Works matching Kurt Weill

Results: 91

'Next you're Franklin Shepard Inc.?': Composing the Broadway musical, a study of Kurt Weill's working practices.

Published in:

Studies in Musical Theatre, 2016, v. 10, n. 2, p. 163, doi. 10.1386/smt.10.2.163_1

By:

Whitfield, Sarah

Publication type:

Article

Kurt Weill.

Published in:

2013

By:

POLLACK, HOWARD

Publication type:

Book Review

Minstrelsy as White Americana: Kurt Weill's "Notes on the Minstrel Show".

Published in:

Performing Arts Resources, 2011, v. 28, p. 280

By:

VENNING, DAN

Publication type:

Article

A Musical Drama as Cultural Catalyst: The Byways of Kurt Weill's Der Weg der Verheißung.

Published in:

2003

By:

Stern, Guy

Publication type:

Literary Criticism

"My Kingdom for a Hit' Kurt Weill's London Exile and The 'Problem' of A Kingdom for a Cow.

Published in:

New England Theatre Journal, 2021, v. 32, p. 87

By:

QUINN, ARIANNE JOHNSON

Publication type:

Article

Colliding Diasporas: Kurt Weill's Ulysses Africanus and Black-Jewish Relations during the Great Depression.

Published in:

Musical Quarterly, 2016, v. 99, n. 3/4, p. 321, doi. 10.1093/musqtl/gdx010

By:

Graber, Naomi

Publication type:

Article

THE FIREBRAND OF NEW YORK: KURT WEILL AND HIS 'BROADWAY OPERETTA.'.

Published in:

Music & Letters, 2004, v. 85, n. 2, p. 239, doi. 10.1093/ml/85.2.239

By:

Hamm, Charles

Publication type:

Article

MISSED OPPORTUNITIES FOR AN AMERICAN SCHWEYK: KURT WEILL, GROUP THEATRE, AND THE FAILURE OF JOHNNY JOHNSON.

Published in:

2008

By:

ZAZZALI, PETER

Publication type:

Editorial

Kurt Weill as Modernist.

Published in:

Modernism/Modernity, 2000, v. 7, n. 2, p. 273, doi. 10.1353/mod.2000.0025

By:

Albright, Daniel

Publication type:

Article

Odysseus Almost Makes It to Broadway: The Ulysses Africanus of Kurt Weill and Maxwell Anderson.

Published in:

International Journal of the Classical Tradition, 2007, v. 13, n. 4, p. 550, doi. 10.1007/BF02923025

By:

Rabel, Robert J.

Publication type:

Article

Kurt Weill's The River Is Blue: “Film-Opera” and Politics in 1930s Hollywood.

Published in:

Journal of the Society for American Music, 2017, v. 11, n. 3, p. 313, doi. 10.1017/S1752196317000232

By:

GRABER, NAOMI

Publication type:

Article

Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil.

Published in:

Modernism/Modernity, 1995, v. 2, n. 1, p. 27, doi. 10.1353/mod.1995.0006

By:

Kim H. Kowalke

Publication type:

Article

Happy End: ein Stück mit Musik in drei Akten by Kurt Weill (review).

Published in:

Notes, 2023, v. 79, n. 3, p. 1, doi. 10.1353/not.2023.0020

By:

Sultanof, Jeffrey

Publication type:

Article

Kurt Weill's America.

Published in:

2022

By:

Hagle, Matt

Publication type:

Book Review

Mahagonny: l'immaginario americano di Kurt Weill.

Published in:

Musica / Realtà, 2021, n. 126, p. 6

By:

Piccardi, Carlo

Publication type:

Article

The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music. Ed. Naomi Graber and Marida Rizzuti.

Published in:

Music & Letters, 2024, v. 105, n. 4, p. 600, doi. 10.1093/ml/gcae069

By:

Downes, Stephen

Publication type:

Article

Kurt Weill's Deadly Sins in Copenhagen.

Published in:

Danish Yearbook of Musicology, 2012, v. 39, p. 55

By:

KRABBE, NIELS

Publication type:

Article

Musical Affect, Musical Citation, Music-Immanence: Kurt Weill and the White Stripes.

Published in:

Postmodern Culture, 2015, v. 25, n. 2, p. 1, doi. 10.1353/pmc.2015.0005

By:

Brown, Nicholas

Publication type:

Article

Kurt Weill as Modernist.

Published in:

Modernism/Modernity, 2000, v. 7, n. 2, p. 273, doi. 10.1353/mod.2000.0025

By:

Daniel Albright

Publication type:

Article

Alan Paton's Cry, the Beloved Country and Maxwell Anderson's/Kurt Weill's Lost in the Stars.

Published in:

Arcadia -- International Journal for Literary Studies, 1975, v. 10, n. 1-3, p. 260

By:

MATLAW, MYRON

Publication type:

Article

SFIDA ALLE CONVENZIONI “GASTRONOMICHE” DEL TEATRO D’OPERA.

Published in:

Musica Docta, 2016, v. 6, p. 157

By:

Ficarella, Anna

Publication type:

Article

Das Droit Moral des Urhebers und der Film der Zwanziger Jahre: Der Dreigroschenprozess von Bertolt Brecht und Kurt Weill Revisited.

Published in:

Intellectual Property Journal / Zeitschrift für Geistiges Eigentum, 2017, v. 9, n. 2, p. 210, doi. 10.1628/186723717X14914885255204

By:

von Olenhusen, Albrecht Götz

Publication type:

Article

Kurt Weill und das Urheberrecht. Der andere Dreigroschenfilm-Prozess (= Rechtsgeschichte und Rechtsgeschehen – Kleine Schriften 48).

Published in:

Zeitschrift der Savigny-Stiftung fur Rechtsgeschichte: Romanistische Abteilung, 2020, v. 137, n. 1, p. 579, doi. 10.1515/zrgg-2020-0041

By:

Sorge, Christoph

Publication type:

Article

"OS SONS DO ESTRANHAMENTO: O CASO DE O VOO SOBRE O OCEANO DE BERTOLD BRECHT".

Published in:

KARPA: Journal of Theatricalities & Visual Culture, 2013, n. 6, p. 1

By:

Dos Santos, Adailson Costa;
Fernandes, Adriana

Publication type:

Article

Vom Abwaschmädchen zur Seeräuberkapitänin. Musik als Mittel politisch-ideologischer Vermittlung in der Musikphilosophie Ernst Blochs.

Published in:

Conflict & Communication, 2021, v. 20, n. 2, p. 1

By:

Schwinning, Reinke

Publication type:

Article

The Concept of the Concept Musical: Love Life, Cabaret, Company.

Published in:

Modern Drama, 2020, v. 63, n. 4, p. 415, doi. 10.3138/md.63.4.1094

By:

Rogers, Bradley

Publication type:

Article

Recordings in review.

Published in:

Yale Review, 1997, v. 85, n. 4, p. 176

By:

Gruber, Paul

Publication type:

Article

Mahagonny: surrealismo y dialéctica de la anarquía. Apuntes desde T.W. Adorno.

Published in:

Laocoonte, 2017, v. 4, p. 126, doi. 10.7203/laocoonte.0.4.10297

By:

Jaume Teruel, Marcelo

Publication type:

Article

IN POSSESSION OF A STOLEN WEAPON FROM JOHN GAY'S MACHEATH TO RUBÉN BLADES' PEDRO NAVAJA.

Published in:

Imaginations Journal, 2012, v. 3, n. 1, p. 45, doi. 10.17742/IMAGE.stealimage.3-1.7

By:

VISELLI, ANTONIO

Publication type:

Article

De España a Hollywood, haciendo escala en París, o la supervivencia del artista musical en el siglo XX.

Published in:

EU-topías: A Journal on Interculturality, Communication & European Studies, 2022, v. 23, p. 73, doi. 10.7203/eutopias.23.24760

By:

Sevilla Llisterri, Inés

Publication type:

Article

Existe música surrealista? Intersecções, cruzamentos, desvios.

Published in:

Cadernos de Literatura Comparada, 2023, n. 49, p. 61, doi. 10.21747/21832242/litcomp49a3

By:

Cortada Roberto, Isabella

Publication type:

Article

Towards a History of Operatic Psychoanalysis.

Published in:

Psychoanalysis & History, 2010, v. 12, n. 2, p. 173, doi. 10.3366/pah.2010.0004

By:

Carpenter, Alexander

Publication type:

Article

Rise and Fall of the City of Mahagonny/Aufstieg und Fall der Stadt Mahagonny.

Published in:

2013

By:

CARPENTER, ALEXANDER

Publication type:

Arts/Entertainment Review

Seduced by Poetry, Sickened by Mass Spectacle: Julia Franck's Gendered Portrait of Weimar Berlin in Die Mittagsfrau (2007).

Published in:

Feminist German Studies, 2020, v. 36, n. 2, p. 51, doi. 10.5250/femigermstud.36.2.0051

By:

SMITH, JILL SUZANNE

Publication type:

Article

Recordings.

Published in:

1995

By:

Zychowicz, James L.

Publication type:

Music Review

Nothing to Rely On Nature and Humanity in the City of Mahagonny.

Published in:

1997

By:

Katz, Eric

Publication type:

Book Review

Editorial.

Published in:

Studies in Musical Theatre, 2016, v. 10, n. 2, p. 159, doi. 10.1386/smt.10.2.159_2

By:

Burrows, George;
Symonds, Dominic

Publication type:

Article

Lady in the Dark as Musical Talking Cure.

Published in:

Opera Quarterly, 2015, v. 31, n. 1/2, p. 134, doi. 10.1093/oq/kbv004

By:

HINTON, STEPHEN

Publication type:

Article

Prompting Voice in Opera.

Published in:

Opera Quarterly, 2011, v. 27, n. 4, p. 460, doi. 10.1093/oq/kbs033

By:

Grover-Friedlander, Michal

Publication type:

Article

Dismantling the Gesamtkunstwerk: Weill, Neher and Brecht in Collaboration.

Published in:

Studies in Theatre & Performance, 2002, v. 22, n. 1, p. 30, doi. 10.1386/stap.22.1.30

By:

Thomson, Peter

Publication type:

Article

GLENDA FRANK in New York.

Published in:: 2007
Publication type:: Arts/Entertainment Review

Splitting the Atom of Kitsch: Reflections on Weill, Eisler and the Musical Theatre.

Published in:

Communications from the International Brecht Society, 2014, v. 43/44, p. 71

By:

Peters, Paul

Publication type:

Article

LOVEMUSIK.

Published in:

2007

By:

Panaghi, George

Publication type:

Arts/Entertainment Review

Brecht and his Composer / Eisler and his Librettist.

Published in:

Communications from the International Brecht Society, 2005, v. 34, p. 67

By:

Calico, Joy

Publication type:

Article

DIE DREIGROSCHENOPER (THE THREE-PENNY OPERA)/THE MASQUE OF THE RED DEATH.

Published in:

2008

By:

REMSHARDT, RALF

Publication type:

Arts/Entertainment Review

Book reviews.

Published in:

1997

By:

Lee, Josephine;
Remshardt, Ralf E.

Publication type:

Book Review

Artistic Value and Sentimental Value: A Reply to Robert Stecker.

Published in:

Journal of Aesthetics & Art Criticism, 2013, v. 71, n. 3, p. 282, doi. 10.1111/jaac.12024

By:

DODD, JULIAN

Publication type:

Article

A Study of Influence.

Published in:

Notes, 2025, v. 81, n. 3, p. 513

By:

MUGMON, MATTHEW

Publication type:

Article

How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde.

Published in:

Avant-Garde Critical Studies, 2019, v. 36, p. 487, doi. 10.1163/9789004388291_028

By:

Fjeldsøe, Michael

Publication type:

Article

Neue Sachlichkeit, Mass Media and Matters of Musical Style in the 1920s.

Published in:

Avant-Garde Critical Studies, 2013, v. 29, p. 185

By:

Grosch, Nils

Publication type:

Article