Works matching DE "RAP musicians"
Results: 320
"You-Don't-Wanna-Mess": A Case Study of Nonverbal Behaviors in Chinese Freestyle Rap Battles.
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- Western Journal of Communication, 2025, v. 89, n. 1, p. 1, doi. 10.1080/10570314.2023.2257638
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Fanonian Slips: The Rhetorical Function & Field of the White Mask.
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- Western Journal of Communication, 2023, v. 87, n. 3, p. 471, doi. 10.1080/10570314.2022.2131461
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Female Hip-Hop Artists in Outer Space.
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- Femspec, 2004, v. 4, n. 2, p. 296
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A Different Energy: The Critical Hip-Hop Teaching Artist and School Culture.
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- Urban Education, 2025, v. 60, n. 1, p. 305, doi. 10.1177/00420859221126711
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'Ca vient de la rue'.
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- Wasafiri, 2008, v. 23, n. 4, p. 36, doi. 10.1080/02690050802407995
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Hyphy Rap Music, Cooptation, and Black Fanatics in Oakland, CA (1994–2010).
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- Souls: A Critical Journal of Black Politics, Culture & Society, 2014, v. 16, n. 3/4, p. 242, doi. 10.1080/10999949.2014.970471
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On the Question of “Who's Out in Hip Hop”.
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- Souls: A Critical Journal of Black Politics, Culture & Society, 2014, v. 16, n. 3/4, p. 283, doi. 10.1080/10999949.2014.968974
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“I Am Not Just From Here:” The Roots of Hip Hop's Cosmopolitanism: A Reflection on Isoke's “Women, Hip Hop and Cultural Resistance in Dubai”.
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- Souls: A Critical Journal of Black Politics, Culture & Society, 2013, v. 15, n. 4, p. 338, doi. 10.1080/10999949.2013.884450
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Spitting Rhymes 'til Mourning Comes: an Exploration of Hip-Hop, Suicidal Thoughts, and Spiritual Lament.
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- Pastoral Psychology, 2021, v. 70, n. 4, p. 315, doi. 10.1007/s11089-021-00957-2
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El rap desde otras expresiones. Prácticas de encuentro y escucha desde los feminismos.
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- Cuicuilco Revista de Ciencias Antropológicas, 2022, v. 29, n. 83, p. 111
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RAP STORY. BIOGRAFICZNE ASPEKTY UCZENIA SIĘ ODCZYTANE Z TWÓRCZOŚCI TACO HEMINGWAYA.
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- Adult Education Discourses / Dyskursy Młodych Andragogów, 2023, n. 24, p. 221, doi. 10.34768/dma.vi24.665
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Represent your origins: An analysis of the diatopic determinants of non-standard language use in French rap.
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- International Journal of Francophone Studies, 2017, v. 20, n. 3/4, p. 209, doi. 10.1386/ijfs.20.3-4.209_1
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'Ma Face Vanille': White rappers, 'Black Music', and race in France.
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- International Journal of Francophone Studies, 2014, v. 17, n. 3/4, p. 421, doi. 10.1386/ijfs.17.3-4.421_1
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Rap as a Social and Political Revealer: Diam's and Changes in French Value Systems.
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- Culture, Theory & Critique, 2010, v. 51, n. 3, p. 257, doi. 10.1080/14735784.2010.527185
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Ogum, a voz do gueto: o orixá do Rap e da rima nas letras de Criolo e Emicida.
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- Plura: Journal for the Study of Religion / Revista de Estudos de Religião, 2020, v. 11, n. 1, p. 169
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Impoliteness in hip-hop music: African American and White artists' racist and sexist rhetoric.
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- Journal of Language Aggression & Conflict, 2022, v. 10, n. 1, p. 197, doi. 10.1075/jlac.00062.del
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Le "nuage noir" des Tarterêts: spatialité et historicité dans les clips vidéo de PNL.
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- Revista Fotocinema, 2022, n. 24, p. 291
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Beyond conformity: King Pinn's counter-hegemonic rap in post-2000 ZANUfied Zimbabwe.
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- Critical African Studies, 2025, v. 17, n. 1, p. 1, doi. 10.1080/21681392.2024.2446525
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BROTHERS AFTER ARMS.
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- Baltic Worlds, 2016, v. 9, n. 3, p. 26
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‘On n’est pas condamné à l’échec’: Hip-hop and the banlieue narrative.
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- French Cultural Studies, 2015, v. 26, n. 3, p. 354, doi. 10.1177/0957155815594068
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A ‘Picture-Perfect’ Banlieue Artist: Abd Al Malik or the Perils of a Conciliatory Rap Discourse.
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- French Cultural Studies, 2011, v. 22, n. 2, p. 151, doi. 10.1177/0957155810396063
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Disstrakan Bilang Verbal na Duwelo: Pagsusuri sa Tema't Diskursibong Istratehiya ng mga Diss Track Mula sa mga Rapper ng Dongalo at Ex-Battalion.
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- Humanities Diliman, 2023, v. 20, n. 1, p. 44
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I Got a Natural Skill...: Hip-Hop, Authenticity, and Whiteness.
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- Howard Journal of Communications, 2009, v. 20, n. 1, p. 37, doi. 10.1080/10646170802664979
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SELF-INSTRUCTION AMONGST CHINESE HIP-HOP MUSICIANS: REFLECTIONS ON INFORMAL MUSIC LEARNING IN CHINA.
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- Problems in Music Pedagogy, 2024, v. 23, n. 2, p. 17, doi. 10.59893/pmp.23(2).002
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The Fe-male Within: Ventriloquists, Tricksters, and Cyborgs as Inappropriate/d Femininities of and in Black Female American Gangsta Rap.
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- IUP Journal of Commonwealth Literature, 2010, v. 2, n. 1, p. 64
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Cambridge Days, Harlem Nights.
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- Harvard Political Review, 2019, v. 50, n. 2, p. 17
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One Man Show.
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- Harvard Political Review, 2018, v. 45, n. 3, p. 43
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'The Old Man is Dead': Hip Hop and the Arts of Citizenship of Senegalese Youth.
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- Antipode, 2014, v. 46, n. 1, p. 130, doi. 10.1111/anti.12036
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Modesty becomes him.
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- Asia Weekly, 2008, v. 2, n. 36, p. 11
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- Article
Rap Music in Social Work Practice with African-American and Latino Youth: A Conceptual Model with Practical Applications.
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- Journal of Human Behavior in the Social Environment, 2003, v. 8, n. 4, p. 1, doi. 10.1300/J137v08n04_01
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Authorship, subjectivity and resistance in the mainstream: A lesson from Israeli rap.
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- European Journal of Cultural Studies, 2018, v. 21, n. 4, p. 452, doi. 10.1177/1367549416682963
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‘Spitting Lines – Spitting Brands’: A critical analysis of brand usage in Polish rap.
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- European Journal of Cultural Studies, 2014, v. 17, n. 6, p. 736, doi. 10.1177/1367549414544118
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The musicalization of 'reality': Reality rap and rap reality on Public Enemy's Fear of a Black Planet.
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- European Journal of Cultural Studies, 2008, v. 11, n. 4, p. 405, doi. 10.1177/1367549408094980
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Negotiating cultural authenticity in hip-hop: Mimicry, whiteness and Eminem.
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- Continuum: Journal of Media & Cultural Studies, 2008, v. 22, n. 6, p. 851, doi. 10.1080/10304310802464821
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Freedom isn't Just Another Word For a Job Left to Lose.
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- CounterPunch, 2022, p. 1
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When All Else Fails to Explain American Violence, Blame a Rapper and Hip-Hop.
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- CounterPunch, 2022, p. 1
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Future is Not the Greatest Rapper Alive.
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- CounterPunch, 2022, p. 1
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SUBMISSION GUIDELINES.
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- Research in African Literatures, 2017, v. 48, n. 1, p. 185, doi. 10.2979/reseafrilite.48.1.0185
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- Article
Burning Down the House.
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- Modern Age, 2022, v. 64, n. 1, p. 52
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Dead men printed.
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- Callaloo, 1999, v. 22, n. 2, p. 306, doi. 10.1353/cal.1999.0065
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The "Audacity" of Visibility: Preta-Rara's Feminist Praxis.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2019, v. 9, n. 2, p. 21, doi. 10.5070/t492046322
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Ambivalent Sexism and Misogynistic Rap Music: Does Exposure to Eminem Increase Sexism?
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- Journal of Applied Social Psychology, 2007, v. 37, n. 12, p. 3025, doi. 10.1111/j.1559-1816.2007.00292.x
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Empowering Self, Making Choices, Creating Spaces.
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- Journal of American Folklore, 2000, v. 113, n. 449, p. 255, doi. 10.2307/542102
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Representing the Marginalized Other - The Swedish Hip-hop Group Advance Patrol.
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- Swedish Journal of Music Research / Svensk Tidskrift för Musikforskning, 2014, v. 96, n. 2, p. 105
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Twenty-first-century jeremiad: Contemporary hip-hop and American tradition.
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- European Journal of American Culture, 2008, v. 27, n. 2, p. 111, doi. 10.1386/ejac.27.2.111_1
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Polish Hip Hop at Home and Abroad: Return Migration in the Work of Taco Hemingway.
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- Journal of World Popular Music, 2023, v. 10, n. 2, p. 163, doi. 10.1558/jwpm.22212
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ANALYSIS OF ARABIC VARIETY IN ITALY: THE CASE OF IMMIGRANT RAPPERS.
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- Romano-Arabica, 2021, v. 21, p. 71
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Il rap nel mondo arabo: una forma d'avanguardia. Analisi di un corpus di area vicinorientale.
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- Romano-Arabica, 2020, v. 20, p. 373
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Pedagogy and Performance in Black Popular Culture.
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- Cultural Studies/Critical Methodologies, 2001, v. 1, n. 1, p. 24, doi. 10.1177/153270860100100103
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LA CIUDAD DE COMPTON Y SUS CUERPOS REBELDES EN LA SUPER BOWL 2022: CARTOGRAFÍA DE CINCO ESTRATEGIAS ESCENOGRÁFICAS DISEÑADAS POR ES DEVLIN.
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- Revista Proyecto, Progreso, Arquitectura, 2023, n. 28, p. 104
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- Article