10.3366/drs.2023.0409
- Article
18
- Dance Research, 2020, v. 38, n. 2, p. 242, doi. 10.3366/drs.2020.0311
- Article
19
- Dance Research, 2016, v. 34, n. 2, p. 170, doi. 10.3366/drs.2016.0158
- Article
22
- Technology & Culture, 2015, v. 56, n. 1, p. 1, doi. 10.1353/tech.2015.0011
- Article
23
- Music Theory Spectrum, 2022, v. 44, n. 2, p. 340, doi. 10.1093/mts/mtac007
- Article
24
- Raritan, 2015, v. 34, n. 4, p. 118
- Article
25
- Raritan, 2011, v. 31, n. 1, p. 131
- Article
26
- 2002
- Arts/Entertainment Review
27
- Raritan, 2000, v. 19, n. 4, p. 34
- Article
28
- 19: Interdisciplinary Studies in the Long Nineteenth Century, 2011, n. 13, p. 1, doi. 10.16995/ntn.618
- Article
29
- Journal of the Society for American Music, 2022, v. 16, n. 4, p. 381, doi. 10.1017/S175219632200027X
- Article
30
- Opera Quarterly, 2013, v. 29, n. 2, p. 87, doi. 10.1093/oq/kbt023
- Article
32
- Opera Quarterly, 2006, v. 22, n. 1, p. 136, doi. 10.1093/oq/kbi112
- Article
33
- Opera Quarterly, 2006, v. 22, n. 1, p. 90, doi. 10.1093/oq/kbi118
- Article
34
- Dance Education in Practice, 2022, v. 8, n. 4, p. 12, doi. 10.1080/23734833.2022.2114249
- Article
36
- Dance Chronicle, 2022, v. 45, n. 2, p. 131, doi. 10.1080/01472526.2022.2065868
- Article
37
- Dance Chronicle, 2021, v. 44, n. 1, p. 26, doi. 10.1080/01472526.2021.1877978
- Article
40
- Dance Chronicle, 2012, v. 35, n. 2, p. 224, doi. 10.1080/01472526.2011.615211
- Article
41
- Dance Chronicle, 2006, v. 29, n. 1, p. 1, doi. 10.1080/01472520500536721
- Article
42
- Dance Chronicle, 2005, v. 28, n. 3, p. 293, doi. 10.1080/01472520500276096
- Article
43
- Dance Chronicle, 1998, v. 21, n. 1, p. 107, doi. 10.1080/01472529808569299
- Article
45
- Dance Chronicle, 1993, v. 16, n. 3, p. 295, doi. 10.1080/01472529308569137
- Article
46
- Dance Chronicle, 1986, v. 9, n. 1, p. 96
- Article