BOLLYWOOD DREAMING: KAL HO NAA HO AND THE DIASPORIC SPECTATOR.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 93
- By:
- Publication type:
- Article
Works matching IS 02779897 AND DT 2006 AND VI 25 AND IP 3
Results: 8
1
2
THE MUSEUM AS REFUGE FOR FILM: THE CASE OF KUMAR SHAHANI'S EPIC CINEMA.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 79
- By:
- Publication type:
- Article
3
MANTRAS OF THE METROPOLE: DIGITAL INSCRIPTIONS AND MYTHIC CURVATURES OF PROFANE TIME.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 65
- By:
- Publication type:
- Article
4
A NEW UNIVERSALISM: TERRORISM AND FILM LANGUAGE IN MANI RATNAM'S KANNATHIL MUTHAMITTAL.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 48
- By:
- Publication type:
- Article
5
STARS AND MOBILIZATION IN SOUTH INDIA: WHAT HAVE FILMS GOT TO DO WITH IT?
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 30
- By:
- Publication type:
- Article
6
RITWIK GHATAK AND THE ROLE OF SOUND IN REPRESENTING POST-PARTITION BENGAL.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 17
- By:
- Publication type:
- Article
7
WORK, PLAY AND LINGUISTIC HYBRIDITY IN POSTCOLONIAL INDIA: (DE)FORMING THE INDIAN MIDDLE CLASS IN RAY'S KANCHENJUNGHA.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 7
- By:
- Publication type:
- Article
8
INTRODUCTION: INDIAN CINEMA AND FILM STUDIES.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 3
- By:
- Publication type:
- Article