"Counter cinema" in the mainstream.
- Published in:
- Feminist Media Studies, 2022, v. 22, n. 5, p. 1179, doi. 10.1080/14680777.2021.1877767
- By:
- Publication type:
- Article
Works matching Ephron, Nora, 1941-2012
Results: 9
1
2
The Casual Reader.
- Published in:
- 2007
- By:
- Publication type:
- Book Review
3
Female fantasy and postfeminist politics in Nora Ephron's screenplays.
- Published in:
- Journal of Screenwriting, 2012, v. 3, n. 2, p. 177, doi. 10.1386/josc.3.2.177_1
- By:
- Publication type:
- Article
4
1968: New York City.
- Published in:
- 2015
- By:
- Publication type:
- Excerpt
5
NEWFANGLED COMPUTERS AND OLD-FASHIONED ROMANTIC COMEDY: YOU'VE GOT MAIL'S FUTURISTIC NOSTALGIA.
- Published in:
- Canadian Journal of Film Studies, 2010, v. 19, n. 1, p. 41, doi. 10.3138/cjfs.19.1.41
- By:
- Publication type:
- Article
6
Erin Carlson's I'll Have What She's Having: How Nora Ephron's Three Iconic Films Saved the Romantic Comedy: And I Hate You, Nora. I Really Hate You.
- Published in:
- Brooklyn Rail, 2019, p. 1
- By:
- Publication type:
- Article
7
Scribble, Scribble (Book).
- Published in:
- 1978
- Publication type:
- Book Review
8
A Recipe to Self-Made Womanhood? Nora Ephron's Julie & Julia, Domesticity, and Gender.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
9
Copy Is Everything: The Power of Communal Memorializing Through Film.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 63, doi. 10.1386/fm.7.3.63_1
- By:
- Publication type:
- Article