Incest and capital in Chinatown.
- Published in:
- MLN, 1999, v. 114, n. 5, p. 1092, doi. 10.1353/mln.1999.0080
- By:
- Publication type:
- Article
Works matching Motion picture plots
Results: 859
1
2
‘There is hope for the future’: Retrospective visions of the bomb in 1950s hollywood.
- Published in:
- Historical Journal of Film, Radio & Television, 2006, v. 26, n. 3, p. 295, doi. 10.1080/01439680600799231
- By:
- Publication type:
- Article
3
No 'Ordinary Day': The Hours, Virginia Woolf and Everyday life.
- Published in:
- Hecate, 2005, v. 31, n. 1, p. 60
- By:
- Publication type:
- Article
4
A Taxonomy of Alternative Plots in Recent Films: Classifying the "Tarantino Effect.".
- Published in:
- Film Criticism, 2006, v. 31, n. 1/2, p. 5
- By:
- Publication type:
- Article
5
Individual Commitment in To Have and Have Not (1944).
- Published in:
- Film & History (03603695), 1997, v. 27, n. 1-4, p. 72, doi. 10.1353/flm.1997.a395903
- By:
- Publication type:
- Article
6
Cinderella Dances Swan Lake: Reading Billy Elliot as Fairytale.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2006, v. 39, n. 5, p. 709, doi. 10.1111/j.0022-3840.2006.00303.x
- By:
- Publication type:
- Article
7
Days of Future Past: Documenting the Future.
- Published in:
- Journal of British Cinema & Television, 2011, v. 8, n. 1, p. 81, doi. 10.3366/jbctv.2011.0007
- By:
- Publication type:
- Article
8
The Beatles' Help!: Pop Art and the Perils of Parody.
- Published in:
- Journal of British Cinema & Television, 2011, v. 8, n. 1, p. 23, doi. 10.3366/jbctv.2011.0004
- By:
- Publication type:
- Article
9
‘In Blushing Technicolor’: Colour in Blithe Spirit.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 34, doi. 10.3366/E1743452109001320
- By:
- Publication type:
- Article
10
Wes Anderson, Austin Auteur.
- Published in:
- Texas Studies in Literature & Language, 2018, v. 60, n. 2, p. 125, doi. 10.7560/TSLL60201
- By:
- Publication type:
- Article
11
The Great Frame-Up: Wes Anderson and Twee Narrative Contrivance.
- Published in:
- Texas Studies in Literature & Language, 2018, v. 60, n. 2, p. 129, doi. 10.7560/TSLL60202
- By:
- Publication type:
- Article
12
Kinetic Iconography: Wes Anderson, Sergei Parajanov, and the Illusion of Motion.
- Published in:
- Texas Studies in Literature & Language, 2018, v. 60, n. 2, p. 246, doi. 10.7560/TSLL60208
- By:
- Publication type:
- Article
13
Failed Comportment and Fits of Discomposure in the Films of Wes Anderson.
- Published in:
- Texas Studies in Literature & Language, 2018, v. 60, n. 2, p. 174, doi. 10.7560/TSLL60204
- By:
- Publication type:
- Article
14
Beyond the Sea: Echoes of Jules Verne in The Life Aquatic with Steve Zissou.
- Published in:
- Texas Studies in Literature & Language, 2018, v. 60, n. 2, p. 228, doi. 10.7560/TSLL60207
- By:
- Publication type:
- Article
15
Teaching Resistance to Narrative: Brecht's Theater Praxis as a Response to Florian Henckel von Donnersmarck's Das Leben der Anderen.
- Published in:
- Die Unterrichtspraxis / Teaching German, 2016, v. 49, n. 2, p. 161, doi. 10.1111/tger.12009
- By:
- Publication type:
- Article
16
Romantic Propaganda: A Note on Casablanca's Prefigured Ending.
- Published in:
- Film & History (03603695), 1989, v. 19, n. 4, p. 87, doi. 10.1353/flm.1989.a400419
- By:
- Publication type:
- Article
17
THE GIRL CAN'T HELP IT (1956): ANOTHER LOOK.
- Published in:
- Film & History (03603695), 1982, v. 12, n. 1, p. 12, doi. 10.1353/flm.1982.a486652
- By:
- Publication type:
- Article
18
TRANSPORTS OF DELIGHT: THE IMAGE OF THE AUTOMOBILE IN EARLY FILMS.
- Published in:
- Film & History (03603695), 1981, v. 11, n. 3, p. 59, doi. 10.1353/flm.1981.a402952
- By:
- Publication type:
- Article
19
Learning Narrative From 'Boyhood'.
- Published in:
- Public Relations Tactics, 2015, v. 22, n. 2, p. 18
- By:
- Publication type:
- Article
20
Mechanical bodies, ever more heavenly.
- Published in:
- October, 1998, n. 83, p. 19
- By:
- Publication type:
- Article
21
RE-READING CINEMA OF PERESTROIKA: BEYOND SOCIO-HISTORICAL TRAUMA WITH OLGA ZHUKOVA AND ISKRA BABICH.
- Published in:
- Družboslovne Razprave, 2017, v. 33, n. 84, p. 49
- By:
- Publication type:
- Article
22
Neo-Disney: Recent developments in Disney feature animation.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2010, v. 8, n. 2, p. 103, doi. 10.1386/ncin.8.2.103_1
- By:
- Publication type:
- Article
23
Policing the borders of Chicano cinema: The critical reception of Allison Anders's Mi vida loca/My Crazy Life (1994) by the Chicano community.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2010, v. 8, n. 2, p. 71, doi. 10.1386/ncin.8.2.71_1
- By:
- Publication type:
- Article
24
Straight Outta Uttoxeter: Studying Shane Meadows University of East Anglia, 15-16 April 2010.
- Published in:
- 2010
- By:
- Publication type:
- Proceeding
25
French cinema in exile: trans-national cultural representation in Tony Gatlif's Gadjo Dilo.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2008, v. 6, n. 2, p. 75, doi. 10.1386/ncin.6.2.75_1
- By:
- Publication type:
- Article
26
‘Disunited Nations’: cinema beyond the nation-state.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2008, v. 6, n. 2, p. 71, doi. 10.1386/ncin.6.2.71_2
- By:
- Publication type:
- Article
27
El guion cinematográfico, ¿texto literario?
- Published in:
- Lexis. Revista de Lingüística y Literatura, 2011, v. 35, n. 2, p. 289, doi. 10.18800/lexis.201102.003
- By:
- Publication type:
- Article
28
Cinemusical meanings in motion pictures: Commerce, art, and Brando loyalty…or…De Niro, My God, To Thee.
- Published in:
- Journal of Consumer Behaviour, 2007, v. 6, n. 6, p. 398, doi. 10.1002/cb.230
- By:
- Publication type:
- Article
29
Perspectives on Post-Cinema Att ractions.
- Published in:
- Ekphrasis (2067-631X), 2016, v. 16, n. 2, p. 5
- By:
- Publication type:
- Article
30
Lost at sea: Space and the Gothic in the films Dead Calm (1989) and The Ferryman (2007).
- Published in:
- Journal of New Zealand & Pacific Studies, 2017, v. 5, n. 1, p. 45, doi. 10.1386/nzps.5.1.45_1
- By:
- Publication type:
- Article
31
Recasting the heroic resistance ideal: Robert Bresson’s Un condamné à mort s’est échappé.
- Published in:
- French Cultural Studies, 2013, v. 24, n. 4, p. 376, doi. 10.1177/0957155813500911
- By:
- Publication type:
- Article
32
All the colours of the dark: Film genre and the Italian giallo.
- Published in:
- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 173, doi. 10.1386/jicms.5.2.173_1
- By:
- Publication type:
- Article
33
Italy-China film co-productions: An interview with Maurizio Sciarra.
- Published in:
- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 1, p. 99, doi. 10.1386/jicms.5.1.99_7
- By:
- Publication type:
- Article
34
Marketing Italian Filmmaking in the United States: A Newly Uncovered Interview with Vittorio De Sica.
- Published in:
- 2020
- By:
- Publication type:
- Interview
35
"The Good, the Bad and the Strudel": How Quentin Tarantino's Inglourious Basterds (2009) Manipulates Its Audience with Violence.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 17, doi. 10.1386/fm.7.3.17_1
- By:
- Publication type:
- Article
36
"Images Are My Memory": Chris Marker's Sunless.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 42, doi. 10.1386/fm.7.3.42_1
- By:
- Publication type:
- Article
37
Crime and Punishment: Challenging the Cinematic Male Gaze with Takashi Miike's Audition.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
38
The Horrors of John Carpenter's Halloween.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
39
Warner Bros.
- Published in:
- Film Matters, 2014, v. 5, n. 3, p. 58, doi. 10.1386/fm.5.3.58_1
- By:
- Publication type:
- Article
40
Post-Apocalyptic Cinema: What the Future Tells Us About Today.
- Published in:
- Film Matters, 2014, v. 5, n. 2, p. 79, doi. 10.1386/fm.5.2.79_1
- By:
- Publication type:
- Article
41
The French Blockbuster Beyond the Martial Arts Genre.
- Published in:
- Film Matters, 2012, v. 3, n. 4, p. 16, doi. 10.1386/fm.3.4.16_1
- By:
- Publication type:
- Article
42
Going Through the Motions: Journeying through Myth and Ritual in Three Maya Deren Films.
- Published in:
- Film Matters, 2012, v. 3, n. 4, p. 28, doi. 10.1386/fm.3.4.28_1
- By:
- Publication type:
- Article
43
Looking Beyond: Death to Smoochy (DeVito, 2002) and Philosophy.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
44
THE FILM LA WABIDING CITIZEN: HOW POPULAR CULTURE IS POISONING PEOPLE'S PERCEPTIONS OF PLEAS.
- Published in:
- Southwestern Law Review, 2011, v. 41, n. 1, p. 119
- By:
- Publication type:
- Article
45
The screenplay/film relationship bifurcated: Reading Carl Mayer's Sylvester (1924).
- Published in:
- Journal of Screenwriting, 2018, v. 9, n. 1, p. 25, doi. 10.1386/josc.9.1.25_1
- By:
- Publication type:
- Article
46
'Dramatic tone' as the emotional core of a screenplay: The case of The Diving Bell and the Butterfly (2007).
- Published in:
- Journal of Screenwriting, 2017, v. 8, n. 1, p. 67, doi. 10.1386/josc.8.1.67_1
- By:
- Publication type:
- Article
47
Character over concept: Writing dialogue in search of story.
- Published in:
- Journal of Screenwriting, 2017, v. 8, n. 1, p. 39, doi. 10.1386/josc.8.1.39_1
- By:
- Publication type:
- Article
48
The screenplay and the spectator: Exploring audience identification in narrative structure.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 3, p. 319, doi. 10.1386/josc.7.3.319_1
- By:
- Publication type:
- Article
49
Text and performance: What does a screenplay do?
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 3, p. 245, doi. 10.1386/josc.7.3.245_2
- By:
- Publication type:
- Article
50
Scenario writers and scenario readers in the Golden Age of Japanese cinema.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 3, p. 285, doi. 10.1386/josc.7.3.285_1
- By:
- Publication type:
- Article