‘The Birth of Black Consciousness on the Screen’?: The African American Historical Experience, Blaxploitation, and the Production and Reception of Sounder (1972).Published in:2015By:Symmons, TomPublication type:Film/TV Criticism and Review
CAPTIVE SUBJECTS: POINT OF VIEW AND INITIATION IN HOMBRE.Published in:2008By:WANAT, MATTPublication type:Essay
No Down Payment for the American Way of Life: Navigating Taboo Subjects and the Production Code.Published in:2024By:Gonchavora, DariaPublication type:Film/TV Criticism and Review
Signifying Nothing?: Martin Ritt's "The Sound and the Fury" (1959) As Deconstructive Adaptation.Published in:Literature Film Quarterly, 1999, v. 27, n. 1, p. 21By:Metz, WalterPublication type:Article
Adapting Female Agency: Rape in The Outrage and Rashōmon.Published in:2016By:LOFGREN, ERIK R.Publication type:Film/TV Criticism and Review
Making the Blacklist White: The Hollywood Red Scare in Popular Memory.Published in:2013By:Paul, AndrewPublication type:Film/TV Criticism and Review
The Death of the Western Hero: Martin Ritt's Hud and Hombre.Published in:Film Criticism, 1996, v. 20, n. 3, p. 34By:Miller, GabrielPublication type:Article