Works matching DE "ARTISTS
Results: 5000
COMPENSATE THE WORK IN THE WORK OF ART: IMPLEMENTING THE ARTIST'S RESALE RIGHT IN AMERICA.
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- Southwestern Law Review, 2024, v. 53, n. 1, p. 154
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Gare de Vector3.
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- Hyperrhiz, 2024, n. 27, p. 47, doi. 10.20415/hyp/027.a11
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Sophocles’s Philoctetes and the Hidden Structure of Lessing’s Laokoon: The Moral Aesthetic of the Scream.
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- Lessing Yearbook, 2024, v. 51, p. 51
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Maniera and the education of a painter: iterations of Mannerist art theory in academic classicist doctrine and its critique.
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- Paedagogica Historica, 2025, v. 61, n. 1, p. 108, doi. 10.1080/00309230.2024.2334756
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Vers une « mise en corps » de l'existant animé : Penser le néo-animisme à travers Hatsune Miku.
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- Intermediality / Revue Intermédialités, 2024, n. 44, p. 1, doi. 10.7202/1115015ar
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Art and Decolonial Worldviews: Transcultural Resistance in and Beyond the Installations of Hassan Hajjaj.
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- Modern Languages Open, 2024, n. 1, p. 1, doi. 10.3828/mlo.v0i0.481
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Recursos visuais e o ensino de teatro.
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- Pitágoras 500, 2024, v. 14, p. 2, doi. 10.20396/pita.v14i00.8677045
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Cancelamento e resiliência através da canção: de Carmen Miranda a Karol Conkái.
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- PerCursos, 2024, v. 25, p. 1, doi. 10.5965/19847246252024e0306
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Visual archives, digitized visions, ethnography.
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- ANUAC, 2024, v. 13, n. 1, p. 171, doi. 10.4000/12312
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Politiques culturelles envers les éco-artistes : contextualisation et témoignage d'une pratique écosophique et écologique.
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- Culture e Studi del Sociale-CuSSoc, 2024, v. 9, n. 2, p. 69
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Instagram as a Communication Space for Painters.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 36, n. 45, p. 224, doi. 10.14746/i.2024.36.45.12
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BYE-BYE BENIN BRONZES? ON PROVENANCE AS PROCESS AND RESTITUTION AS DISPLAY IN GERMAN MUSEUMS 2021 - PRESENT.
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- 21 - Inquiries into Art, History & the Visual / Beiträge zur Kunstgeschichte und Visuellen Kultur, 2024, v. 5, n. 4, p. 1005, doi. 10.11588/xxi.2024.4.108257
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HERITAGE FOR PEOPLE: SHARING VERNACULAR KNOWLEDGE TO BUILD THE FUTURE.
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- Loggia, Arquitectura & Restauración, 2024, v. 37, p. 167
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Fashioning: Women and gender in film and fashion.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 169, doi. 10.1386/jicms_00258_2
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Parar y mirar, las imágenes se muestran [Reseña].
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- Mediterranean Journal of Communication / Revista Mediterránea de Comunicación, 2024, v. 15, n. 2, p. 1, doi. 10.14198/MEDCOM.27665
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Ikona świętej Hildy z katedry w Durham.
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- Poznan Theological Studies / Poznanskie Studia Teologiczne, 2024, n. 46, p. 239, doi. 10.14746/pst.2024.46.14
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ECOMUSEU URBANO: DO CANTO AO GRITO, O SILÊNCIO.
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- Palíndromo, 2024, p. 1, doi. 10.5965/2175234616402024e00009
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EM DIREÇÃO AO RUÍDO: LOOP DE DESAPARECIMENTOS AO RÉS DO CORPO.
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- Palíndromo, 2024, p. 1, doi. 10.5965/2175234616402024e0007
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A residência artísticopedagógica como espaço para a formação crítica em Artes Visuais: Entrevista com Neyde Joppert.
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- Apotheke, 2024, v. 10, n. 3, p. 204, doi. 10.5965/244712671032024204
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Mais algumas elucubrações sobre palavras e visualidades nas obras de Nuno Ramos.
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- Apotheke, 2024, v. 10, n. 3, p. 111, doi. 10.5965/244712671032024111
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Explorations in Artistry, Intermediate.
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- 2025
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- Book Review
Memórias enquadradas: Abigail de Andrade e Georgina de Albuquerque.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 342, doi. 10.60001/ae.n48.19
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Markito Campello Fake Flangro Trio ao vivo na Garagem Beleza.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 335
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Gatilho / Trigger.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 332
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Tokyo shitamachi: Tatekawa.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 328
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Quando estátuas falam.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 326
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Tantão e Zbigniew Karkowski ao vivo no Plano B.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 322
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Tunga.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 318
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Devoção.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 316
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Cássia Siqueira: O irrecuperável do tempo, os órfãos e as ruínas.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 309, doi. 10.60001/ae.n48.18
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O som é um texto desmutado: como é a voz de um gravador de fitas cassete.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 300, doi. 10.60001/ae.n48.17
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"Por trás de muito barulho sempre haverá uma grande lógica": antiarte e inconformismo no trabalho de Jhones Silva.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 234, doi. 10.60001/ae.n48.12
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Arte sonora para além da arte sonora.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 196, doi. 10.60001/ae.n48.9
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A espacialidade sonora na obra de Bernhard Leitner.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 49, doi. 10.60001/ae.n48.3
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COMMENTARY ON SELECTED PAINTINGS OF AGAKU SAGHEVWUA AMOS.
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- LWATI: A Journal of Contemporary Research, 2024, v. 21, n. 4, p. 131
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SUPERANDO OBSTÁCULOS URBANOS: La Resiliencia de la Comunidad LGBTQ+ ante la Homofobia y la Marginalidad a través del Collage en los espacios públicos.
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- Pixo: Revista de Arquitetura Cidade e Contemporaneidade, 2024, v. 8, n. 30, p. 518, doi. 10.15210/pixo.v8i30.28226
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JANE JIN KAISEN'S WORKS AS THE PRACTICE OF EXPLORING HISTORY, MEMORY AND TRAUMA.
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- Art Inquiry, 2024, n. 26, p. 259, doi. 10.26485/AI/2024/26/14
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Antología del flamenco migrado en Argentina: archivos fonográficos, fuentes documentales y textos literarios.
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- Revista de Investigación sobre Flamenco, 2024, n. 21, p. 129
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LOS PRIMEROS ESPACIOS ALTERNATIVOS EN EL PAÍS VASCO: LOS PROTO-ESPACIOS.
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- Ars Bilduma, 2024, n. 14, p. 19, doi. 10.1387/ars-bilduma.26007
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Soleil noir et paradis blanc.
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- Revue des Deux Mondes, 2025, p. 170
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Carnets de New York III: La belle horizontale.
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- Revue des Deux Mondes, 2025, p. 94
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Mokuhanga. Manual ilustrado de xilografía japonesa.
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- Mirai. Estudios Japoneses, 2024, v. 8, p. 141, doi. 10.5209/mira.99430
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«Tàpies. La huella del zen». Una exposición clarificadora.
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- Mirai. Estudios Japoneses, 2024, v. 8, p. 106, doi. 10.5209/mira.94500
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La Colección SOLO: una ventana a la historia y la cultura contemporánea japonesa a través del arte.
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- Mirai. Estudios Japoneses, 2024, v. 8, p. 27, doi. 10.5209/mira.94517
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Viajes y artistas desde América a Andalucía entre dos siglos (XIX y XX).
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- Quiroga: Revista de Patrimonio Iberoamericano, 2024, n. 23, p. 384
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A USTED, LA PALABRA. ENTREVISTA A GIOVANNI POGGI, CERAMISTA Y COLABORADOR DE WIFREDO LAM.
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- Quiroga: Revista de Patrimonio Iberoamericano, 2024, n. 23, p. 338, doi. 10.30827/quiroga.v0i23.0025
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Florestas vivas e partilhas estéticas: rupturas e continuidades para a construção de uma trajetória sobre arte e ecologia no Brasil.
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- Brasiliana: Journal for Brazilian Studies, 2024, v. 13, n. 2, p. 144
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«De cosas que se pudren»: el cuerpo de Adán en la poesía de Héctor Rojas Herazo.
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- Lingüística y Literatura, 2025, v. 46, n. 87, p. 174, doi. 10.17533/udea.lyl.n87a07
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El arte Vivo-Dito: la escena atrapada entre los tiempos.
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- Revista Laboratorio, 2024, n. 31, p. 1
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Historias del arte en Colombia: identidades, materialidades, migraciones y geografías.
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- Revista de Estudios Colombianos, 2024, n. 64, p. 79
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