The Godfather, Part II (London: Bloomsbury, 2022).
- Published in:
- Open Screens: Journal of the British Association of Film, Television & Screen Studies, 2023, v. 6, n. 1, p. 1, doi. 10.16995/os.10251
- By:
- Publication type:
- Article
Works matching DE "FILM composers"
Results: 58
1
2
Alejandro Amenabar, Composer.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2010, v. 87, n. 2, p. 195, doi. 10.1080/14753821003693776
- By:
- Publication type:
- Article
3
Performing Music History: Musicians Speak First-Hand about Music History and Performance.
- Published in:
- Musicology / Hudební Věda, 2024, v. 61, n. 1, p. 138, doi. 10.54759/MUSICOLOGY-2024-0107
- By:
- Publication type:
- Article
4
SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS.
- Published in:
- 2014
- By:
- Publication type:
- Interview
5
A Gentile Among Jews: Hugo Friedhofer's Formative Years in California, 1901-1934.
- Published in:
- Western States Jewish History (0749-5471), 2022, v. 52, n. 2, p. 83
- By:
- Publication type:
- Article
6
"Doctor Billy": A New Biographical Portrait of the Pioneering Hollywood Film Composer William L. Axt.
- Published in:
- Western States Jewish History (0749-5471), 2021, v. 52, n. 1, p. 55
- By:
- Publication type:
- Article
7
ON THE ISSUE OF SOME THEORETICAL ASPECTS OF WORLD AND KAZAKHSTAN FILM MUSIC: GENRE AND FUNCTIONAL FEATURES.
- Published in:
- Central Asian Journal of Art Studies, 2024, v. 9, n. 1, p. 33, doi. 10.47940/cajas.v9i1.815
- By:
- Publication type:
- Article
8
Threading Together Time, Space, and Emotion with Music: An Interview with Film and Television Composer Jeff Russo.
- Published in:
- Mise-en-Scène, 2024, v. 9, n. 2, p. 18
- By:
- Publication type:
- Article
9
Beyond Morricone: The Other Italian Film Composers.
- Published in:
- Film Matters, 2017, v. 8, n. 2, p. 5, doi. 10.1386/fm.8.2.5_1
- By:
- Publication type:
- Article
10
The Encyclopedia of Film Composers.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
11
Great Music and the Spell of Cinema.
- Published in:
- Queen's Quarterly, 2010, v. 117, n. 2, p. 286
- By:
- Publication type:
- Article
12
COMPOSING FOR THE FILMS.
- Published in:
- 1984
- By:
- Publication type:
- Interview
13
Cinéthique on Langage et Cinéma.
- Published in:
- Screen, 1973, v. 14, n. 1/2, p. 189, doi. 10.1093/screen/14.1.189-a
- Publication type:
- Article
14
Concerto Macabre.
- Published in:
- Musical Quarterly, 2005, v. 88, n. 2, p. 167, doi. 10.1093/musqlt/gdi011
- By:
- Publication type:
- Article
15
Nuit Et Brouillard (1955): Hanns Eisler's Music and The Usage of Nacht-Und-Nebel Aktion In German.
- Published in:
- Historical Journal of Film, Radio & Television, 2007, v. 27, n. 2, p. 259, doi. 10.1080/01439680701363424
- By:
- Publication type:
- Article
16
СТИЛІСТИЧНА ТА СМИСЛОВА СИНКРЕТИЧНІСТЬ У МУЗИЧНОМУ ОФОРМЛЕННІ УКРАЇНСЬКИХ ФІЛЬМІВ 2014-2024 РОКІВ.
- Published in:
- National Academy of Managerial Staff of Culture & Arts Herald / Vìsnik Deržavnoï Akademìï Kerìvnih Kadrìv Kulʹturi ì Mistectv, 2024, n. 4, p. 395
- By:
- Publication type:
- Article
17
АРАНЖУВАННЯ ЯК ЗАСІБ ТВОРЧОЇ АДАПТАЦІЇ МУЗИЧНОГО МАТЕРІАЛУ ФІЛЬМУ
- Published in:
- National Academy of Managerial Staff of Culture & Arts Herald / Vìsnik Deržavnoï Akademìï Kerìvnih Kadrìv Kulʹturi ì Mistectv, 2024, n. 2, p. 321, doi. 10.32461/2226-3209.2.2024.308421
- By:
- Publication type:
- Article
18
МУЗИЧНЕ ОФОРМЛЕННЯ ФІЛЬМУ У СТРУКТУРІ ФАХОВИХ КОМПЕТЕНТНОСТЕЙ КІНОКОМПОЗИТОРА
- Published in:
- National Academy of Managerial Staff of Culture & Arts Herald / Vìsnik Deržavnoï Akademìï Kerìvnih Kadrìv Kulʹturi ì Mistectv, 2023, n. 4, p. 135
- By:
- Publication type:
- Article
19
Killmonger: scoring modes and representation in Black Panther.
- Published in:
- Image & Text, 2022, n. 36, p. 1
- By:
- Publication type:
- Article
20
The deleted music and scenes from Journey to the Center of the Earth.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 35
- By:
- Publication type:
- Article
21
Lessons from Ives: Elements of Charles Ives's musical language in the film scores and symphonic works of Bernard Herrmann.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 21
- By:
- Publication type:
- Article
22
Bernard Herrmann--'pop' composer?
- Published in:
- 2010
- By:
- Publication type:
- Essay
23
Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland and Hanns Eisler. By Sally Bick.
- Published in:
- Music & Letters, 2020, v. 101, n. 4, p. 807, doi. 10.1093/ml/gcaa064
- By:
- Publication type:
- Article
24
Principles of Functional Classification of Music in Cinema.
- Published in:
- Artistic Culture. Topical Issues, 2020, n. 16, p. 191, doi. 10.31500/1992-5514.16.2020.205257
- By:
- Publication type:
- Article
25
Fisuras en el firmamento. El desafío de las estrellas de cine al ideal de feminidad del primer franquismo.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
26
Forgetting Аbout Тraumatic Past? On the Position of Film Music Composers in Post-WWII Germany.
- Published in:
- Muzikologija, 2024, n. 36, p. 45, doi. 10.2298/MUZ2436045P
- By:
- Publication type:
- Article
27
MUSIC AS WORD: FILM MUSIC - SUPERLIBRETTO?
- Published in:
- Muzikologija, 2013, v. 13, n. 15, p. 127, doi. 10.2298/MUZ1315127C
- Publication type:
- Article
28
Cranes, Drones and Eisenstein: A Neurohumanistic Approach to Audio/Visual Gestures.
- Published in:
- Projections: The Journal for Movies & Mind, 2022, v. 16, n. 1, p. 25, doi. 10.3167/proj.2022.160103
- By:
- Publication type:
- Article
29
LA COLECCIÓN DE ARTE DE DIMITRI TIOMKIN: RELACIONES ENTRE ARTE Y MÚSICA.
- Published in:
- Imafronte. Revista de Historia del Arte, 2023, n. 30, p. 168, doi. 10.6018/imafronte.532011
- By:
- Publication type:
- Article
30
VICTORIA O MUERTE: MÚSICA PARA LOS ÚLTIMOS MOMENTOS DE EL ÁLAMO EN EL CINE.
- Published in:
- Imafronte. Revista de Historia del Arte, 2020, n. 27, p. 1, doi. 10.6018/imafronte.431901
- By:
- Publication type:
- Article
31
Music, the moving image and Ireland, 1897–2017: by John O'Flynn, Abingdon and New York, Routledge, 2022, 306 pp., £96.00 (hardback), ISBN 9781138561779.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
32
The Sound of Music in Early Documentary Film.
- Published in:
- Music & the Moving Image, 2024, v. 17, n. 2, p. 3, doi. 10.5406/19407610.17.2.01
- By:
- Publication type:
- Article
33
A Neglected Story: Observations on the Manuscript of Wu Dajiang's Film Score for Painted Skin (1993).
- Published in:
- Music & the Moving Image, 2023, v. 16, n. 1, p. 51, doi. 10.5406/19407610.16.1.04
- By:
- Publication type:
- Article
34
Compositional Process in Film Scoring: An Interview of Composer/Guitarist Ira Newborn: Part 2 of 2.
- Published in:
- 2010
- By:
- Publication type:
- Interview
35
Jazz in 1960s British New Wave Cinema: An Interview with Sir John Dankworth.
- Published in:
- 2006
- By:
- Publication type:
- Interview
36
Música en el cine argentino clásico: perspectivas a través del trabajo de George Andreani.
- Published in:
- Imagofagia, 2023, n. 27, p. 159
- By:
- Publication type:
- Article
37
A study on film score applying the Neo-Riemannian theory: focusing on Bernard Herrmann's mysterious island.
- Published in:
- RAST Musicology Journal / Rast Muzikoloji Dergisi, 2021, v. 9, p. 2983, doi. 10.12975/rastmd.2021933
- By:
- Publication type:
- Article
38
Zoran Simjanović (1946–2021).
- Published in:
- 2022
- By:
- Publication type:
- Obituary
39
James Bernard, Composer to Count Dracula.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
40
About the Authors.
- Published in:
- Journal of Musicological Research, 2020, v. 39, n. 1, p. 81, doi. 10.1080/01411896.2020.1720492
- By:
- Publication type:
- Article
41
John Williams: Paraphraser or Plagiarist?
- Published in:
- Journal of Musicological Research, 2015, v. 34, n. 4, p. 299, doi. 10.1080/01411896.2015.1082064
- By:
- Publication type:
- Article
42
The Film Music of Alberto Ginastera: An Introduction to the Sources and Their Significance.
- Published in:
- Latin American Music Review / Revista de Música Latinoamericana, 2006, v. 27, n. 2, p. 171, doi. 10.1353/lat.2007.0008
- By:
- Publication type:
- Article
43
Image and Sound Synthesis Method of Structuring Research Documentary Film "Letchkhumi Treasures" Example.
- Published in:
- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2017, v. 15, n. 1, p. 79
- By:
- Publication type:
- Article
44
Demystifying Opera in Early Hollywood Film: A Tale of Three Singers.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2019, v. 50, n. 1/2, p. 271
- By:
- Publication type:
- Article
45
Composing for the Red Screen: Prokofiev and Soviet Film.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
46
Matemáticas, física y magia. Un diálogo sobre música y cine con José nieto.
- Published in:
- Revista Fotocinema, 2024, n. 29, p. 403
- By:
- Publication type:
- Article
47
Musical numbers in silent and early sound films.
- Published in:
- Soundtrack, 2020, v. 12, n. 1, p. 3, doi. 10.1386/ts_00008_2
- By:
- Publication type:
- Article
48
Duke Ellington, the film composer.
- Published in:
- Soundtrack, 2014, v. 6, n. 1/2, p. 83, doi. 10.1386/st.6.1-2.83_1
- By:
- Publication type:
- Article
49
Working with Hitch.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 25, doi. 10.1386/st.3.1.25_1
- By:
- Publication type:
- Article
50
Bach and the Beasts.
- Published in:
- CounterPunch, 2024, p. 1
- By:
- Publication type:
- Article