From the practice room to the concert venue.
- Published in:
- Dissonance / Dissonanz, 2015, n. 131, p. 28
- By:
- Publication type:
- Article
Works matching DE "STAGE presence"
Results: 18
1
2
The Effect of Selected Nonmusical Factors on Adjudicators’ Ratings of High School Solo Vocal Performances.
- Published in:
- Journal of Research in Music Education, 2012, v. 60, n. 2, p. 166, doi. 10.1177/0022429412444610
- By:
- Publication type:
- Article
3
Lois Marshall in MOSCOW.
- Published in:
- Queen's Quarterly, 2010, v. 117, n. 3, p. 358
- By:
- Publication type:
- Article
4
Performance Act.
- Published in:
- 1991
- By:
- Publication type:
- Book Chapter
5
Some Thoughts on Singing Competitions.
- Published in:
- VOICEPrints, 2018, v. 15, n. 4, p. 71
- By:
- Publication type:
- Article
6
Blackness as Medium. Body in Contemporary Theatre Practice and Theory.
- Published in:
- Theatralia, 2016, v. 19, n. 2, p. 91, doi. 10.5817/TY2016-2-5
- By:
- Publication type:
- Article
7
Jon Foley Sherman. A Strange Proximity: Stage Presence, Failure, and the Ethics of Attention. London: Routledge, 2016, xiii + 186 pp., £85.00 (hardback), £29.99 (paperback), £20.99 (PDF ebook).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
8
'Ghost Writing': An Exploration of Presence and Absence in Lucia di Lammermoor.
- Published in:
- Word & Music Studies, 2016, v. 15, p. 63, doi. 10.1163/9789004314863_005
- By:
- Publication type:
- Article
9
The art of creating a Kathakali performer’s ‘Presence’.
- Published in:
- Theatre, Dance & Performance Training, 2015, v. 6, n. 3, p. 323, doi. 10.1080/19443927.2015.1068216
- By:
- Publication type:
- Article
10
‘Taming of the impulse’: on The Wooster Group's acting techniques and methodologies.
- Published in:
- Theatre, Dance & Performance Training, 2013, v. 4, n. 3, p. 381, doi. 10.1080/19443927.2013.835217
- By:
- Publication type:
- Article
11
CHANGING for the Better.
- Published in:
- American Music Teacher, 2022, v. 72, n. 1, p. 24
- By:
- Publication type:
- Article
12
MEMORIAL RECONSTRUCTIONS: PRESENCE AND (RE)-PRESENTATION IN CARBONE 14'S LE DORTOIR.
- Published in:
- 2011
- By:
- Publication type:
- Case Study
13
Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology.
- Published in:
- Studies in Theatre & Performance, 2024, v. 44, n. 2, p. 268, doi. 10.1080/14682761.2022.2131981
- By:
- Publication type:
- Article
14
A strange proximity: stage presence, failure, and the ethics of attention.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
15
The Slippages of the Present and the Stage Presence in the Long-durational Performance - A Deconstructivist Perspective in the Context of Post-theory.
- Published in:
- Ekphrasis (2067-631X), 2018, v. 19, n. 1, p. 81, doi. 10.24193/ekphrasis.19.6
- By:
- Publication type:
- Article
16
The importance of teaching performance artistry.
- Published in:
- Journal of Popular Music Education, 2024, v. 8, n. 2, p. 255, doi. 10.1386/jpme_00110_1
- By:
- Publication type:
- Article
17
LE THÉÂTRE À LA PREMIÈRE PERSONNE : TADEUSZ KANTOR ET PIPPO DELBONO.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2012, v. 57, n. 1, p. 5
- By:
- Publication type:
- Article
18
6 THINGS I KNOW ABOUT GEMINOID F, OR WHAT I THINK ABOUT WHEN I THINK ABOUT ANDROID THEATRE.
- Published in:
- Australasian Drama Studies, 2014, n. 65, p. 272
- By:
- Publication type:
- Article