The Sword 'Which eats into itself': Romanticism, Napoleon and the Roman Parallel.Published in:2004By:Cheeke, StephenPublication type:Literary Criticism
The King's Artists: The Royal Academy of Arts and the Politics of British Culture 1760-1840.Published in:2004By:Paley, Morton D.Publication type:Book Review
Romantic Satanism: Myth and the Historical Moment in Blake, Shelley, and Byron.Published in:2004By:Bainbridge, SimonPublication type:Book Review
The Science and Poetry of Animation: Personification, Analogy, and Erasmus Darwin's Loves of the Plants.Published in:2004By:Packham, CatherinePublication type:Poetry Review
City of Health, Fields of Disease: Revolutions in the Poetry, Medicine and Philosophy of Romanticism.Published in:2004By:Cheshire, PaulPublication type:Book Review
British Poetry and the Revolutionary and Napoleonic Wars: Visions of Conflict.Published in:2004By:Cronin, RichardPublication type:Book Review
Romantic Consciousness: Blake to Mary Shelley.Published in:2004By:Hamilton, PaulPublication type:Book Review
'A Dark Image in a Phantasmagoria': Pastoral Idealism, Prophecy, and Materiality in Mary Shelley's The Last Man.Published in:2004By:Hutchings, KevinPublication type:Poetry Review
How Coleridge was Wilder than Byron.Published in:2004By:Halmi, NicnolasPublication type:Literary Criticism
Englishness, Effeminacy, and the New Monthly Magazine: Hazlitt's 'The Fight' in Context.Published in:2004By:Higgins, DavidPublication type:Literary Criticism
Talking Pimples: Hazlitt and Byron in Love.Published in:2004By:Wu, DuncanPublication type:Poetry Review