Independence Day, or How I Learned to Stop Worrying and Love the Enola Gay.Published in:1999By:Felber, DietmerPublication type:Book Review
Representing Blackness: Issues in Film and Video.Published in:1999By:Quinn, LauraPublication type:Book Review
Bit Parts: Dismembering Elvis in Recent Hollywood Films.Published in:Film Criticism, 1999, v. 24, n. 1, p. 73By:Carlson, Thomas C.Publication type:Article
Pumping Up the Word with Cinematic Supplements.Published in:Film Criticism, 1999, v. 24, n. 1, p. 60By:Lundeen, KathleenPublication type:Article
John Woo's Cinema of Hyperkinetic Violence: From A Better Tomorrow to Face/Off.Published in:1999By:Hanke, RobertPublication type:Essay
Exhibitionism and Repression in The Full Monty.Published in:Film Criticism, 1999, v. 24, n. 1, p. 22By:Howard, GregPublication type:Article
Poking Henry Fool With A Stick.Published in:Film Criticism, 1999, v. 24, n. 1, p. 1By:Andrews, DavidPublication type:Article