Works matching IS 18444369 AND DT 2023 AND VI 68 AND IP 2
Results: 34
Snapshots: A string of jewels.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 455
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The compositional scheme of the Hermeneutic Trilogy.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 452
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Syntheses.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 451
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The False Treatise on Musical Aesthetics.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 449
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A bi-univocal opening towards the world of music.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 448
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The assumed sins of temporal distance.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 447
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INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (2) ETOS I.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 409, doi. 10.24193/subbmusica.2023.2.28
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THE GATES OF SKY BY EDE TERÉNYI: SOURCES AND CONTEXT.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 383, doi. 10.24193/subbmusica.2023.2.27
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THE PROPORTION AND IMPORTANCE OF FOLK MUSIC IN PIANO METHOD VOLUME 1 AND 2.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 353, doi. 10.24193/subbmusica.2023.2.26
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TRANSCRIPTION, PARAPHRASE, CREED IN FRANZ LISZT’S VARIATIONS ON „WEINEN, KLAGEN, SORGEN, ZAGEN”.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 341, doi. 10.24193/subbmusica.2023.2.25
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OPERA METAMORPHOSES OF THE STORY OF MANON LESCAUT.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 323, doi. 10.24193/subbmusica.2023.2.24
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EXAMPLES IN THE DEVELOPMENT OF CLEMENTI’S FOUR-HAND PIANO SONATA.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 311, doi. 10.24193/subbmusica.2023.2.23
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ANALYTICAL ASPECTS OF THE THREE VERSIONS OF CONFITEBOR TIBI, DOMINE BY CLAUDIO MONTEVERDI.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 297, doi. 10.24193/subbmusica.2023.2.22
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PERFORMANCE STYLE AS COMPREHENSIVE ARTISTIC METHOD IN THE FIELD OF MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 287, doi. 10.24193/subbmusica.2023.2.21
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INTERPRETATIVE ELEMENTS OF GYÖRGY KÓSA’S CHINESE SONG SERIES FROM AN ART PSYCHOLOGY PERSPECTIVE.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 279, doi. 10.24193/subbmusica.2023.2.20
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VIOLIN ETUDES OF THE 19TH CENTURY IN THE ASPECT OF THE EVOLUTION OF PERFORMING MASTERY.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 267, doi. 10.24193/subbmusica.2023.2.19
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THE ARSENAL OF MEANS USED BY A CONDUCTOR IN DECODING AN OPERA SCORE.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 257, doi. 10.24193/subbmusica.2023.2.18
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MODERN GLOBAL TRENDS IN THE DEVELOPMENT OF CHORAL PERFORMANCE.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 235, doi. 10.24193/subbmusica.2023.2.17
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LÁSZLÓ DOBSZAY: THE WORLD OF TONES SOLFÈGE BOOK SERIES AND THE TIMELINESS OF THE CONTEMPORARY EDITION.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 219, doi. 10.24193/subbmusica.2023.2.16
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VOCAL PEDAGOGY - REFLECTIONS ON HOW TO TEACH PROPER SPEAKING AND SINGING TO STUDENTS.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 207, doi. 10.24193/subbmusica.2023.2.15
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ABOUT ELECTROACOUSTIC MUSIC: FROM THE BEGINNING UNTIL OUR DAYS.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 199, doi. 10.24193/subbmusica.2023.2.14
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DEFINITORY CHARACTERISTICS OF PIANISTIC EXPRESSION IN THE CONTEMPORARY JAZZ.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 177, doi. 10.24193/subbmusica.2023.2.13
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MUSIC AND THE ALTERED STATE OF CONSCIOUSNESS.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 165, doi. 10.24193/subbmusica.2023.2.12
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THE COGNITIVE MECHANISM OF MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 155, doi. 10.24193/subbmusica.2023.2.11
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MICROANALYSIS OF A MUSIC THERAPY SESSION SEGMENT WITH AN AUTISTIC CHILD.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 141, doi. 10.24193/subbmusica.2023.2.10
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THE CHERUBIKONS OF UKRAINIAN COMPOSERS OF THE 20<sup>th</sup>–21<sup>st</sup> CENTURIES: THE SPIRITUAL GENRE IN MODERN STYLISTIC INTERPRETATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 129, doi. 10.24193/subbmusica.2023.2.09
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ORCHESTRATION OF PROPER PIANO PIECES AS A SELF-INTERPRETATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 115, doi. 10.24193/subbmusica.2023.2.08
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PRINCIPLES AND PROCEDURES OF THE CONSTRUCTION OF OPERA SCENARIOS.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 99, doi. 10.24193/subbmusica.2023.2.07
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TREMOLO ON DOMRA AS A MEANS OF ARTISTIC EXPRESSION.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 85, doi. 10.24193/subbmusica.2023.2.06
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THE RELATIONSHIP BETWEEN COLOUR AND MUSIC IN THE ART OF COMPOSER EDE TERÉNYI.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 75, doi. 10.24193/subbmusica.2023.2.05
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REMIXING AS A LUDUS-COMPONENT OF THE MODERN CULTURE.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 63, doi. 10.24193/subbmusica.2023.2.04
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IMPRESSIONISM IN SERBIAN MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 39, doi. 10.24193/subbmusica.2023.2.03
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AT THE CROSSROADS BETWEEN OPERA AND ORATORIO: BIBLICAL THEMES AND 19TH CENTURY FRENCH OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 21, doi. 10.24193/subbmusica.2023.2.02
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IN MEMORIAM VIOREL COSMA (1923-2017): OUTSTANDING PERSONALITY FOR ROMANIAN MUSICOLOGY.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 9, doi. 10.24193/subbmusica.2023.2.01
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