The Traumatized and Traumatizing (Sub)Version of Power in Sorrentino's The Young Pope.Published in:South Atlantic Review, 2021, v. 86, n. 1, p. 148By:Mariani, AnnachiaraPublication type:Article
Enterprise's T'Pol: Identity as a Multi-Faceted Battle of Gender Expectations.Published in:South Atlantic Review, 2021, v. 86, n. 1, p. 128By:Fern, BryanaPublication type:Article
One Woman's Song IS Another's: Sisterhood and Defying the Patriarchal Order in Jean Rhys's "Let Them Call It Jazz".Published in:2021By:Wright, PamelaPublication type:Literary Criticism
Inter- and Intra-Class Distinctions: Physical, Linguistic, and Competitive Features in Katherine Mansfield's Burnell Family Stories.Published in:South Atlantic Review, 2021, v. 86, n. 1, p. 95By:Cheek Miles, AdriannePublication type:Article
Authorial Agency and Political Value in The Rehearsal Transpros'd.Published in:2021By:Fitzhenry, WilliamPublication type:Literary Criticism
The Alchemy of Failure: Combining Facts and Fictions in Chaucer's "The Canon's Yeoman's Tale".Published in:2021By:Burt, KathleenPublication type:Literary Criticism
Fictional Metabiography and El monarca de las sombras (2017) by Javier Cercas.Published in:South Atlantic Review, 2021, v. 86, n. 1, p. 39By:Sánchez, JavierPublication type:Article
An Incarnational Poetic at Play in T.S. Eliot's The Cocktail Party.Published in:2021By:Crace, Benjamin D.Publication type:Literary Criticism
Mysterious Rootlessness: Jazz Improvisation and Divestment in Jackie Kay's Trumpet.Published in:2021By:Grandt, Jürgen E.Publication type:Literary Criticism