Works matching Cannes Film Festival
1
- Event Management, 2019, v. 23, n. 2, p. 207, doi. 10.3727/152599518X15403853721169
- SEL, ZEHRA GOKCE;
- AKTAS, GURHAN
- Article
2
- International Journal of Heritage Studies, 2016, v. 22, n. 10, p. 781, doi. 10.1080/13527258.2016.1212388
- González Zarandona, José Antonio
- Article
3
- German Life & Letters, 2015, v. 68, n. 1, p. 37, doi. 10.1111/glal.12067
- Article
4
- Nuova Rivista Storica, 2016, v. 100, n. 3, p. 937
- Article
5
- Film Matters, 2020, v. 11, n. 3, p. 32, doi. 10.1386/fm_00098_1
- Article
6
- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 2, p. 323, doi. 10.1386/jicms.4.2.323_7
- Article
7
- Modern & Contemporary France, 2007, v. 15, n. 1, p. 9, doi. 10.1080/09639480601115250
- Article
9
- 2007
- Arts/Entertainment Review
10
- Journal of Italian Cinema & Media Studies, 2021, v. 9, n. 1, p. 117, doi. 10.1386/jicms_00054_1
- Article
11
- Ethos (0860-8024), 2023, v. 36, n. 141, p. 186, doi. 10.12887/36-2023-1-141-12
- Article
12
- Brocar: Cuadernos de Investigación Histórica, 2014, v. 38, p. 241, doi. 10.18172/brocar.2692
- Article
13
- Film International (16516826), 2006, v. 4, n. 4, p. 84, doi. 10.1386/fiin.4.4.84
- Article
14
- Revista Comunicação Midiática, 2013, v. 8, n. 2, p. 115
- Rossini, Miriam Souza;
- Mattos, André Zambam
- Article
15
- Visual Studies, 2025, v. 40, n. 1, p. 111, doi. 10.1080/1472586X.2023.2168741
- McGowan, Nadia;
- Gaset, Jordi
- Article
16
- Celebrity Studies, 2019, v. 10, n. 4, p. 533, doi. 10.1080/19392397.2019.1673007
- Article
17
- University of Toronto Quarterly, 2016, v. 85, n. 4, p. 12, doi. 10.3138/UTQ.85.4.12
- Article
18
- Revista de Comunicación, 2022, v. 21, n. 2, p. 135, doi. 10.26441/RC21.2-2022-A7
- Fernández Gómez, J. D.;
- Berenguel Fernández, J.;
- Macarro Tomillo, A.
- Article
19
- Quarterly Review of Film & Video, 2021, v. 38, n. 4, p. 354, doi. 10.1080/10509208.2020.1769429
- Kaba, Sibel;
- Özalpman, Deniz
- Article
20
- Continuum: Journal of Media & Cultural Studies, 2014, v. 28, n. 5, p. 666, doi. 10.1080/10304312.2014.942025
- Article
21
- Screen, 2022, v. 63, n. 1, p. 22, doi. 10.1093/screen/hjac003
- Article
23
- Asia Weekly, 2008, v. 2, n. 38, p. 9
- Article
24
- ArtAsiaPacific, 2010, n. 70, p. 134
- Article
25
- Modern & Contemporary France, 2024, v. 32, n. 4, p. 495, doi. 10.1080/09639489.2023.2269396
- Article
27
- Media Development, 2014, v. 61, n. 3, p. 40
- Article
28
- Media Development, 2009, v. 56, n. 1, p. 58
- Article
32
- 2013
- Arts/Entertainment Review
33
- 2012
- Arts/Entertainment Review
34
- Film Criticism, 2009, v. 33, n. 3, p. 67
- Article
35
- Film Criticism, 2008, v. 33, n. 1, p. 64
- Article
37
- 2011
- Arts/Entertainment Review
38
- Film International (16516826), 2010, v. 8, n. 4, p. 96, doi. 10.1386/fiin.8.4.96
- Article
39
- Film International (16516826), 2009, v. 7, n. 4, p. 93, doi. 10.1386/fiin.7.4.93
- Article
40
- Film International (16516826), 2008, v. 6, n. 4, p. 34, doi. 10.1386/fiin.6.4.34
- Article
41
- Post Script, 2006, v. 25, n. 2, p. 19
- Article
43
- Short Film Studies, 2020, v. 10, n. 1, p. 91, doi. 10.1386/sfs.10.1.91_7
- Article
44
- Pennsylvania Geographer, 2015, v. 53, n. 2, p. 35
- Article
45
- Journal of Chinese Cinemas, 2016, v. 10, n. 1, p. 14, doi. 10.1080/17508061.2016.1139801
- Article
46
- Communicatio Socialis, 2009, v. 42, n. 1, p. 93, doi. 10.5771/0010-3497-2009-1-93
- Article
49
- Critical Quarterly, 2013, v. 55, n. 3, p. 103, doi. 10.1111/criq.12067
- Article