Works matching IS 20376847 AND DT 2020
Results: 17
Nonsense inscriptions in Britannia?
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- Poli-Femo, 2020, n. 20, p. 107
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Traductio studiorum : sur la fonction de la traduction au Moyen Âge.
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- Poli-Femo, 2020, n. 20, p. 87
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Traduzione e modalità di trasmissione della conoscenza.
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- Poli-Femo, 2020, n. 20, p. 69
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La figura professionale del futuro traduttore.
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- Poli-Femo, 2020, n. 20, p. 53
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Il traduttore e le tecnologie: prospettive professionali e didattiche.
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- Poli-Femo, 2020, n. 20, p. 33
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Vagueness for a reason. Understanding and translating ‘integration’ in the context of a European Union migration policy.
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- Poli-Femo, 2020, n. 20, p. 19
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Interpreting Studies and the Dissemination of Knowledge.
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- Poli-Femo, 2020, n. 20, p. 3
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Editoriale: Traduzione è conoscenza.
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- Poli-Femo, 2020, n. 20, p. VII
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Précis-writing: A Forgotten Pedagogic Tool in Translation Training Programmes and a Highly Professional Skill in the Language-Service Industry.
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- Poli-Femo, 2020, n. 19, p. 139
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L’expérience kinésique comme dynamique d’écriture: quelles singularités de l’essai critique en danse?
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- Poli-Femo, 2020, n. 19, p. 119
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The Laxly Said is Badly Thought. Theodor W. Adorno and the Critical Essay on the Arts.
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- Poli-Femo, 2020, n. 19, p. 97
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«Je suis vraiment Paul les Oiseaux». Su Antonin Artaud saggista.
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- Poli-Femo, 2020, n. 19, p. 77
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La Breve storia della musica di Massimo Mila.
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- Poli-Femo, 2020, n. 19, p. 53
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Sergio Solmi critico d’arte. Lineamenti per un’esperienza «di vita e di sentimento».
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- Poli-Femo, 2020, n. 19, p. 41
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Dal saggio critico al testo narrativo. Il sodalizio artistico Michetti-D’Annunzio.
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- Poli-Femo, 2020, n. 19, p. 19
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Il primo saggio di critica d’arte di Emilio Praga.
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- Poli-Femo, 2020, n. 19, p. 3
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Editoriale Note su note su note.
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- Poli-Femo, 2020, n. 19, p. VII
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