Impressionism in Ukrainian Music.
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- Musicology of Lithuania / Lietuvos muzikologija, 2015, n. 16, p. 82
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Works matching Impressionism in music
Results: 49
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Od popisnosti realismu a programní hudby k zrakovým a sluchovým dojmům impresionismu. Claude Debussy a Claude Monet.
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- Hudební Výchova, 2022, v. 30, n. 2, p. 18
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- Article
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MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM.
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- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 1, p. 261, doi. 10.24193/subbmusica.2019.1.16
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Transmedia principles in impressionism spanning painting, music and literature.
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- Neohelicon, 2021, v. 48, n. 1, p. 299, doi. 10.1007/s11059-020-00558-7
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THE TRANSPOSITION OF MUSICAL KNOWLEDGE IN INTELLECTUAL EDUCATION.
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- Musica Docta, 2014, v. 2014, p. 17
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- Article
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Debussy--Ravel Parallels in the Mirror of Modern Artistic Trends.
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- Philobiblon: Transylvanian Journal of Multidisciplinary Research in Humanities, 2005, v. 10-11, p. 267
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Einflüsse des französischen Impressionismus um Claude Debussy auf die geistliche Musik Europas nach 1900.
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- Forum Kirchenmusik, 2012, v. 63, n. 5, p. 19
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- Article
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Moški in mešani zbori Rista Savina.
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- Musicological Annual / Muzikoloski Zbornik, 2012, v. 48, n. 2, p. 229, doi. 10.4312/mz.48.2.229-238
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IMPRESSIONISM IN SERBIAN MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 39, doi. 10.24193/subbmusica.2023.2.03
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10
RAVEL ON (HIS) IMPRESSIONISM.
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- Studia Universitatis Babes-Bolyai, Musica, 2017, v. 62, n. 1, p. 77, doi. 10.24193/subbmusica.2017.1.05
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS 'DEUX PIÈCES EN STYLE GREC' FOR VIOLIN AND PIANO.
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- Studia Universitatis Babes-Bolyai, Musica, 2012, v. 57, n. 1, p. 117
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THE MOTHER GOOSE PIANO SUITE -- AN AESTHETIC PARADIGM OF RAVEL'S MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 1, p. 67
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COMPARAR O INCOMPARÁVEL: UMA APROXIMAÇÃO ENTRE TOM JOBIM, DEBUSSY E MONET.
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- Revista Alea: Estudos Neolatinos, 2010, v. 12, n. 1, p. 107, doi. 10.1590/S1517-106X2010000100008
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14
In Adorno's Broken Mirror: Towards a Theory of Musical Reproduction.
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- International Review of the Aesthetics & Sociology of Music, 2009, v. 40, n. 1, p. 81
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15
Colour and refinement in Claude Debussy's Music.
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- Musicology Today, 2012, n. 11, p. 112
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16
ROMANIAN CORAL REVIEW III.
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- REVART: Specialized Review of Theory & Critique of Arts, 2012, n. 1, p. 27
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17
Stravinsky and the Octatonic: A Reconsideration.
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- Music Theory Spectrum, 2002, v. 24, n. 1, p. 68, doi. 10.1525/mts.2002.24.1.68
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18
The Modernization of Traditional Chinese Opera and a Local Perspective of Local Operas: A Case Study of the Research on the Yisu Art Troupe by Li Youjun and Guo Hongjun.
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- Contemporary Social Sciences, 2023, n. 6, p. 141, doi. 10.19873/j.cnki.2096-0212.2023.06.008
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19
Acoustical Demands for the Conductor's Location.
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- Building Acoustics, 2008, v. 15, n. 2, p. 79, doi. 10.1260/135101008785082506
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20
Impressionism and the modern landscape: Productivity, technology, and urbanization from Manet to Van Gogh.
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- 2010
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- Book Review
21
DEFENDING MUSICAL PERDURANTISM.
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- British Journal of Aesthetics, 2006, v. 46, n. 1, p. 59, doi. 10.1093/aesthj/ayj004
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22
Mixed affective responses to music with conflicting cues.
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- Cognition & Emotion, 2008, v. 22, n. 2, p. 327, doi. 10.1080/02699930701438145
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23
ANNULLING THE TRAUMA: NEOCLASSICISM AS A MODERNIST (?) ANTIDOTE TO SOCIETY'S ILLS.
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- New Sound: International Magazine for Music, 2019, v. 53, n. 1, p. 53, doi. 10.5937/newso1901053b
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24
Pet pesama Stefana Malarmea (Five Poems of Stéphane Mallarmé).
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- New Sound: International Magazine for Music, 2006, n. 28, p. 163
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25
C. Debussy's Vocal and Choral Music from The Aspect of Artistic Dialogue with The Traditions of Ancient Musical Art.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2022, v. 11, n. 2, p. 17, doi. 10.7596/taksad.v11i2.3147
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26
Claude Debussy's opera Pelléas et Mélisande : Secrecy, mystery and ambiguity in Debussy's life and art.
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- International Forum of Psychoanalysis, 2016, v. 25, n. 1, p. 31, doi. 10.1080/0803706X.2015.1042520
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27
NUO IMPRESIONIZMO Į SIMBOLIZMĄ: OSKARO MILAŠIAUS RUDENS DAINA.
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- Implied Meanings / Teksto Slėpiniai, 2015, v. 17, p. 5
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28
Farklı Modernist Eğilimler: Empresyonist ve Ekspresyonist Yaklaşımlar Çerçevesinde Müzik ve Modernizm.
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- Journal of Social Sciences Eskisehir Osmangazi University / Eskisehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi, 2015, v. 16, n. 2, p. 1, doi. 10.17494/ogusbd.87504
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29
MALLARMÉ, DEBUSSY ILI NIJINSKY: MONOLOG, IMPROVIZACIJA, PRELID I IGRA FAUNA?
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- Muzika, 2016, v. 20, n. 2, p. 6
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30
Music Inspired by the Sea: A Musical Parallel between The Sea by C. Debussy and A Sea symphony by R. V. Williams.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 37, doi. 10.31926/but.pa.2022.15.64.2.4
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31
Musical styles approached by Serbian composers in the first half of the 20<sup>th</sup> century.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 183, doi. 10.31926/but.pa.2021.14.63.3.18
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32
Musical styles approached by Serbian composers in the first half of the 20th century.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2021, v. 14, p. 183, doi. 10.31926/but.pa.2021.14.63.3.18
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33
The Piano Art in Claude Debussy's Sonorities Beau Soir - Lied.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. S2, p. 135
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34
Editorial.
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- Musicology Today, 2012, n. 11, p. 111
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- Article
35
Kompozitorius Adomas Grigaliūnas.
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- Musicology of Lithuania / Lietuvos muzikologija, 2021, n. 22, p. 156
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- Article
36
The Articulate Eye: Color-Music, the Color Sense, and the Language of Abstraction.
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- Configurations, 2017, v. 25, n. 4, p. 475, doi. 10.1353/con.2017.0029
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37
ЄВРОПЕЙСЬКІ ТА АМЕРИКАН)СЬКІ УЯВЛЕННЯ ПРО КИТАЙ)СЬКУ КУЛЬТУРУ, ВТІЛЕНІ В МУЗИЧНИХ ТВОРАХ: НОТАТКИ ДО УРОКІВ МИСТЕЦТВА.
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- Arts & Education / Mistectvo ta Osvita, 2022, v. 106, n. 4, p. 7, doi. 10.32405/2308-8885-2022-4(106)-7-11
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- Article
38
PSIHANALIZA, COMPONENTĂ IMPORTANTĂ A ESTETICII MUZICALE.
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- REVART: Specialized Review of Theory & Critique of Arts, 2023, v. 43, n. 2, p. 56
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- Article
39
A ROMANIAN MUSICOLOGICAL VISION OF CLAUDE DEBUSSY'S MODALISM.
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- REVART: Specialized Review of Theory & Critique of Arts, 2020, n. 35, p. 13
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40
On Michael Fried and Literary Impressionism.
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- Raritan, 2020, v. 39, n. 4, p. 47
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41
Music statistics: uncertain logistic regression models with applications in analyzing music.
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- Fuzzy Optimization & Decision Making, 2024, v. 23, n. 4, p. 637, doi. 10.1007/s10700-024-09436-8
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42
Мистецтво як зброя: творчість композиторки Богдани Фроляк часів російсько-української війни.
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- Artistic Culture. Topical Issues, 2024, v. 20, n. 2, p. 81, doi. 10.31500/1992-5514.20(2).2024.318254
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- Article
43
Od alegorie k subjektivnímu symbolu a secesní arabesce. Claude Debussy, James MacNeil Whistler a Stefan Mallarmée.
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- Hudební Výchova, 2022, v. 30, n. 3, p. 14
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- Article
44
Gara Garayev'in piyano eserlerinde Doğu-Batı bağlamında uygulanan muğam ilkeleri.
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- RAST Musicology Journal / Rast Muzikoloji Dergisi, 2020, v. 8, n. 2, p. 2382, doi. 10.12975/pp2382-2395
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45
POETRY AND ART: RETHINKING SYMBOLISM AND IMPRESSIONISM ACCORDING TO SEMIOTIC INTERFERENCES.
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- Scientific Research & Education in the Air Force - AFASES, 2012, v. 1, p. 409
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46
İZLENİMCİLİK AKIMI VE İZLENİMCİ MÜZİĞİN MORCEAUX IMPOSE GELENEĞİ İLE FLÜT REPERTUVARINA YANSIMALARI.
- Published in:
- Social Sciences Review of the Faculty of Sciences & Letters University of Uludag / Fen Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2021, v. 22, n. 40, p. 301, doi. 10.21550/sosbilder.749346
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47
ІМПРЕСІОНІСТИЧНІ ТЕНДЕНЦІЇ В МУЗИЦІ УКРАЇНСЬКИХ КОМПОЗИТОРІВ.
- Published in:
- National Academy of Managerial Staff of Culture & Arts Herald / Vìsnik Deržavnoï Akademìï Kerìvnih Kadrìv Kulʹturi ì Mistectv, 2024, n. 4, p. 363
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48
The Lyrical Impulse.
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- Journal of Literary Theory (18625290), 2017, v. 11, n. 1, p. 12, doi. 10.1515/jlt-2017-0002
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49
CLAUDE DEBUSSY'NİN YAYLI ÇALGILAR DÖRTLÜSÜ, OP. 10 ESERİNİN İNCELENMESİ: SEMBOLİST Mİ İZLENİMCİ Mİ?
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2025, v. 8, n. 1, p. 614, doi. 10.51576/ymd.1625886
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- Article